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p.11 #20 · A Leica M camera with an EVF is expected by the end of 2025 | |
RustyBug wrote:
Transitions ... that is the one word that sums up why I switched to shooting Leica glass from my former mfrs.
The way Leica designs is to incorporate their vast awareness and knowledge of optics and the human vision experience into a rendering the emulates the human physiological experience. Some folks understand and harness this. Others, fight against it with every MTF chart they can get their hands on.
Sure, they have a variety of lens designs that range from glow > acute precision ... but, undergirding that is their ethos for the above, and their understanding of its significance. This (imo) is what sets Leica glass apart from most of its "competition" (really, there isn't a ton of competition in this regard, but some are starting to pick up on it of late ... say Thypoch, Voigt) in the stills glass arena.
Many will say, it doesn't matter ... I can use any glass (and I can). But, I choose to use certain lenses ... and have to learn to harness their inherent attributes to get out of them, what the designers had in mind for the ethos of the design. In other words, don't try to make it something it was never meant to be.
The designers didn't "make mistakes" in the design, they "made decisions" about what they wanted to achieve from the design. Understanding that those goals may not be the same as what other mfr's goals might be (i.e. speed, MTF, obliterating bokeh, etc.) ... I think is the key to appreciating what a given design brings to the table.
It's not to look at a design for what it is not, but look to it for what it is. That, more so than to compare to different designs and be disappointed that it isn't the uber-anything (bokeh, mtf, etc.) of another. Rather, I tend to think that the transitions of approach includes the physiological response in balance, moreover than extreme(s).
For some, the extremes are much more readily seen. For others, the balance is much more appreciated.
Simply put ... when I use my human vision, the background doesn't "melt away", into a butter bokeh that is obliterated and devoid of any form. So, if one is trying to emulate the human physiological response, having transitions that mimic or emulate human vision may offer a response that is different from one that obliterates things beyond the natural vision. How far do we take that ... well, it's a sliding scale. Different folks want to land that in different places, but the point that Leica has an eye to this, and it is imbedded in their ethos for design is (imo) what makes Leica glass as their most desirable attribute of (subtle) distinction. Sure, lots of glass to choose from and varied amounts, but overall ... it's in the Leica DNA.
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Could not have said it better myself. This was a hard lesson to learn in my photography journey, even more so with the constant push online for maximum specs. But I am much happier now that I have learned it.
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