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p.19 #2 · p.19 #2 · New Cosina Voigtländer 50/3.5 APO & 50/2.2 VM announcement | |
philip_pj wrote:
It suggests there are trade-offs in lens design that have an effect on the 'diffraction profile' (we can call it). And that using the same methodology, these profiles vary considerably, making them even more important.
While looking at this matter, I noticed the MTF graphs for the Leica 50mm SL lenses (f1.4 and f2) indicate almost no fall-off from wide apertures to f8. It's doubtful you can cheat diffraction so easily. It raises questions about their methodology, but at least they report f8 data.
Like focus breathing (which tends to get waved away as 'it doesn't matter for stills photographers' (!)), it's a blind spot for you to figure out - after you buy a lens and compare it with others at that FL.
But aperture-related image quality is very important to photographers using mid-apertures frequently. Zeiss used to give Lloyd Chambers the entire MTF by aperture series, but he craftily put them behind his $$ wall. Zeiss gave them to him but not their users! He hides it to make subscription money. It's enough reason to not pay him, IMO. Example:
'Aperture series 1.8,2,2.8,4,5.6,8,11,16 available in full article
MTF for Zeiss Batis 85mm f/1.8 Sonnar from f/1.8 through f/16'...Show more →
Lloyd's aperture series are just him taking a given scene and providing high res shots taken at all apertures. I don't think he had any special MTF charts, but it's been years since I subscribed to his Zeiss classic lens section, so I don't recall exactly.
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