Post your recent film shots!
p.676 #1Post your recent film shots!
Same as above.
Velvia 100.40.05 by edward karaa, on Flickr
Velvia 100.40.05 by edward karaa, on FlickrDec 15, 2017 at 02:40 PM
p.676 #2Post your recent film shots!
One more:
Velvia 100.40.06 by edward karaa, on Flickr
Velvia 100.40.06 by edward karaa, on FlickrDec 15, 2017 at 02:41 PM
p.676 #3Post your recent film shots!
Last one 
Velvia100.49.14 by edward karaa, on Flickr
Velvia100.49.14 by edward karaa, on FlickrDec 15, 2017 at 02:44 PM
p.676 #5Post your recent film shots!
posted in the Zeiss thread as well
Contax RX/35-70/Fuji C200/ Coolscan V. taken at Zion on Thanksgiving
Contax RX/35-70/Fuji C200/ Coolscan V. taken at Zion on Thanksgiving
Dec 15, 2017 at 06:53 PM
p.676 #6Post your recent film shots!
Out walking the dogs the other weekend. Some big old trees, out of place as the rest of the woods were more recent growth. Kentmere 400@800 in diafine, leica cl, summicron 40, pakon scan
cold and dreary out
dogs had fun though
cold and dreary out
dogs had fun though
Dec 15, 2017 at 08:42 PM
p.676 #8Post your recent film shots!
Desmolicious wrote:
Nikon F100
Nikon AF FX NIKKOR 50mm f/1.8D Lens
Kodak Portra 400
https://farm5.staticflickr.com/4583/27282277769_d26621653e_b.jpgVery nice! How did you expose for this, just let the camera do its thing in matrix meter mode? I ask because I also have an F100.
Thanks! I use Matrix mode 100% of the time. I know some F100 users are the opposite and they use spot 100% of the time.
hulk2006 wrote
First time posting on this thread, please go easy on me!Nikon F100
Nikon AF FX NIKKOR 50mm f/1.8D Lens
Kodak Portra 400
https://farm5.staticflickr.com/4583/27282277769_d26621653e_b.jpg
Thanks! I use Matrix mode 100% of the time. I know some F100 users are the opposite and they use spot 100% of the time.
Dec 16, 2017 at 07:46 AM
p.676 #9Post your recent film shots!
Swiss Alpina 4x5 camera, Schneider-Kreuznach 210/5.6 lens with TMax 100 film, developed in Xtol.
 |
||
 |
||
|
Dec 17, 2017 at 10:00 AM
p.676 #10Post your recent film shots!
Jon Buffington wrote:
toshiro, very strong work as always.
aeonism, you have the dream lens! I have the 58/1.4 version of this lens but always wanted the 58/1.2. Nice comp and nice colors from the 50d
It is nice, not to expensive these days.
---------------------------------------------
Desmolicious wrote:
https://farm5.staticflickr.com/4585/24155105677_e22f539871_b.jpg
Lake Tekapo by Falcdragon, on FlickrLove it, I gotta try Cinestill 50.
I do rather like the film, and C41 is easier to deal with.
A few Velvia, not sure I really understand how to shoot this film currently. Does Velvia need to be slightly overexposed or shot in really good light?
Velvia - around Lake Tekapo by Falcdragon, on Flickr
Velvia - around Lake Tekapo by Falcdragon, on Flickr
Velvia - around Lake Tekapo by Falcdragon, on Flickr
toshiro, very strong work as always.
aeonism, you have the dream lens! I have the 58/1.4 version of this lens but always wanted the 58/1.2. Nice comp and nice colors from the 50d
It is nice, not to expensive these days.
---------------------------------------------
Desmolicious wrote:
aeonsim wrote
Another cinestill d50 shot:https://farm5.staticflickr.com/4585/24155105677_e22f539871_b.jpg
Lake Tekapo by Falcdragon, on Flickr
I do rather like the film, and C41 is easier to deal with.
A few Velvia, not sure I really understand how to shoot this film currently. Does Velvia need to be slightly overexposed or shot in really good light?
Velvia - around Lake Tekapo by Falcdragon, on Flickr
Velvia - around Lake Tekapo by Falcdragon, on Flickr
Velvia - around Lake Tekapo by Falcdragon, on Flickr
Dec 18, 2017 at 02:22 AM
|
p.676 #12Post your recent film shots!
Excuse my ignorance but can E6 slide films be developed into negative strips instead of mounting on slides? Or is this how E6 films are developed now? I am not interested in cross-processing... I have a bunch of slide film but am unsure how things work with this film type.
Dec 18, 2017 at 10:26 AM
p.676 #13Post your recent film shots!
Gary Clennan wrote:
Excuse my ignorance but can E6 slide films be developed into negative strips instead of mounting on slides? Or is this how E6 films are developed now? I am not interested in cross-processing... I have a bunch of slide film but am unsure how things work with this film type.
I’m not sure if I understood your question correctly, but all my slide film is cut into 6 frames/strip. The mounting is optional. My lab even informed me that they stopped doing the mounting service as no one uses them for projection anymore. I prefer the unmounted film as it is easier to scan, even though I find the slide mounts help keep the film perfectly flat.
Dec 18, 2017 at 11:14 AM
p.676 #14Post your recent film shots!
edwardkaraa wrote:
I’m not sure if I understood your question correctly, but all my slide film is cut into 6 frames/strip. The mounting is optional. My lab even informed me that they stopped doing the mounting service as no one uses them for projection anymore. I prefer the unmounted film as it is easier to scan, even though I find the slide mounts help keep the film perfectly flat.
That's great Edward - appreciate the reply. Didn't realize that the mounting was optional. I don't know much about slide film (as you can see) but I have a bunch that was included in a bulk buy. So I will just have to find a lab who will develop it and then I can scan it at home.
Gary Clennan wrote
Excuse my ignorance but can E6 slide films be developed into negative strips instead of mounting on slides? Or is this how E6 films are developed now? I am not interested in cross-processing... I have a bunch of slide film but am unsure how things work with this film type.That's great Edward - appreciate the reply. Didn't realize that the mounting was optional. I don't know much about slide film (as you can see) but I have a bunch that was included in a bulk buy. So I will just have to find a lab who will develop it and then I can scan it at home.
Dec 18, 2017 at 03:05 PM
p.676 #16Post your recent film shots!
I love this thread!
Aeonsim - Velvia 50, like any(?) other slide film is best not overexposed, as highlights will wash out. The magenta tint that creeps into skies is something I have seen particularly when home-scanning it.
I've just got back a developed 220 roll of Velvia 50 and I can't steel myself yet to attempt scanning, mostly because I know that however pristine the strip emerges from the sleeve it will soon attract dust or hairs on itself, or on the scanner glass.
Here's a shot from my recent lab dev/scan of Fuji Acros. Lens was an old Schneider-Compur shutter version of the Hasselblad CF80 f/2.8 (bought as bargain grade from KEH and originally used on my P656N or P645D ). For the price I paid I really like its performance. Camera is the Blad 503CX, bought through the B&S board here.
Tree trunk detail by David M, on Flickr
...and here's a sad double exp, although I confess to liking it. Sad however, because I was particularly looking forward to seeing how that shot of the road turned out. Same lens and cam, but Portra 160.
Bonfire double-exposure by David M, on Flickr
Happy Christmas / holidays to all. 31deg C in Canberra today and 40 deg elsewhere - heatwave weather pattern!
Aeonsim - Velvia 50, like any(?) other slide film is best not overexposed, as highlights will wash out. The magenta tint that creeps into skies is something I have seen particularly when home-scanning it.
I've just got back a developed 220 roll of Velvia 50 and I can't steel myself yet to attempt scanning, mostly because I know that however pristine the strip emerges from the sleeve it will soon attract dust or hairs on itself, or on the scanner glass.
Here's a shot from my recent lab dev/scan of Fuji Acros. Lens was an old Schneider-Compur shutter version of the Hasselblad CF80 f/2.8 (bought as bargain grade from KEH and originally used on my P656N or P645D ). For the price I paid I really like its performance. Camera is the Blad 503CX, bought through the B&S board here.
Tree trunk detail by David M, on Flickr...and here's a sad double exp, although I confess to liking it. Sad however, because I was particularly looking forward to seeing how that shot of the road turned out. Same lens and cam, but Portra 160.
Bonfire double-exposure by David M, on FlickrHappy Christmas / holidays to all. 31deg C in Canberra today and 40 deg elsewhere - heatwave weather pattern!
Dec 18, 2017 at 07:48 PM
p.676 #17Post your recent film shots!
That is a cool double exposure David!
Dec 18, 2017 at 08:45 PM
p.676 #18Post your recent film shots!
Gary Clennan wrote:
edwardkaraa wrote
Gary Clennan wrote
Excuse my ignorance but can E6 slide films be developed into negative strips instead of mounting on slides? Or is this how E6 films are developed now? I am not interested in cross-processing... I have a bunch of slide film but am unsure how things work with this film type. Slide film is fantastic. Practically grainless with gorgeous colors. However, most consumer scanners can’t penetrate the darker areas due to their low Dmax, resulting in muddy blacks. I know for a fact Reflecta/PIE scanners don’t do well (haven’t tried their pro 120 models). No idea about Plustek but they have even lower Dmax. Nikon Coolscan and Minolta scanners do exceptionally well. My slide scans on the previous page were done with the coolscan V. I would recommend to slightly over expose by 1/3 of a stop if your scanner has a Dmax below 4. Have fun!
Dec 18, 2017 at 08:50 PM
p.676 #19Post your recent film shots!
Gary Clennan wrote:
That is a cool double exposure David!
Thanks Gary...wish I could say it was all planned and executed my artistic vision!
That is a cool double exposure David!
Thanks Gary...wish I could say it was all planned and executed my artistic vision!
Dec 18, 2017 at 09:34 PM
p.676 #20Post your recent film shots!
edwardkaraa wrote:
I’m not sure if I understood your question correctly, but all my slide film is cut into 6 frames/strip. The mounting is optional. My lab even informed me that they stopped doing the mounting service as no one uses them for projection anymore. I prefer the unmounted film as it is easier to scan, even though I find the slide mounts help keep the film perfectly flat.That's great Edward - appreciate the reply. Didn't realize that the mounting was optional. I don't know much about slide film (as you can see) but I have a bunch that was included in a bulk buy. So I will just have to find a lab who will develop it and then I can scan it at home. Slide film is fantastic. Practically grainless with gorgeous colors. However, most consumer scanners can’t penetrate the darker areas due to their low Dmax, resulting in muddy blacks. I know for a fact Reflecta/PIE scanners don’t do well (haven’t tried their pro 120 models). No idea about Plustek but they have even lower Dmax. Nikon Coolscan and Minolta scanners do exceptionally well. My slide scans on the previous page were done with the coolscan V. I would recommend to slightly over expose by 1/3 of a stop if your scanner has a Dmax below 4. Have fun!
Thanks - your scans turned out great! Mine has a Dmax of 3.6 so it will be worth a try. I have a bunch of Provia 100F and a bit of Reala 100. Should be good buy maybe not for street stuff.
Gary Clennan wrote
edwardkaraa wrote
Gary Clennan wrote
Excuse my ignorance but can E6 slide films be developed into negative strips instead of mounting on slides? Or is this how E6 films are developed now? I am not interested in cross-processing... I have a bunch of slide film but am unsure how things work with this film type.Thanks - your scans turned out great! Mine has a Dmax of 3.6 so it will be worth a try. I have a bunch of Provia 100F and a bit of Reala 100. Should be good buy maybe not for street stuff.
Dec 18, 2017 at 10:25 PM