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Archive 2009 · 2009 FIRST SENIOR // BRIAN

  
 
rodrickreidsma
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p.18 #1 · 2009 FIRST SENIOR // BRIAN


Sergio Mottola wrote:
i simply will not use critique from photographers who do not create work that speaks to me. you can continue to waste your time if you'd like.


Huh. I've run into some amazing editors who can't shoot worth a lick. It doesn't mean they don't know a fantastic photo when they see one. Given, there are some folks here who can neither shoot anything but the obvious, nor seem to be able spot a great photo when its staring them in the face.



Apr 13, 2009 at 07:11 PM
jfinite
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p.18 #2 · 2009 FIRST SENIOR // BRIAN


we still talkin about this?


Apr 13, 2009 at 07:16 PM
mdude85
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p.18 #3 · 2009 FIRST SENIOR // BRIAN


SeanP wrote:
haha oh jeez we have a challange. this is going to go another 14 pages easy


Sergio and prof_fate works are both fine. They serve a completely different purpose -- like comparing Picasso to Monet. There is no use trying to determine which one is better since they share few if any similarities. You can stretch this thread another 15 or 20 pages arguing on the merits of both photographers.

I really like most of Sergio's work, except I think this particular set he posted lacks focus (and I don't mean in the camera). The photo with the homeless (?) man, the one in the parking lot and with finally the one with concrete are strange inclusions ... I fail to see how they tie the set together thematically. Instead of adding meaning, they are distracting and take away from the set's overall value. Just my opinion.



Apr 13, 2009 at 08:26 PM
RobertLynn
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p.18 #4 · 2009 FIRST SENIOR // BRIAN


Sergio Mottola wrote:
prof_fate, you are trying so hard to accomplish so little. i told you, your photos suck in my eyes. like, red light district suck. to others, they may not!

understand how this goes both ways? you dont like my photos, but many others do.

i simply will not use critique from photographers who do not create work that speaks to me. you can continue to waste your time if you'd like.


So if somebody gives you GOOD advice from sound technical principles and teachings just because you don't like their work, you won't listen? That's like me telling the country guitar player whose been playing for 20 years longer than I've been alive, that I won't listen to what he has to say, because I'm not into that music. You can learn something from anybody.

It seems to me that the only people who really like this set, are the ones that really like the cross processing washed out look. I don't, so it doesn't do it for me and it apparently doesn't do it for a lot of other people. That's great you've got a paying client who paid for this. If this is your idea of art, that's great run with it. It's subjective. Saying someone else, a professional who has worked in the field for however long, that their photos suck like a whore is a little uncouth, unprofessional and indicative of your level of maturity.

If out of focus subjects, senior shots without definition of who the subject is, and shots where the subject is either missing or completely out of focus sell for you, then run with it.

admittedly I don't know why I've posted here again because you've clearly stated your point. You don't give a shit what anyone one here, except the people who liked this set said. I don't know what's wrong with me that I'm posting again because it's a bit like bashing my head off of the wall...it's not serving a point. Before I didn't really think that this thread needed locked, but I think so now. Before there were a lot of good points to learn, now it's just showing some individual's arrogance.

Serg, I don't care if you respond to this but do this if you have a chance. Look at the work that's on your site. A lot that a lot of pros could learn from. Now look at this set. Do they compare? You only have to answer that to yourself, and I think you know the answer.



Apr 13, 2009 at 09:11 PM
SonicZoom
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p.18 #5 · 2009 FIRST SENIOR // BRIAN





Apr 13, 2009 at 09:18 PM
Tony Brown
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p.18 #6 · 2009 FIRST SENIOR // BRIAN


RobertLynn wrote:
So if somebody gives you GOOD advice from sound technical principles and teachings just because you don't like their work, you won't listen? That's like me telling the country guitar player whose been playing for 20 years longer than I've been alive, that I won't listen to what he has to say, because I'm not into that music. You can learn something from anybody.

It seems to me that the only people who really like this set, are the ones that really like the cross processing washed out look. I don't, so it doesn't do it for me and it apparently
...Show more



he's just a young punk.

still wonder why his license doesn't show up at the Tacoma bus. bureau.




Apr 13, 2009 at 09:37 PM
Sergio Mottola
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p.18 #7 · 2009 FIRST SENIOR // BRIAN


check university place, holmes


Apr 13, 2009 at 09:40 PM
Tony Brown
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p.18 #8 · 2009 FIRST SENIOR // BRIAN


i stand corrected.......



u still a punk.




Apr 13, 2009 at 09:47 PM
Marcel VanEerd
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p.18 #9 · 2009 FIRST SENIOR // BRIAN


(Is this now about etiquette as to when/how to take critique/compliments, or are we still discussing the photos Sergio posted?)

Sergio: I may not be a huge fan of your work posted here, however, I admire your capacity for trying new ways of expressing the way you see the world.

prof_fate: I feel that your first post was far from what I would consider appropriate critique. The way I interpreted your comments was that not only were you not impressed with Sergio's work, to which of course you are entitled, but you inserted comments suggesting knowledge of Sergio as a person and photographer, his work and his clients that I think you did not have.
I further feel that your comments were worded as being representative for an established standard: anything not abiding by your notions of what is good photography, is by default bad. I find that bad form and not exactly constructive to the enhancement and development of photography as a visual art form.



Apr 13, 2009 at 10:43 PM
sidewazzz388
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p.18 #10 · 2009 FIRST SENIOR // BRIAN


prof_fate wrote:
Thanks for being so kind as to say my photos suck, like a dirty whore.
I don't think I ever said that about your photos, but your attitude, well, that is another issue.

I wish I knew all there was to know at my age, let alone at 18. Must be nice to not have to learn anything more about photography.

See, what you have yet to learn is unless you do keep learning you'll never get better. And you're a long way from realizing you can learn something from everyone.

So how does if feel to know that you've reached your pinnacle and
...Show more

SO why dont you try to sim Serg's work and prove anyone can do it!



Apr 13, 2009 at 11:04 PM
Tony Brown
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p.18 #11 · 2009 FIRST SENIOR // BRIAN


Fate...just let it go. he is the greatest photographer in the state of WA. check in a year or two when the kids he went to school with are long gone.

i'd like to see the images without these filters in PP.



Apr 13, 2009 at 11:12 PM
Bill Sutherland
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p.18 #12 · 2009 FIRST SENIOR // BRIAN


Give the kid a break. He's moving away from the conventional photography of previous generations and producing something different. I personally don't like much of what I see but if it's generating plenty $$$$ then I'd like a few tips please on how to do it.

PS. Over here an unconventional image of this sort recently won first prize of $50,000. See
http://www.moranprizes.com.au



Apr 14, 2009 at 01:00 AM
Mike Mahoney
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p.18 #13 · 2009 FIRST SENIOR // BRIAN


Some random observations:

I was at my printers a few days ago and a well known studio came in about their 16X20 print order for one hundred and sixty graduating students. I get about $100 for my 16X20's and I think this studio gets a lot more. Still, even at a hundred bucks that's $16,000 worth of business. BTW every one was a studio photo shot in the prof-fate style. Boring but your bank account will love 'em.

If I had to pick 10 prints from only prof_fate and Serg to take on a desert island with me all 10 would be Sergs'.

I see lots of out-of-focus, headless, footless, and homeless photos in art galleries but none on the living room walls of friends homes I visit.

I look back at all the white vignette and selective color shots that we thought were so cool back in the day and realize what a joke they really were.

We will look back at all the flare and toned shots that we think are so cool today and realize what a joke they really are.

As for this “let's see if you can shoot in my style” smackdown both combatants here need to get over themselves, neither of you are really that good.



Apr 14, 2009 at 06:27 AM
prof_fate
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p.18 #14 · 2009 FIRST SENIOR // BRIAN


Marcel VanEerd wrote:
(Is this now about etiquette as to when/how to take critique/compliments, or are we still discussing the photos Sergio posted?)

Sergio: I may not be a huge fan of your work posted here, however, I admire your capacity for trying new ways of expressing the way you see the world.

prof_fate: I feel that your first post was far from what I would consider appropriate critique. The way I interpreted your comments was that not only were you not impressed with Sergio's work, to which of course you are entitled, but you inserted comments suggesting knowledge of Sergio as a
...Show more

You perhaps need to go back to the third response on page one. I don't think I said anything of the sort. I said nothing about him as a person. I said he needs to learn posing. Did I compare his images to an 'established standard'? Yes. Of course. What other of kind of standard is there? I compared them to senior pictures. Not studio, not flowers, not sports. If he had said they were art photos then I'd have used a different standard as a comparison. But as senior [ipotraits they do not meet the established standard.

No, I don't know his clients and that was addressed in the my first post as well. If the client liked them then that's great, these images are a success from that standpoint.

To save you the time of paging back, here is my critique for you to re-read, since you obviously missed it the first time around.

I am not familiar with your work so I can't say this is trademark or not. As senior portraits go these are not very good. Nice images, great for a model, etc, but not what sells to seniors.
What is the purpose of senior pictures? Two - money for the photographer and only you know what this kid/parent spent. Secondly to document their entry into adulthood, basically. They are, more or less, at their physical prime but yet very self concsious and unsure of themselves. Most are still very much under their parent's shadow/protection/support (kids in many ways, not yet adults).

Senior Pictures should make them feel grown up, important, independent, persons of substance, showcase their accomplishments, record them (favorably) at this point in their lives.

OK, your first pic maks the kid seem small, lost and insignificant. Most teens feel this way without you emphasizing it to them.
Of the second 'pair' of images the first he has a goofy look on his face. A non-seller. The second isn't bad, a but much PP IMO and the angle has his ears looking odd - on both sides of his head. Not flattering or attractive. Not portraiture.
The empty lot with a bum in it and the kid very OOF? Try being sober next time. Or perhaps get mom drunk - this isn't a pic that will sell you to other parents/kids.
Four works.
Five, a pair - second works. First has very odd composition, distracting BG (Sky) and a nasty expression on his face. Not something mom will want on her wall or he'll want to hand out to his friends to be remembered by.
chest down shot..art perhaps, but a portrait without even the head in it is NOT a portrait. Might work as part of a collage. Again, not something other parents/kids will see and say "Yeah, that's the look I want for my year book shot!"
Sitting on the tele pole...by now I'm getting very tired of his strait square look at the camera pose. You need to learn posing. More variety if for no other reason. This pose does nothing to make the subject look good. sloping shoulders, bad hand posing, crotch aimed directly at the camera, etc.
the last 'pair'. The one on the right is much better than the one on the left - hey look, he's not staring straight into the camera! the tree needs to go, it's got no reason to be in the image and is distracting.

Overal you need to learn posing, composition, direction of your subject and get the hell out of photoshop. Make good solid images and then perhaps spice a few up with actions. PS effects do not make up for undsound fundamentals.



Apr 14, 2009 at 06:27 AM
prof_fate
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p.18 #15 · 2009 FIRST SENIOR // BRIAN


sidewa388 wrote:
SO why dont you try to sim Serg's work and prove anyone can do it!


He's the one that says he has nothing to learn. So that implies he knows it all. If know everything about photography then to create a 'boring image that sucks' should be no challenge at all for him.





Apr 14, 2009 at 06:39 AM
prof_fate
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p.18 #16 · 2009 FIRST SENIOR // BRIAN


Mike Mahoney wrote:
As for this “let's see if you can shoot in my style” smackdown both combatants here need to get over themselves, neither of you are really that good.


I agree 100% with your post, even about me.



Apr 14, 2009 at 06:41 AM
VPell
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p.18 #17 · 2009 FIRST SENIOR // BRIAN


prof_fate wrote:
I agree 100% with your post, even about me.


That's funny considering you're the only one who tried the "let's see if you can shoot in my style" argument.



Apr 14, 2009 at 07:03 AM
Pfiltz
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p.18 #18 · 2009 FIRST SENIOR // BRIAN


All I can say at this point...

Hmmmmmmm ?



Apr 14, 2009 at 07:24 AM
panos.v
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p.18 #19 · 2009 FIRST SENIOR // BRIAN


prof_fate wrote:
Can you make a photo like this?
http://images.dpchallenge.com/images_portfolio/15000-19999/16648/800/Copyrighted_Image_Reuse_Prohibited_781230.jpg

I'm not asking if you like it or not, just CAN YOU DO IT? I think not. You lack the skills and knowledge to be able to do it. I can make pictures like yours. I did -before I knew better.


I'm not taking any sides in this as every style has it's place, but that shot is piss easy to do with a couple of lights and a reflector. It is the kind of shot you setup and then roll them in, tell them to tilt the head a bit and fire away. "That'll be $300 please" pick up your prints on the way out.

And while we're at it, the highlights on the cheeks are burned and she looks pink. Not the work of a master that is...

But what do I know.



Apr 14, 2009 at 08:07 AM
timbudtwo
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p.18 #20 · 2009 FIRST SENIOR // BRIAN


http://pix.motivatedphotos.com/2008/11/12/633620949410122924-ihaveawindmillinmybeard.jpg


Apr 14, 2009 at 08:18 AM
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