Looking at farmers fields; my shadow including my camera and tripod are intentionally included in the image.
Tripod mounted A7rII Kolari Vision UT sensor modified camera and Minolta CLE MC 28mm f2.8 M-Rokkor lens; silent shutter.
ISO 100, f11?, 1/100 second.
Exposure corrected by -0.20 Stops.
June 13, 2020
Along Loch Valley Road, New Tripoli, PA.
I am not a telling person, nor am I inclined to express admiration easily, but this time I feel that I shouldn't hold back any more.
You can turn a landscape, even one with a rusting truck, into something beautiful and eye-catching.
Chapeau bass! Again!
Thank you very much Peire! Means a lot coming from someone as talented as you. I always enjoy your posts which are both beautiful and often educational.
Some moody B&Ws from northern Norway taken with 7Artisans 75mm/1.25.
I posted the first image of a sequential series of a peregrine falcon taking off in high speed. Here are the last 2 images. I could only get 4 images out of this sequence...
Looking at a turtle on a log
Heavily cropped, tripod mounted Leica R 100mm f2.8 Apo-Macro-Elmarit lens and A7rIII.
ISO 100, f8?, 1/13 second.
Exposure Corrected -0.10 Stops.
May 15, 2019
At Fern Hammock Springs, Juniper Springs Recreation Area, Ocala National Forest, near Ocala, FL.
Plenty of beautiful foilage shots on the last few pages. The leaves won't turn colorful here for another 6 weeks or so.
Looks like a nice neighborhood, Jim. The sunstar with the ZE 28 is quite neat too.
I guess plenty of people would not manage to get a single sharp shot out of that series, Joshua. You mentioned to nail those perfectly. Great composition, colors and sharpness.
Neat reflections, Tim and Rich.
Never ceases to amaze me how you manage to come up with the same painterly look in your images, no matter which lens you use, Helena. Very nice work, as always.
CV 35 1.2 SE at f6.3. I can't say that I'm as big a fan of CV as many people around here, but that lens is a keeper. This place is famous for this rays of light at sunrise. In summer, when the sun rises at the most photogenic angle above the waterfall, the place is extremely crowded. As you can tell the rays are far from perfect, but I prefered to shoot without having to fight for a spot to put my tripod.
Chris_88 wrote:
Plenty of beautiful foilage shots on the last few pages. The leaves won't turn colorful here for another 6 weeks or so.
Looks like a nice neighborhood, Jim. The sunstar with the ZE 28 is quite neat too.
I guess plenty of people would not manage to get a single sharp shot out of that series, Joshua. You mentioned to nail those perfectly. Great composition, colors and sharpness.
Neat reflections, Tim and Rich.
Never ceases to amaze me how you manage to come up with the same painterly look in your images, no matter which lens you use, Helena. Very nice work, as always.
CV 35 1.2 SE at f6.3. I can't say that I'm as big a fan of CV as many people around here, but that lens is a keeper. This place is famous for this rays of light at sunrise. In summer, when the sun rises at the most photogenic angle above the waterfall, the place is extremely crowded. As you can tell the rays are far from perfect, but I prefered to shoot without having to fight for a spot to put my tripod. https://live.staticflickr.com/65535/50385606262_3be212a120_o.jpg...Show more →
Thank you very much, Chris!
Your CV 35/1.2 certainly has a dreamy appearance (at least in this example), reminiscent of older film look. Nice shot!
There is something special about the ZE 28. It is odd using it, because it doesn't auto stop down the lens to shooting aperture while composing, so sometimes you aren't sure of the final result until opening the computer. The cool thing is: it is often a pleasant surprise to see the images turn out better than expected. Great lens.
Here are a few more, with harsher side-lighting and contrast.
