Post your recent film shots!
p.1356 #1Post your recent film shots!
Desmolicious wrote:
_jim_ wrote
https://live.staticflickr.com/65535/54155750984_5254f3d719_b.jpgTyler by Jim Fischer, on FlickrNikkor 50mm f/1.8g
https://live.staticflickr.com/65535/54155415481_94d1fa4f8b_b.jpgPinot Noir by Jim Fischer, on Flickr
Sigma 35mm f/1.4
https://live.staticflickr.com/65535/54154722453_c4fb994231_b.jpgDad by Jim Fischer, on Flickr
Nikkor 50mm f/1.8g
https://live.staticflickr.com/65535/54154683738_0a473b840a_b.jpgChardonnay by Jim Fischer, on Flickr
Sigma 35mm f/1.4
https://live.staticflickr.com/65535/54154157236_6fde44e637_b.jpgTex by Jim Fischer, on Flickr
Sigma 35mm f/1.4
All: Nikon F6, BW: Ilford HP5+ w/ Xtol 1:1, Color: Flic Film Aurora 800.
It's a rare (anymore) manual transmission forklift...so, this is a very reasonable and accurate observation.
Nov 24, 2024 at 03:01 PM
p.1356 #2Post your recent film shots!
Desmolicious wrote:
Just lovely. How did you meter the scene?
Thanks Huss. Just metered the chair when I walked in and kept it there (1/30).
lifeandmylens wrote
Gamer. M7 + 8e + 500TThanks Huss. Just metered the chair when I walked in and kept it there (1/30).
Nov 24, 2024 at 03:04 PM
p.1356 #3Post your recent film shots!
I love film and the way it handles highlights. Nikon F3T + 35D + 250D
Nov 24, 2024 at 03:51 PM
p.1356 #4Post your recent film shots!
Same as above, but with mom in the picture. Any recs for 21mm & 50mm lenses on the F3?
Nov 24, 2024 at 03:53 PM
p.1356 #5Post your recent film shots!
lifeandmylens wrote:
Same as above, but with mom in the picture. Any recs for 21mm & 50mm lenses on the F3?
Never shot as wide as a 21 with the F mount ("wided out" at 28mm with the 28mm f/2.8 AI-s, another fave), but I am a big fan of the 50mm f/1.2 AI-s. Haven't shot it much on film (somehow keep picking up the M-A instead of the F2), but historically it has been a favourite lens on digital Nikons. Has some tendency to flare in interesting ways, at f/2 is an extremely good performer, and is totally serviceable wide open when needed. Only downside is size/weight. Has basically the same footprint as a Noct-NIKKOR 58 f/1.2 but without the corner coma performance, but also at about an order of magnitude less expensive. Would not hesitate to recommend.
Same as above, but with mom in the picture. Any recs for 21mm & 50mm lenses on the F3?
Never shot as wide as a 21 with the F mount ("wided out" at 28mm with the 28mm f/2.8 AI-s, another fave), but I am a big fan of the 50mm f/1.2 AI-s. Haven't shot it much on film (somehow keep picking up the M-A instead of the F2), but historically it has been a favourite lens on digital Nikons. Has some tendency to flare in interesting ways, at f/2 is an extremely good performer, and is totally serviceable wide open when needed. Only downside is size/weight. Has basically the same footprint as a Noct-NIKKOR 58 f/1.2 but without the corner coma performance, but also at about an order of magnitude less expensive. Would not hesitate to recommend.
Nov 24, 2024 at 04:12 PM
p.1356 #6Post your recent film shots!
lifeandmylens wrote:
Same as above, but with mom in the picture. Any recs for 21mm & 50mm lenses on the F3?
I love the 20mm f/4 pre-ai lens. It's small and sharp.
Nov 24, 2024 at 04:13 PM
p.1356 #7Post your recent film shots!
lifeandmylens wrote:
Same as above, but with mom in the picture. Any recs for 21mm & 50mm lenses on the F3?
@dourbalistar uses a 50 1.8 Ai-S with very good results. There are a few versions of this lens. I used Nikons for years and always preferred the 50 2.0. @_jim_ suggested the 20 but the 24 was a favorite for many years.
Same as above, but with mom in the picture. Any recs for 21mm & 50mm lenses on the F3?
@dourbalistar uses a 50 1.8 Ai-S with very good results. There are a few versions of this lens. I used Nikons for years and always preferred the 50 2.0. @_jim_ suggested the 20 but the 24 was a favorite for many years.
Nov 24, 2024 at 04:43 PM
p.1356 #8Post your recent film shots!
The last harvest of the season at the farm I pass through on the way to work was a giant pile of beets.
Beets by Philip Johnson, on Flickr
Leica M-A, Summilux-M 1:1.4/28 Asph., Ilford HP5+.
Beets by Philip Johnson, on Flickr
Leica M-A, Summilux-M 1:1.4/28 Asph., Ilford HP5+.
Nov 24, 2024 at 06:38 PM
p.1356 #9Post your recent film shots!
lifeandmylens wrote:
Same as above, but with mom in the picture. Any recs for 21mm & 50mm lenses on the F3?
The tones on that film are just perfect-
Is that you are gettin good at devolving then editing or does the film really deliver those neutral tones that seem to pop-
Same as above, but with mom in the picture. Any recs for 21mm & 50mm lenses on the F3?
The tones on that film are just perfect-
Is that you are gettin good at devolving then editing or does the film really deliver those neutral tones that seem to pop-
Nov 24, 2024 at 09:14 PM
p.1356 #10Post your recent film shots!
The 20mm f/4 is really a fun size...just a little bigger than the 50mm f/1.8 pancake (which is optically swell...and the exact same lens as the 50mm f/1.8D).
Jenny by Jim Fischer, on Flickr
Jenny by Jim Fischer, on Flickr
Radio in Queen Anne by Jim Fischer, on Flickr
Oregon Barrel Works by Jim Fischer, on Flickr
Jenny by Jim Fischer, on Flickr
All with Nikkor 20mm f/4.
Jenny by Jim Fischer, on FlickrJenny by Jim Fischer, on FlickrRadio in Queen Anne by Jim Fischer, on FlickrOregon Barrel Works by Jim Fischer, on FlickrJenny by Jim Fischer, on FlickrAll with Nikkor 20mm f/4.
Nov 24, 2024 at 09:22 PM
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p.1356 #11Post your recent film shots!
Malefic 617 Triplet with Nikkor SW 90mm f8
Fujifilm Velvia RVP 100
Lake Tahoe Coastline in Late Summer by Graham Gibson, on Flickr
Tahoe Waters by Graham Gibson, on Flickr
Fujifilm Velvia RVP 100
Lake Tahoe Coastline in Late Summer by Graham Gibson, on Flickr
Tahoe Waters by Graham Gibson, on Flickr
Nov 24, 2024 at 09:53 PM
p.1356 #12Post your recent film shots!
Tried the Zeiss Ikon Contaflex II out after fixing it. I posted a picture of it in one of these threads - i'll look it up. The meter and shutter are accurate, but my focusing skills are not so good. Carl Zeiss Tessar 45mm f2.8
Kentmere 100 in xtol 1+1 dilution 8 minues at 68 degrees
Landscape in shadow and almost blown highlights
Here is the $25 junk store find. Had a tiny dent that made opening it difficult - fixed now
Kentmere 100 in xtol 1+1 dilution 8 minues at 68 degrees
Landscape in shadow and almost blown highlights
Here is the $25 junk store find. Had a tiny dent that made opening it difficult - fixed now
Nov 24, 2024 at 10:29 PM
p.1356 #13Post your recent film shots!
Contaflex II again. One of the grand kids (10 months old). She is now mobile, and all my cats run for their dear lives. She lets out ear piercing squeals when she sees a cat and takes off crawling almost faster than I can walk. Missed focus - again.
Noni at rest
Noni at rest
Nov 24, 2024 at 10:36 PM
p.1356 #14Post your recent film shots!
Fuji Work Record, Lomo CN 800
Building mural near Jean-Talon Métro by Brad Hurley, on Flickr
Jean-Talon by Brad Hurley, on Flickr
Marché Jean-Talon by Brad Hurley, on Flickr
Santa au marché by Brad Hurley, on Flickr
Métro Jean-Talon by Brad Hurley, on Flickr
Under construction by Brad Hurley, on Flickr
Building mural near Jean-Talon Métro by Brad Hurley, on FlickrJean-Talon by Brad Hurley, on FlickrMarché Jean-Talon by Brad Hurley, on FlickrSanta au marché by Brad Hurley, on FlickrMétro Jean-Talon by Brad Hurley, on FlickrUnder construction by Brad Hurley, on FlickrNov 25, 2024 at 04:14 AM
p.1356 #15Post your recent film shots!
_jim_ wrote:
The 20mm f/4 is really a fun size...just a little bigger than the 50mm f/1.8 pancake (which is optically swell...and the exact same lens as the 50mm f/1.8D).
https://live.staticflickr.com/65535/52031724175_a7e0b73264_b.jpgJenny by Jim Fischer, on Flickr
https://live.staticflickr.com/65535/52146946530_005a316e1c_b.jpgJenny by Jim Fischer, on Flickr
https://live.staticflickr.com/65535/51384570410_2e29cbeea7_b.jpgRadio in Queen Anne by Jim Fischer, on Flickr
https://live.staticflickr.com/65535/52245751493_f4ab007fc7_b.jpgOregon Barrel Works by Jim Fischer, on Flickr
https://live.staticflickr.com/65535/51034601322_98c7277b99_b.jpgJenny by Jim Fischer, on Flickr
All with Nikkor 20mm f/4.
Thanks, great images! I'll start searching for one.
The 20mm f/4 is really a fun size...just a little bigger than the 50mm f/1.8 pancake (which is optically swell...and the exact same lens as the 50mm f/1.8D).
https://live.staticflickr.com/65535/52031724175_a7e0b73264_b.jpgJenny by Jim Fischer, on Flickr
https://live.staticflickr.com/65535/52146946530_005a316e1c_b.jpgJenny by Jim Fischer, on Flickr
https://live.staticflickr.com/65535/51384570410_2e29cbeea7_b.jpgRadio in Queen Anne by Jim Fischer, on Flickr
https://live.staticflickr.com/65535/52245751493_f4ab007fc7_b.jpgOregon Barrel Works by Jim Fischer, on Flickr
https://live.staticflickr.com/65535/51034601322_98c7277b99_b.jpgJenny by Jim Fischer, on Flickr
All with Nikkor 20mm f/4.
Thanks, great images! I'll start searching for one.
Nov 25, 2024 at 05:37 AM
p.1356 #16Post your recent film shots!
RustyRus wrote:
The tones on that film are just perfect-
Is that you are gettin good at devolving then editing or does the film really deliver those neutral tones that seem to pop-
Thanks Rusty. The film really is great. But probably a combo of everything. The biggest change that makes me enjoy the process much more is the scanner (Coolscan 5000). I just insert the film in uncut and it scans the whole roll by itself with great colors. I’ve created import presets into Lightroom for the various film stocks, so editing now is also super minimal.
lifeandmylens wrote
Same as above, but with mom in the picture. Any recs for 21mm & 50mm lenses on the F3?Is that you are gettin good at devolving then editing or does the film really deliver those neutral tones that seem to pop-
Thanks Rusty. The film really is great. But probably a combo of everything. The biggest change that makes me enjoy the process much more is the scanner (Coolscan 5000). I just insert the film in uncut and it scans the whole roll by itself with great colors. I’ve created import presets into Lightroom for the various film stocks, so editing now is also super minimal.
Nov 25, 2024 at 05:44 AM
p.1356 #17Post your recent film shots!
lifeandmylens wrote:
RustyRus wrote
lifeandmylens wrote
Same as above, but with mom in the picture. Any recs for 21mm & 50mm lenses on the F3?Is that you are gettin good at devolving then editing or does the film really deliver those neutral tones that seem to pop-
I have a couple of questions. First is what conversation software are you using? Second is are you using it with a dedicated computer? I really like the almost pastel tones you’re getting with the 500T. It helps to spend time with a single film and find what works best. It’s also a bonus to find a device that gives you good output with minimal interference.
Edited on Nov 25, 2024 at 11:15 AM · View previous versions
Nov 25, 2024 at 10:31 AM
p.1356 #18Post your recent film shots!
lifeandmylens wrote:
The tones on that film are just perfect-
Is that you are gettin good at devolving then editing or does the film really deliver those neutral tones that seem to pop-Thanks Rusty. The film really is great. But probably a combo of everything. The biggest change that makes me enjoy the process much more is the scanner (Coolscan 5000). I just insert the film in uncut and it scans the whole roll by itself with great colors. I’ve created import presets into Lightroom for the various film stocks, so editing now is also super minimal.
lifeandmylens,
Just curious if you modified the SA-21 to make a SA-30 for your scanner, and what scanning software are you using?
Jim
RustyRus wrote
lifeandmylens wrote
Same as above, but with mom in the picture. Any recs for 21mm & 50mm lenses on the F3?Is that you are gettin good at devolving then editing or does the film really deliver those neutral tones that seem to pop-
lifeandmylens,
Just curious if you modified the SA-21 to make a SA-30 for your scanner, and what scanning software are you using?
Jim
Nov 25, 2024 at 10:44 AM
p.1356 #19Post your recent film shots!
madNbad wrote:
I have a couple of questions. First is what conversation software are you using? Second is are you using it with a dedicated computer? I really like the almost pastel tones you’re getting with the 500T. It helps to spend time with a single film and find what works best. It’s also a bonus to find a device that gives you good output with minimal interference.
I'm using Nikon Scan. I greatly prefer it to Vuescan / NLP / Silverfast. I bought a 2010 Mac Pro from Facebook marketplace and installed Snow Leopard. But actually decided to use it as my smart home computer / media server, so am running Windows 10 on it via bootcamp and running Nikon Scan on Windows.
I don't know that the vision films are any better than say Portra's but I'm so used to using them now I see no reason to shoot Portras anymore. Maybe I should sell my stockpile of them? The vision films are thicker, and to my eye at least, handle overexposure better.
James Markus wrote:
lifeandmylens,
Just curious if you modified the SA-21 to make a SA-30 for your scanner, and what scanning software are you using?
Jim
I bought an SA-21 and was planning to modify it, but came across an SA-30 with the take up reel on eBay for not an insane price so just bought that and sold the SA-21.
I have a couple of questions. First is what conversation software are you using? Second is are you using it with a dedicated computer? I really like the almost pastel tones you’re getting with the 500T. It helps to spend time with a single film and find what works best. It’s also a bonus to find a device that gives you good output with minimal interference.
I'm using Nikon Scan. I greatly prefer it to Vuescan / NLP / Silverfast. I bought a 2010 Mac Pro from Facebook marketplace and installed Snow Leopard. But actually decided to use it as my smart home computer / media server, so am running Windows 10 on it via bootcamp and running Nikon Scan on Windows.
I don't know that the vision films are any better than say Portra's but I'm so used to using them now I see no reason to shoot Portras anymore. Maybe I should sell my stockpile of them? The vision films are thicker, and to my eye at least, handle overexposure better.
James Markus wrote:
lifeandmylens,
Just curious if you modified the SA-21 to make a SA-30 for your scanner, and what scanning software are you using?
Jim
I bought an SA-21 and was planning to modify it, but came across an SA-30 with the take up reel on eBay for not an insane price so just bought that and sold the SA-21.
Nov 25, 2024 at 11:07 AM
p.1356 #20Post your recent film shots!
^ Let me know if you decide to sell that stockpile of Portra!
Nov 25, 2024 at 11:40 AM