Ben, Thanks - for feral cats everything is a drama. Oscar's eyes are the same colour. It's the shadow on the right eye that makes it look like a bit different colour.
Jim
bruni wrote:
James - I agree. I think the first one is the most dramatic. Are his eyes a different colour or is that the light?
Ben
Lieutenant Z wrote:
I didn't ask him... maybe he's fan of both Yves Montant and Patrick Macnee...
back to fountain huh ? nice but could be a bit darker, no?
Ha ha .......and I thought I was the snarky one. Is this still about the submarines?
I thought he might have been at a bike rally or a car rally.....and perhaps there was something out of shot to explain them, but your version's better, he's a film fan.
Yes, it's dark, but as you know, it can always get darker.
Philippe,
Wonder if this is Harold Sakata's (aka "Oddjob") son? Great find.
Jim Lieutenant Z wrote:
AdaptedLenses, love that 1st shot of the horse series, what an expression !
Here is cool guy, taken with the Sony A7M3 and the tiny 50/1.8 ais :
Here is a set from Munising Mi, In the UP. The fish camp was the scene of a cook-off between the owner and TV cook (I think - my wife knows for sure AND I’VE EFITED IT TO SAY IT WAS GORDON RAMSEY)
(Not as I thought Anthony Bourdain.)
Simple place that sells fish sausage as well as the catch of the day. Expensive too!
Not really sure Ben, just showed up for the first time at local rugby. I had only seen it online before. I have a feeling a lot of rugby here is home grown, with a few expats sprinkled in.
One more scene, this time "touch" rugby with very little contact. Also Z6 and 135 f2 K
James - I was kidding. The 99% black standard is all Philippe, it has nothing to do with me. But yes, I do like the darker versions. The last one is so dark that it's taken some lustre from his eye and his coat, so if it were me, I would bring up his eye a little, and the area under his chin, but what do I know, you'd have to ask the french master.
