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Leica M/X/T/S/Q/CL/SL Picture Thread

  
 
adamdewilde
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p.1070 #1 · Leica M/X/T/S/Q/CL/SL Picture Thread


AbramG wrote:
Can I just get an opinion then. In my position, would you trade out the ZM 25mm for the ZM 21mm?


Yep. But that's just because I would rather use a 21 when I know I have a 35. Both lenses are great, you wouldn't be missing much giving one up for the other. I think at the end of the day it's just a matter of finding the FL you like. To be fair, I honestly think that 35 can do most of the work all the way down to 21mm, thats where it gets wide enough that I can justify having another lens (this is coming from the guy that has a 28mm).

The 21/2.8 renders really nice. Often I wonder to myself why I spent more on a 21SEM. I know why I like the 21SEM, but I think the 21zm is equally as good (and worth owning along side the more expensive SEM, or instead of).



Jan 15, 2015 at 06:00 AM
adamdewilde
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p.1070 #2 · Leica M/X/T/S/Q/CL/SL Picture Thread


edwardkaraa wrote:
Your wife must be very knowledgeable in photography especially that she runs a printing business. Mine has no idea about the technical part, even though she works in advertising. She loves the M look though and anything old looking (probably why she chose me ) .



Hahaha.. I think it's your Indiana Jones Vibe!

Yeah, I always tell my wife she's a better photographer then I am. She never listens. She's been shooting for as long as me, but refuses to use technical things. Her favourite cameras are the Practika 35mm, 6x6 TLR clones (seagull from 50's china) and LCAs from russia. She even made me break apart a damaged LCA and retrofit it onto a Sony Nex camera that I bought for her. She refused to use the camera without me doing that (as she doesn't like the digital look). And now I want to upgrade her to the A7 + LCA lens, and she won't have any of it because she's familiar with how to process her files...

YET, when I take beauty photos of her. She insists I use the 5D3+50ART since it's sharpness but lack of clarity make her look good. The Leica lenses are to realistic and sharp for her tastes.



Jan 15, 2015 at 06:06 AM
Gary Clennan
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p.1070 #3 · Leica M/X/T/S/Q/CL/SL Picture Thread


AbramG wrote:
Can I just get an opinion then. In my position, would you trade out the ZM 25mm for the ZM 21mm?


I think Ron owns the ZM21/2.8 so maybe he can chime in. The samples I have seen with it have been very good though and I have only heard good things about it. I own the ZM25 and absolutely love it. I primarily use it as a landscape lens and the sharpness is (as you know) is amazing. IIRC - then rendering between these two lenses is very similar so I wouldn't worry too much about that. I would suggest you make the decision purely on which FL you think you would use the most. I personally use 21mm FL a bit more than 25mm but that is just me. I use them both enought to warrant keeping them both. Maybe you can do a metadata search in LR and see which FL you have used the most?



Jan 15, 2015 at 09:54 AM
KatieInTexas
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p.1070 #4 · Leica M/X/T/S/Q/CL/SL Picture Thread


While not Zeiss or Leica - I own the CV 21 1.8 (and f/4 now sold) and the CV 25. I much preferred the 21mm focal length. The 25 was just kinda strange to me --- not 21 and not 35. I agree a 21/35/50 setup is ideal (and also what I happen to currently own).


Jan 15, 2015 at 10:52 AM
Gary Clennan
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p.1070 #5 · Leica M/X/T/S/Q/CL/SL Picture Thread


Also keep in mind that the ZM25 is actually a slightly longer FL than 25mm. More like around 28mm-ish.


Jan 15, 2015 at 11:02 AM
burningheart
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p.1070 #6 · Leica M/X/T/S/Q/CL/SL Picture Thread


AbramG wrote:
Can I just get an opinion then. In my position, would you trade out the ZM 25mm for the ZM 21mm?


A tough call. Trading one lens for another. Don't have either FL for a rangefinder but have had both for years on the Dslr side. I do a lot of landscape shooting and I find that 24-25 fits my shooting better than 21. Which is interesting as my 21 is the Zeiss and many live and die by it.

Part of the reason I gravitate towards the 24-25 is I traditionally built my past lens collection via the old doubling route 24,50,100,200,400 and finally 800. Over the years I got used to those focal lengths.

Ironically if I was to revisit and look at doubling the FOV, not the FL my lens selection would be FOV 184,92,46,23,11.5,6.625 which would approximately translate to FLs Fisheye,21,50,90,250,350

I've seen many of Gary's amazing 21SEM shots and he masterfully does a terrific job. Thought a few times of getting one but in the end it often comes down to can I get the shots I like with a 21? For myself I have thought often of of my next RF lens as I have 15,35,50,90 and the obvious choice is 21 or 24-25 but for myself I still lean towards 24-25 based on my dslr experience. It's all a matter of what we feel comfortable with.



Jan 15, 2015 at 11:21 AM
rscheffler
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p.1070 #7 · Leica M/X/T/S/Q/CL/SL Picture Thread


AbramG wrote:
Can I just get an opinion then. In my position, would you trade out the ZM 25mm for the ZM 21mm?

Gary Clennan wrote:
I think Ron owns the ZM21/2.8 so maybe he can chime in. The samples I have seen with it have been very good though and I have only heard good things about it. I own the ZM25 and absolutely love it. I primarily use it as a landscape lens and the sharpness is (as you know) is amazing. IIRC - then rendering between these two lenses is very similar so I wouldn't worry too much about that. I would suggest you make the decision purely on which FL you think you would use the most. I personally use 21mm
...Show more

A while ago I did a 4-way comparison of 21mm lenses: http://www.ronscheffler.com/techtalk/?page_id=130
I have limited experience with the ZM25, so can't offer many comparison details, but my impression of it is great. Super sharp, as you know. Every time I see one on the B&S at a reasonable price, I'm so tempted. But at the same time, do I really need one when I'm happy with the SEM and 28 Cron? As Gary mentioned, it's probably slightly longer than 25mm. I doubt it's 28mm, since in the a7 comparison tests I've done with it, it's still wider than the Cron. But maybe it's more around 26mm? The ZM21/2.8 has some field curvature which can affect outer zone performance if you desire excellent sharpness across the frame at wider apertures. But by f/5.6 it's really difficult to see sharpness difference between it and the SEM. This is also true for the CV21/1.8, though it's rendering is more towards medium contrast. The SEM does have a way flatter plane of focus than the ZM21. And while this will be subjective, I think the SEM's rendering is slightly more nuanced.

Maybe it's worth renting the ZM21 to compare?

I agree with Edward's philosophy about shooting a bit wider. My feeling is I can always crop later, if necessary, but obviously can't go the other way if the lens is too long. I'm also terrible at keeping the horizon level, and inevitably end up rotating images a degree or two, which again crops into the scene. If you use 35mm a lot, but anything wider sees infrequent use, then the 21 could make more sense in that it's *that* much wider for those times when you really need it.

In terms of lens staggering, I've pretty much settled on 21/28/50/90 for my main lenses, with 28 being the one that's almost always on the camera to start. I've stopped working from a single large LR catalog, rather, creating them on a daily and individual job basis, so I can't easily do a massive evaluation of lens use, but 28 and 50 should be my most used, with 21 coming up fairly close behind, and 90 being a quite distant fourth. But I also LOVE 21mm, so probably use it a lot more than many others. That said, it really depends on the situation, hence the reason I still bother to carry the 90 and even the CV12, though I rarely use it. This is how I feel comfortable shooting. Meanwhile, many others prefer to stick to one lens, or two at most. It's just not the way I currently see things. Maybe some of it is just getting used to what we've got? Before Leica, my travel/walk-around kit was typically 16-35, 50, 70-200 & 1.4x TC. Now I almost never bring along a DSLR and therefore don't have anything longer than 90. And I can't say I've greatly missed the lack of reach. Instead I'm looking at things in closer proximity.

Congrats on the MM Vik! Looking forward to your images with it. While perhaps an M240 based MM is imminent, like the M9, the MM doesn't suddenly become a lesser camera. It will continue to be amazing, and perhaps will become even more unique, depending on what Leica does with a successor.

Chris, if you're going to buy an M240 now, it will be at the tail end of the product cycle (IMO), since Leica seems to be on a 3-year M series cycle. The M240 was announced in later 2012, but didn't actually start shipping until about 6 months later. It's possible we'll see similar with a successor - 2015 announcement and 2016 delivery. Seeing as how you're somewhat cost sensitive (as am I), I would suggest that if you want to buy new, that you search out a demo body. While IIRC Vik had some bad luck with this approach, a number of others here, including me, also went this way without problem. The demos include full Leica warranty. But even for used cameras, Leica seems to be pretty generous with warranty coverage. In any case, it would be safer to buy from someplace that will allow you to return it, should there be any out of the box problems. Due to Leica's current servicing turnaround times, it's just a lot easier to return rather than have it serviced.

Gary - perhaps the cold is following you around? I have yet to spend any quality time in Sudbury myself, having just driven by once a number of years back. As for the High Line in NYC: I like it a lot. Pretty much everyone there is a tourist, so it feels quite comfortable. And it offers a nice view of parts of the city.

As I think I mentioned other times, it was Halloween and some were already dressed for later..






















M240 & 28 Cron



Jan 15, 2015 at 12:08 PM
AbramG
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p.1070 #8 · Leica M/X/T/S/Q/CL/SL Picture Thread


Thanks guys. I told myself that with this kit I wanted to focus on focal lengths that interested me over pure technical performance so I think I will go ahead with that trade.

Ok back to the images!



Jan 15, 2015 at 12:32 PM
chrislee
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p.1070 #9 · Leica M/X/T/S/Q/CL/SL Picture Thread


I love Halloween! I've never been to NYC (the only largest city I've not been to here), and had no idea what scene these were, a elevated area it seems? Way cool!

Ron, I've been only really considering buying used, either here, or I can buy from store w. 1 yr warranty for $500 more than typ. scene here. Either way though, it's not the best time to buy a 240 given like you mentioned, the life cycle. But, and this is what reassures me, that the new MM, or a new M240.1 will be WAY out of my budget so it's hard to feel like I'll make too much of a mistake (ie, loss due to devaluation) but also knowing I will loose value. But gosh, what doesn't depreciate these days?? It's just a given...



Jan 15, 2015 at 12:35 PM
jfreak
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p.1070 #10 · Leica M/X/T/S/Q/CL/SL Picture Thread


Congrats on the MM Vik! Looking forward to your images with it. While perhaps an M240 based MM is imminent, like the M9, the MM doesn't suddenly become a lesser camera. It will continue to be amazing, and perhaps will become even more unique, depending on what Leica does with a successor.

Thanks Ron,
I did think about delaying and waiting for new MM but then rationalize it by considering that it would quite likely be few months before I am actually have it in my hand. And, considering how niche this camera is, the new version of MM may be even more expensive. And, last one, do I really know if I am gonna have a place for it with m240. If yes, I am gonna get new MM for whatever the price would be and if not then current one would keep me away from spending on the new one to figure out if I needed it and I can use this time to learn to shoot B&W better. I know this is to some extent rationalizing buying it now and satisfy the primitive urge.

So far, it does have something to like but high ISO is not as great as it appeared to be from online reviews about it. But would play around more before having an opinion on what its worth to me.



Jan 15, 2015 at 12:51 PM
 


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rscheffler
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p.1070 #11 · Leica M/X/T/S/Q/CL/SL Picture Thread


Vik, IMO, high ISO is grainy with the MM, but more salt & pepper fine grained, whereas ISO 2500 with the M9 and converted to B&W looks a lot more blotchy due to the coarser chroma noise. M240 is better than M9 in this respect. Another thing to consider is that while you can easily see high ISO grain at 100% on a display, once printed, a lot of that blends as the ink is absorbed by the paper. But perhaps only relevant if you plan to print... And as I think Werner has hinted, while you can dramatically push an MM file to open the shadows, there are still limits, hence his effective use of HDR to minimize the graininess a single exposure push would otherwise incur. In more 'normal' uses, I think you'll find the MM's tonality and file pliability to be pretty amazing.

Chris - yes, the High Line was an abandoned elevated train track now converted into a park. It's great, IMO! https://en.wikipedia.org/wiki/High_Line_(New_York_City) Halloween is a fun time to visit NYC. There's an evening parade in lower Manhattan and tons of people dress up for it. While it can be a hassle to get a parade-side spot (if you don't show up early), there are still plenty of chances to see people in costume at the entrance and exit areas.

I'm not sure if I posted these already:





































M240 & 21 Lux. There are some other costume images back perhaps 10, 20 or so pages in this thread.

As for used M240 prices... I suspect they won't hold high for as long as used M9 prices did. There's also simply a lot more Leica gear on the market now and many of those who wanted full frame are still happy with the M9.

Your predicament is the same for any system once a camera model nears end of life. And it's a simple fact that digital cameras tend to depreciate quickly, though historically Leicas seem to have resisted this slightly better. We'll see if the M240 holds true, but my feeling is it should have softer resale value than historical Leica tendency. It will likely depend a lot on the successor's price point. Back when everyone was anticipating the 'M10' there was a lot of speculation the body would near $10K, then many were surprised when it was essentially the same price as the M9. Given the strength of the USD, and the state of the photographic market right now, I'd be surprised if the M240 successor is priced higher. But with Leica it can be difficult to know, since they seem to almost operate in a bit of a vacuum, better able to tap into a core customer base seemingly undeterred by premium pricing. Another factor will be whether the current M240 remains available and is moved 'down market' like the M-E version of the M9. That would also soften M240 resale. But this may take the rest of the year to play out and doesn't really help you now. And if you wait, it's just that much longer without the camera in order to potentially save another $500 or so. I guess it depends on how much resale means to you and if you will rely on it to potentially exit the system quickly if you find you don't like it.

Whatever replaces the M240, I'll probably want to get it. But as with the M9 and M240, I plan to wait it out at least a year to let them fix the bugs and take advantage of demo or used prices. Or, maybe I'll pick up a well priced used M-P.

Abram - sounds logical.

Edited on Jan 15, 2015 at 01:44 PM · View previous versions



Jan 15, 2015 at 01:17 PM
airfrogusmc
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p.1070 #12 · Leica M/X/T/S/Q/CL/SL Picture Thread


Moved !!!!!!!!!!


Jan 15, 2015 at 01:18 PM
airfrogusmc
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p.1070 #13 · Leica M/X/T/S/Q/CL/SL Picture Thread


jfreak wrote:
Thanks Ron,
I did think about delaying and waiting for new MM but then rationalize it by considering that it would quite likely be few months before I am actually have it in my hand. And, considering how niche this camera is, the new version of MM may be even more expensive. And, last one, do I really know if I am gonna have a place for it with m240. If yes, I am gonna get new MM for whatever the price would be and if not then current one would keep me away from spending on the new one to
...Show more

My MM does everything I need it to do so I won't upgrade. No reason to. I will shoot with it until it dies and I can no longer get it serviced. Sharpness has been compared to the d800 because there are is no color. I shoot mostly at 1600, 3200 and 6400 and it smokes my Canons in low light and the noise looks more like film grain than digital noise. I even get great results at 10,000 ISO.




Jan 15, 2015 at 01:21 PM
edwardkaraa
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p.1070 #14 · Leica M/X/T/S/Q/CL/SL Picture Thread


Regarding the M240, I fully agree with Ron. The M is still a work in progress. The successor will probably be a step closer to the "perfect" M. The high ISO banding should be fixed or improved, a proper EVF with decent resolution and refresh rates similar or better than the T should be available, and some various small issues should be ironed out. I think with the M it's always a good idea to wait for the P version, something that I wasn't able to do this time due to the urgency of replacing my M9.


Jan 15, 2015 at 02:00 PM
jfreak
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p.1070 #15 · Leica M/X/T/S/Q/CL/SL Picture Thread



My MM does everything I need ... Canons in low light and the noise looks more like film grain than digital noise. I even get great results at 10,000 ISO....

I guess I was expecting it to be little more noise free images than I saw at the high ISO; case of inflated expectations...
airfrogusmc, as I am clicking and reviewing, one thing that stands out to me is that in LR, when the picture look like having a good exposure value, the histogram is bunched up on the left. If I try to increase the exposure, shadows etc, to make the histogram a bell shaped curve and spread out left to right over the DR range, the image is too bright with loss of details. Is this something with LR, with MM files or simply with ME. Quite likely the last one, and if so what do I use to know the exposure is optimized?


Edited on Jan 15, 2015 at 02:45 PM · View previous versions



Jan 15, 2015 at 02:09 PM
airfrogusmc
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p.1070 #16 · Leica M/X/T/S/Q/CL/SL Picture Thread


Hi jfreak, I don't use LR. I use CS6. I shoot for the way I process and adjust to what looks good to my eyes. I use experience and my eyes when I process. I don't care if t's a full range print as long as I get detail where I intend it to be. Don't go by charts go by how it looks to you printed.

On this I made sure I held detail in the sky and the horses were VERY dark on the LCD. There is no detail in the black horse on the LCD but I pulled all the detail back in post. ISO 800 not real high ISO but it's amazing how much you can pull back. I do a lot of work in raw before I save as a tiff.



Taken only a few days after I got my MM two years ago
My wife's Aunt at 3200 ISO

100% crop


And a street shot at 3200





Jan 15, 2015 at 02:33 PM
jfreak
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p.1070 #17 · Leica M/X/T/S/Q/CL/SL Picture Thread


airfrogusmc, great images BTW. Thanks for sharing you way of working with the files. Vik


Jan 15, 2015 at 02:44 PM
airfrogusmc
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p.1070 #18 · Leica M/X/T/S/Q/CL/SL Picture Thread


I get them pretty set in raw and then tweak them in CS6. I really do shoot at high ISO a lot. I like to shoot on the streets at 1/500 or faster and at f/8 or f/11 and I like to work in hte shadows and I seem to get out a lot on overcast days. I get wonderful 13 X 19 prints.

My advice is just practice a lot and don't fear high ISO with this camera. Be careful not to blow highlights that are important to you because there is a lot there in the shadows. Also be carful not to go to far under when shooting at 6400 and 10,000 because it can get a bit funky with noise if you try to pull it up to far.



Jan 15, 2015 at 02:52 PM
uhoh7
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p.1070 #19 · Leica M/X/T/S/Q/CL/SL Picture Thread



L1026759-2 by unoh7, on Flickr


Mini in Snow by unoh7, 75/1.4

"The Lens" wide open. I've been able to trace provenance of this 1983 copy to new. I am the 5th owner. Very likely I have already made more frames than all previous owners combined, I've been learning alot about the pitfalls of trying to find one that focuses as well as this one (although I missed the top one here a bit). Many seem to have issues with the cam, or internals, as well as plain old calibration.



Jan 15, 2015 at 03:08 PM
rscheffler
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p.1070 #20 · Leica M/X/T/S/Q/CL/SL Picture Thread


Allen - great examples and love the tonality of the horses.

Vik - I think it's partly new camera hype and expectation. It's even worse when it's a newly announced camera without any real world reviews/users/examples.

Is there some notion implied somewhere that a bell-shaped histogram is ideal? I guess there's the whole ETTR (Expose To The Right) theory of RAW capture. It's going to depend so much on the content of each image. Looking through a bunch of my processed images and very few are an ideal bell shape. Most are pretty flat all the way across with some peaks at the deep shadow and bright highlight ends. A bell-shaped histogram would mean a mid tone dominant image. In other words, one that potentially looks flat. I suppose for initial capture, so long as you don't blow the highlights, then this kind of ETTR histogram is a good starting point and can be pushed around in post to look significantly different. But it will also depend a lot on your shooting situation, such as, if you actually have the light to do an ETTR exposure at base ISO, etc. I still think in terms of best technical quality, you're best to work at base ISO and just push as needed in post. If you end up in situations like those Allen shoots, where you need a high shutter speed and deep depth of field, then you're either going to be pushing the files 3-4 stops in post, or you'll be shooting at 1600-3200. With the MM's sensor and in-camera electronics, it's really a wash as to which way you go, since tests show there really isn't any inherent advantage bumping up the ISO, unless you need to be able to easily review images while shooting or during initial editing. Like Allen says, process for how you want them to look, not for best technical tonal distribution.

It seems there is one golden rule for the MM: don't blow the highlights (assuming you want to retain highlight details).

And since color is not a factor in post production, you can go pretty crazy with adjustments and only have to worry about luminance values. With color, there are additional saturation, hue and chroma noise quality consequences as a result of such manipulations.



Jan 15, 2015 at 03:26 PM
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