Desmolicious wrote:
Nice! You show what Phoenix is capable of when you create a specific colour profile for it.
So many online reviews that make it seem that it is terrible still are not using correct colour profiles.
What ISO did you rate the film at?
Thanks, Huss -- my lab did the initial scans, which were indeed horrible (as I feared they might be but wanted to give them a chance), so I rescanned after I picked up the negatives. I don't shoot enough colour film to warrant buying C-41 chemicals so I have the lab develop my colour films but I think I'll stop asking them to scan anything but conventional films.
I rated this at ISO 200, which meant I needed to be out in early morning before it got bright out, as this camera only has two shutter speeds and they are slow: 1/25 and 1/50. Its two apertures are f/8 and f/16. It was designed for the slow films of its generation (late 1950s) and so far I am mostly using ISO 50 or at most 100 film in it.
I used the same colour profile that I use for Kodak Aerocolor IV 2460, which similarly lacks an orange mask. My lab's scans of that film with their Noritsu are also pretty wildly off, but not as bad as their Phoenix scans.