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Archive 2015 · Leica SL images and specs. Looks somehow familiar...

  
 
uhoh7
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p.26 #1 · Leica SL images and specs. Looks somehow familiar...


Jon Tainton wrote:
Ah, this insightful user review http://www.photoclubalpha.com/2015/10/29/sony-a7r-ii-review-by-david-kilpatrick/ may shed some light on the sub par performance of lenses on the Sony A7 series

The E/FE lens-body system is built round a concept of achieving final accuracy in alignment and focus without needing precision in every component. The nominal 18mm mount to sensor register doesn’t have to be perfect (and seems to vary by at least ±0.1mm). All Sony E and FE mount lenses compensate for variations and use free-floating magnetic focus often combined with floating OSS – they don’t have fixed infinity stops. Just as the bodies don’t have to be all that precise, the
...Show more

This guy is pretty savy, I have been a member on his forum for years, though I rarely post. He may be on to something.

He has been using the DSLR sonys for a long time, and those guys are usually clear eyed about the A7x.

adamdewilde wrote:
Skintones seem off. Blah colors. And the rendering from the lens is not exciting at all once you step back a bit.
As far as colors are concern, I'm willing to use the camera and decide for myself. BUT the lens is kinda bothering me, as I have a feeling it's not going to give me the results I want. IF the S-adapter was out, I would have just picked up two SL cameras and used the S-lenses (assuming AF is as fast or faster then the S-007).

I guess when I get back home I'll know for myself..


Ron has really showed the files can look fantastic. My fave was when he redid the FLE from DPR

Zooms are not going to compete with the primes we love. If you really want the best zoom for the SL, "sack up" and get the S 30-90, which I'd wage is very very sick on the SL

rscheffler wrote:
Hmm... good thing I haven't sprung for the 28 Lux, feeling quite content with the 28 Cron. Perhaps this is a sly way for Leica to provide a fast wide prime lens immediately for the SL, granted without the AE/AF conveniences, once word leaks out that it's better than on the M?

What? Now you are content with the cron? I though it was "too clinical"?

hiepphotog wrote:
The current M240 is already at 1mm..


Optical or Physical and what is your source?

Ilija is under the impression the 240 is .8mm same as M9. This is believable since the new Kolari mod is also .8mm


Comparing the 28 Lux vs the 28 Elmarit: it is an extreme contrast in design. I got the feeling leica went to some trouble to get the Elmarit tuned on the 240. The tiny lenses are always the most finicky on digital, it seems.

It's interesting to see the evolution in impression about the SL. Of course I was right from the beginning

Steve Huff is now smitten:







Nov 24, 2015 at 01:39 PM
Steve Spencer
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p.26 #2 · Leica SL images and specs. Looks somehow familiar...


uhoh7 wrote:
This guy is pretty savy, I have been a member on his forum for years, though I rarely post. He may be on to something.

He has been using the DSLR sonys for a long time, and those guys are usually clear eyed about the A7x.

Ron has really showed the files can look fantastic. My fave was when he redid the FLE from DPR

Zooms are not going to compete with the primes we love. If you really want the best zoom for the SL, "sack up" and get the S 30-90, which I'd wage is very very sick on
...Show more

Charlie, it is appearing--to me at least--that the division of what works on the SL is whether the lens was designed for film or digital. The 35 cron ASPH, the 28 Elmarit ASPH, and the 28 cron ASPH all show some pretty serious decrements in performance but were clearly designed for film. All the other lenses 50mm and wider that are currently available, were made since Leica switched to digital (i.e., 2006). It is looking like all of these lenses (and of course the one's longer than 50mm) will work fine with the SL. We also know that Leica made the 28 Lux ASPH so that it works better with the SL than the M, and there is rumor of a new 28 cron ASPH coming out before too long.

It sure looks to me like the new M will have the same glass as the SL (perhaps the M262 as well) and that this new cover glass will become the standard for Leica. If they replace the 28 cron ASPH and the 35 cron ASPH, (and perhaps a slower 28) then all their current M lenses will work just fine with the SL and the new M. The current M lenses will all be post digital (except for the 90 cron ASPH and 135 Elmar APO, which hardly matter although I wouldn't be shocked to see these updated too).

So, I think the thicker cover glass of the SL is the way of the future, but obviously for some who prefer the older glass either a modified Sony or an M9 or M240 might be a nice option.



Nov 24, 2015 at 02:50 PM
rscheffler
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p.26 #3 · Leica SL images and specs. Looks somehow familiar...


Charlie, I love the 28 Cron. But sometimes for people photos it is too sharp. The older, 'flawed' Leica 28s seem to be more forgiving, in this respect.


Nov 24, 2015 at 03:20 PM
hiepphotog
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p.26 #4 · Leica SL images and specs. Looks somehow familiar...


uhoh7 wrote:
Optical or Physical and what is your source?



Sean Reid behind his pay wall. Most likely physical thickness, though if it's the same glass, the optical thickness would be more on the M240 as well.



Nov 24, 2015 at 04:16 PM
adamdewilde
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p.26 #5 · Leica SL images and specs. Looks somehow familiar...


rscheffler wrote:
Charlie, I love the 28 Cron. But sometimes for people photos it is too sharp. The older, 'flawed' Leica 28s seem to be more forgiving, in this respect.


Funny you say that.. I feel the opposite. I think the 28Cron's sharp subject rendering is what makes the person pop out of the chaos created by wide angle lenses. You don't get a shallow DOF, so you need something sharp to draw in the eye Then again, maybe my images aren't that interesting to begin with :P

Although to be fair, I always focus and recompose. So I'm not hitting CRITICAL sharpness.. And I'm now so use to the sharpness of the 50APO and 35FLE (sharp with good falloff) that I don't really consider the 28cron sharp anymore.


I'm on the airplane headed back to SG. Will be picking up my SL+Zoom the day I land But will probably need a few days due to work/jet lag etc..



Nov 24, 2015 at 05:00 PM
airfrogusmc
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p.26 #6 · Leica SL images and specs. Looks somehow familiar...


airfrogusmc wrote:
I'm hoping that Leica releases an M-E with the new CMOSIS censor. I want less automation. Keep it simple and gadget free. We already have gadget heavy choices. Nice to have a choice that is really different.


Looks like Leica was listening M 262....



Nov 24, 2015 at 08:40 PM
uhoh7
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p.26 #7 · Leica SL images and specs. Looks somehow familiar...


Steve Spencer wrote:
Charlie, it is appearing--to me at least--that the division of what works on the SL is whether the lens was designed for film or digital. The 35 cron ASPH, the 28 Elmarit ASPH, and the 28 cron ASPH all show some pretty serious decrements in performance but were clearly designed for film. All the other lenses 50mm and wider that are currently available, were made since Leica switched to digital (i.e., 2006). It is looking like all of these lenses (and of course the one's longer than 50mm) will work fine with the SL. We also know that Leica
...Show more
Please bring me up to speed here:

So, we know the SL has a thicker cover.......how? We know the 28 Lux was designed for the SL, how? Not saying you are wrong on either point, but what is the source? As to Sean Reid, who I having nothing against at all, how does he know the cover thickness on the M240? It's too bad Leica does not just tell us these things. It's not like cover thickness is some secret formula for the atomic bomb.

As to designed for film or digital concept and various lenses. The 28 cron and 28 elmarit are totally different designs, and the cron is the stronger for digital cameras, is my impression. Nevertheless both are fine on the M9 and 240, in fact the cron is far beyond fine. It is great. Is it weak on the SL?

The 35/2 ASPH is also very good on M9 and 240, nevermind some grumbling posts here and there which really are about the render. At f/2 it's fantastic. And despite mid-zone dips, it shoots very good landscapes once you stop down aways, and such a small lens. Sean finds it weak on the SL, how so?

There "design for film/digtial" and there is just "design", both will vary film v digital, more or less.

There may be other filter issues, e.g. low pass, which have been tweaked on the SL to enhance video, and perhaps there are other anti-moire tweaks on the SL, which may have an effect.

anyway these are interesting issues about which I am very curious.

I don't expect copy and past from behind paywall's but some paraphrasing will only help Sean and/or LLoyd's reputation.



Nov 24, 2015 at 10:34 PM
Steve Spencer
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p.26 #8 · Leica SL images and specs. Looks somehow familiar...


uhoh7 wrote:
Please bring me up to speed here:

So, we know the SL has a thicker cover.......how? We know the 28 Lux was designed for the SL, how? Not saying you are wrong on either point, but what is the source? As to Sean Reid, who I having nothing against at all, how does he know the cover thickness on the M240? It's too bad Leica does not just tell us these things. It's not like cover thickness is some secret formula for the atomic bomb.

As to designed for film or digital concept and various lenses. The 28 cron and
...Show more

Here is what we know from various tests. The 28 elmarit ASPH shows worse corner performance on the SL than the M240. We know this from 3 sources. Jono Slack has posted images showing this on the Leica Forum. Another poster in the link that Hiep originally posted and I reposted found the same thing, and those who have seen it say Sean Reid has shown the same thing. We also know that the 35 cron ASPH has worse corner performance on the SL than the M240. We know this from the link I reposted earlier and from Sean Reid. We also know than the 28 cron doesn't perform quite as well on the SL as the M from the link I reposted earlier. We also know that the 28 Elmarit ASPH was designed in 1993, the 35 cron ASPH in 1997, and the 28 cron in 2000. All designed more than five years before Leica came out with the M8, so it seems reasonable to assume those lenses were designed with the plan they would be used on a film camera not a digital camera.

So do we know that the SL has thicker cover glass? There is no source for it yet, but the impaired corner performance on these three lenses compared to the M240 is certainly evidence consistent with the idea that the SL has thicker cover glass. No we don't know this yet, that is why I said it appears to me, and it does appear to me that the SL has thicker cover glass based on its performance with those three lenses.

In addition to the above we also have evidence from Sean Reid that the new 28 lux ASPH shows notably better performance on the SL than the M240. Several people have commented on the test from Sean Reid and all report seeing fairly clear evidence that this lens performs better on the SL. Given that the 28 Lux ASPH came out this year and performs better on the SL that also came out this year, I don't know what you want to call it but I don't think it is unreasonable to say that it is likely that the 28 Lux ASPH was tested on the SL and that Leica knew it performed better on the SL than the M240. Now maybe you wouldn't call that being designed for the SL, but I would. It certainly appears to me that the 28 Lux ASPH was designed to work with the SL.

Putting these two lines of thought together it does certainly appear to me that the SL has a bit thicker cover glass (at least optically) and that the 28 Lux ASPH was designed to work with the SL (and its cover glass). That does make me wonder whether as Leica renews the 28 cron ASPH and the 35 cron ASPH (and maybe a slower 28mm) if these lenses won't work much better with the SL. I am optimistic they will, and further I expect the new M to have cover glass much like the SL.



Nov 24, 2015 at 11:23 PM
edwardkaraa
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p.26 #9 · Leica SL images and specs. Looks somehow familiar...


Charlie, the thicker cover glass info comes from Leica itself and its "official" reviewers Jono and Kristian. As for the 28 lux, no one claimed that Leica designed it for the SL. I am perhaps guilty of having started this conjecture, but the fact is, the lux works better on the SL than on the M in the corner, so you can make your own conclusions.


Nov 24, 2015 at 11:35 PM
hiepphotog
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p.26 #10 · Leica SL images and specs. Looks somehow familiar...


Steve Spencer wrote:
Here is what we know from various tests. The 28 elmarit ASPH shows worse corner performance on the SL than the M240. We know this from 3 sources. Jono Slack has posted images showing this on the Leica Forum. Another poster in the link that Hiep originally posted and I reposted found the same thing, and those who have seen it say Sean Reid has shown the same thing. We also know that the 35 cron ASPH has worse corner performance on the SL than the M240. We know this from the link I reposted earlier and from Sean
...Show more

I totally agree with this assessment. I wouldn't be surprised either that Peter Karbe has a hand in this. I think that Charlie just does not like the possibility of the new M having a thicker sensor glass. Either way, it's all inconsequential in a long run when Leica continues to churn out exceptional glasses that perform well on their new cameras. They just finished their Luxes line, might as well complete the Cron APO line. The next Cron 28 might be an APO.



Nov 24, 2015 at 11:48 PM
uhoh7
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p.26 #11 · Leica SL images and specs. Looks somehow familiar...


hiepphotog wrote:
I think that Charlie just does not like the possibility of the new M having a thicker sensor glass..


First, TY to everyone, esp Steve for the review of the latest evidence.

I had not even thought about the cover on the next M, and of course the cover itself I only care about because of it's effect on lenses. You guys make a strong case the SL does have something going on which at least optically is "thicker".

That makes me cringe, and frankly I regard it as a betrayal, though perhaps a fairly slight one. How's the SEM 21? We would hope the longer register of the R lenses means you would not see much effect at least with that line.

The reasoning is what I'd like to understand. Perhaps the S lenses prefer this? The SL is a bridge camera, connecting S to M and even to T. Why is M performance sacrificed at all?

Incredibly stupid on the face of it, but perhaps there is some thinking I don't get, besides a plot by Karbe to sell new designs.

As to a new M which also performs worse than M240 with M glass? Well you just shot a large portion of your loyal Leica followers, many who have all sorts of older favorites, right in the face. The resistance to CMOS will be nothing in comparison. I don't believe it will happen, but this is the company which gave autofocus to Minolta, dumped the CL, and continues to fatten the M body, so they may actually be capable of such an idiotic move: pissing on Mandler, basically. Not the greatest plan for a system which banks in no small portion on tradition, in a time when extracting great performance from film lenses is getting easier, not harder.

But I'd bet a six-pack to anyone who is inclined to think the next M won't be as good or better with the late M film lenses as the 240 or M9, for hell hath no fury as an M lens lover scorned. Look what happened when Leica hinted support of the M9 sensor might end.

Steve Spencer wrote:
and further I expect the new M to have cover glass much like the SL.

I so much appreciate your synopsis and cannot argue with any of it, but this last half sentence seems non-sensical speculation. Let's make a M camera that's worse with M lenses? Steve the M mount itself is totally outdated, as you must realize. The only reason the M mount is used at all is to support the lenses. The SL is one thing. It's a T mount. The next M will have one priority above all else, or it will fail: make M lenses shine.

Le raison d'être



Nov 25, 2015 at 02:18 AM
Steve Spencer
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p.26 #12 · Leica SL images and specs. Looks somehow familiar...


uhoh7 wrote:
First, TY to everyone, esp Steve for the review of the latest evidence.

I had not even thought about the cover on the next M, and of course the cover itself I only care about because of it's effect on lenses. You guys make a strong case the SL does have something going on which at least optically is "thicker".

That makes me cringe, and frankly I regard it as a betrayal, though perhaps a fairly slight one. How's the SEM 21? We would hope the longer register of the R lenses means you would not see much effect at least
...Show more

Charlie,

The 21 SEM seems to do fine on the SL, but more testing may be needed to make sure. Really the troublesome three I mentioned before are the only ones that seem to cause significant problems, but we might find more later. That is of the currently available lenses. So, if the new M has the same cover glass as the SL, it is not a new M that is worse with M glass in general. It is a new M that is worse with old M glass, but not the stuff that has been made in the last ten years since Leica introduced digital cameras. The new M might would also be better with the 28 Lux ASPH, and probably a new 28 cron and 35 cron if they make them. Most older lenses wider than 50mm show problems now (and they can't be coded to handle colour fringing well), so I don't see this as a huge issue, but I am sure others will.

If Leica makes lenses to replace the troublesome three, then the troublesome three will drop in price will and people will still be able to use them on older cameras. Yes, some people will get pissed, but it isn't then end of the world, IMO. You know what I think you get with the thicker glass. 1) less IR contamination which Ron has shown pretty clearly still happens a bit. 2) better durability 3) better control of dust. So, I understand why some might not like it, but perhaps you can see why some might.

Oh, by the way a lot of Mandler glass would be just fine as he seemed to like long exit pupils and retrofocal designs. His fifties and longer M lenses would all be fine. All his R lenses would be fine. If you want a stellar set of Mandler glass the R 19 f/2.8 vII, the R 35 f/2 vII, and everything longer should work fine. Only the M 21 Elmarit, the M 28 Elmarit vIII, and his M 35 crons and lux wouldn't work. This is a very small percentage of his lenses. No need for him to roll over in his grave. The Mandler look would survive very well on such an M camera.



Nov 25, 2015 at 03:38 AM
Mitch Alland
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p.26 #13 · Leica SL images and specs. Looks somehow familiar...


Steve Spencer wrote:
...The new M might would also be better with the 28 Lux ASPH, and probably a new 28 cron and 35 cron if they make them...


No experience with the Summicron-35 ASPH, but have shot with the Summicron-28 extensively on the M9 and MM and cannot agree that it's a lens the works better on film than on digital. Apart from a design fault that makes the front element subject to looseness, I can see no reason, or probability, that Leica would redesign this excellent lens "soon".

On the more general issue of whether the latest lens designs are for film or digital, I would think that the desirability of "digital designs" (i.e., various type of corrections by software rather than in the physical aspects of the lens) is largely determined by the extent of cost saving in manufacturing cost.

On the assertion that Summilux-28 having been designed to work best in the SL, that seems a farfetched speculation.



Nov 25, 2015 at 10:47 AM
Steve Spencer
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p.26 #14 · Leica SL images and specs. Looks somehow familiar...


Mitch Alland wrote:
No experience with the Summicron-35 ASPH, but have shot with the Summicron-28 extensively on the M9 and MM and cannot agree that it's a lens the works better on film than on digital. Apart from a design fault that makes the front element subject to looseness, I can see no reason, or probability, that Leica would redesign this excellent lens "soon".

On the more general issue of whether the latest lens designs are for film or digital, I would think that the desirability of "digital designs" (i.e., various type of corrections by software rather than in the physical aspects
...Show more

Well there was a rumour this week on Leica rumours posted earlier in the thread that Leica will be coming out with a new 28 cron. I think that is certainly a distinct possibility, but we will know more before long. The 28 cron is 15 years old and it was designed 5 years before the first Leica digital M, so I think it is safe to say it was designed to be used on film. IMO, designed for digital does not mean designed for correction by software, but rather designed with the limitation of digital sensors (including the cover glass on the sensor). For example, I would say that the Leica M 50 cron AA is definitely designed for digital sensors even though it isn't designed at all with software correction in mind.

With regard to the 28 Lux ASPH it does perform better on the SL than the M240, now maybe that was an accident or a mistake by Leica, but I think it may well be intentional. Since the lens does perform better on the SL what do you think that means? I don't think it is far fetched to say that Leica meant for it to perform as it performs. I do agree it is speculation, however, that they meant it to perform this way because of the sensor that will be on the new M due out next year. I think that speculation is an interesting idea, but obvious I don't know that. We won't know until they announce the new M or perhaps a bit later when it comes out.



Nov 25, 2015 at 08:56 PM
JaKo
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p.26 #15 · Leica SL images and specs. Looks somehow familiar...


Oh, by the way a lot of Mandler glass would be just fine as he seemed to like long exit pupils and retrofocal designs. His fifties and longer M lenses would all be fine. All his R lenses would be fine. If you want a stellar set of Mandler glass the R 19 f/2.8 vII, the R 35 f/2 vII, and everything longer should work fine. Only the M 21 Elmarit, the M 28 Elmarit vIII, and his M 35 crons and lux wouldn't work. This is a very small percentage of his lenses. No need for him to roll over...Show more

Way to go Steve! You just ensured that Karbe can sleep well with a pioneering smile.




Charlie, perhaps this is a good point in time [2015] to consider that Leica M glass enthusiasts who admire Leica glow, Mandler’s look, hazy/painterly transitions may not necessarily be the primary target for Leica’s new opening stores.

You and many alike may be troubled by the possibility of Leica is going forward and this time they maybe parting with the idea of compatibility with old M39/M lenses. But let’s face it, it’s all about $$$ after all and Leica is frequently ‘Under New Management’ to stay in business.

Consider this; some new Leica digital camera buyers get brand spanking new M240/MP and ask for recommended lenses; what do you expect the [Leica] sales staff will suggest? Getting 35mm 1118xxx from a specific batch and in yellow side print or 50mm Lux 11xxx from years 19xx-19x8 and with a pull out hood will just make the average buyer run out screaming in confusion (and Leica staff short of commission). Not everyone must be Puts Compendia ‘educated’ or willing to get 30 years old used glass for their new camera. Some do, not all. Check how many images posted in FM Leica thread are taken by new Leica owners shooting Mandler’s or older lenses? Most likely many new M/x buyers will purchase their brand new Leica lenses that match camera bodies; M/S or whatever it’s, and are available at the stores with full warranty.

Maybe Leica feels that their core users already have more than plenty of M lenses for their film M and digital M8/9/240 and not many owners want to trade for latest & greatest? Are you willing to trade you ‘character’ 28, 35 or 75-Lux lenses for the ‘new and improved’? I hope you don’t, but Leica maybe targeting different market ignoring [or not directly considering] hordes of old collectors who already own Leica M glass.

Hard to say, but many who got their Leica lenses for their unique look may want to stick to their cameras the lenses were intended to or compatible with as Leica may just march forward.
Perhaps, as mentioned somewhere on FM recently, old and circa 2003 lenses simply limit the progress of higher resolution Leica cameras/sensors and Leica simply needs to come up with new Leica cover glass/lenses/bodies.
Time will tell, but for now, let’s enjoy shooting classic M glass on whatever we have, regardless if 0.8/1.0 or 1.91003mm



Nov 25, 2015 at 09:34 PM
edwardkaraa
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p.26 #16 · Leica SL images and specs. Looks somehow familiar...


The difference in glass thickness is just 0.1 mm. It makes a clear and significant difference in corner performance on some lenses, but not enough to justify the latest conspiracy theories. In fact when Leica went up from 0.8mm on the M8 to 1.0mm on the M9/M240, there were no such suspicions.


Nov 25, 2015 at 09:40 PM
uhoh7
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p.26 #17 · Leica SL images and specs. Looks somehow familiar...


"designed for digital" is essentially meaningless. Which digital?

Sony lenses are designed for digital, but those parameters are totally different than the 50 APO. Leica has already proved the "Film" lenses can have really outstanding performance on digital. It's quite easy to argue the 28 cron is the best 28 in the world on digital right now, including the 28 lux, though perhaps excluding the coming elephant from Zeiss. One could make the opposite case and prefer the Lux, but the lines are pretty clear and the Cron is a masterpiece. Tell me a DSLR 28 which is better?

There is no telling what Leica will do, but why go to a thicker cover on the M, what is the reason?

In fact I believe the long term trend is in the opposite direction: improved handling of steep ray angles. What is the most advanced still camera made by Sony? RX1R2.

Why do we want to handle steep rays? Compact lenses. BSI already puts the wells forward which can help with ray angles. Organic sensors are on the horizon. Unlike the diffraction limits of Pixel Pitch which we are already dealing with, the engineering limits on ray angles are not in sight for digital sensors.

The megapixel race is nearly over. The race for a true professional compact system is in it's infancy. We will see small fast 2470/2.8 zooms on EVILs within a decade, as the sensors handle closer elements better, and these big FE lenses will seem like the dinosaurs from a dark age.

As will this monster made for the SL, I'm afraid.



Nov 25, 2015 at 09:49 PM
hiepphotog
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p.26 #18 · Leica SL images and specs. Looks somehow familiar...


uhoh7 wrote:
"designed for digital" is essentially meaningless. Which digital?

Sony lenses are designed for digital, but those parameters are totally different than the 50 APO. Leica has already proved the "Film" lenses can have really outstanding performance on digital. It's quite easy to argue the 28 cron is the best 28 in the world on digital right now, including the 28 lux, though perhaps excluding the coming elephant from Zeiss. One could make the opposite case and prefer the Lux, but the lines are pretty clear and the Cron is a masterpiece. Tell me a DSLR 28 which is better?

There is
...Show more

Well, I would say on the SL/Modded Sony, the Lux 28 looks much better than the Cron 28. I don't have the Lux yet, but I can say that the Cron 28 goes well with the Lux 50/1.4 look, but not the Cron 50 APO look. Many Lux 28 owners said that it matches well with the modern Leica draw of the Cron 50. All it means is that you really like your Cron 28, but it doesn't mean it's "the" 28 that everyone should get.

I do agree that sensor tech wise, we are moving toward sensor that can handle steep rays. This is a necessity for camera phone, ironically, not for smaller interchangeable rangefinder or mirrorless lenses.

But, if anything is going to materialize, Leica would be among the last to get that sensor tech. So in the mean time, they still need to survive by churning out more modern optics. We don't know for sure what they are going to do with the next M's sensor, but I'm quite sure, with Karbe, more modern Leica optics will come out. And they would be more friendly to digital sensor now than the old Leica. It seems that Christoph Horneber laid out a good path for later Leica opticians to follow.




Nov 25, 2015 at 10:21 PM
JaKo
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p.26 #19 · Leica SL images and specs. Looks somehow familiar...


"designed for digital" is essentially meaningless. Which digital? <--any digital that's different from warped thickness of 0.001x film, so M8/M9/M24x & sometin' close I guess

Again and again, why some Leica users really need to bring Sony into Leica thread discussion? No one cares about 0.1mm on under-resolutioned M8/M9/M24 MP [just check LUF images sized to camouflage] so skip the 'sony envy' please.

Now, for good quality Leica lenses like decent Lux 50, acclaimed 50 APO, Lux 35 FLE or even the 'not covered by my edition of Puts grossly misspelled book' SEM21; your average 17MP sensor comparison may be a bit dated, unless you want to compare it on bases of CMOS look or whatever the old M9 emulation sensor may be.


I am really not into tech/charts thingies, but saying 'A' is superlative to 'B' & technically better requires at least common level of comparison: down-sampling 42MP to 16MP is not accepted due to lack of individual processing control and posted PP info.

Anyway, let's see what the SL will bring once we see some decent M based shots in larger than 640x480 portrait size.




Nov 25, 2015 at 10:38 PM
edwardkaraa
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p.26 #20 · Leica SL images and specs. Looks somehow familiar...


Charlie, the benefits of a slightly thicker cover are quite obvious. Better IR filtration, less breakage tendency, auto sensor cleaning. The thin cover has caused Leica huge problems with the M8/9.


Nov 25, 2015 at 10:59 PM
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