p.3 #1How long do you think a latent image lasts on undeveloped film?
James Markus wrote:
Here is an example of Tri-X grain from 1991 using Acufine. Scanned with an Epson V700 flatbed - plus how I imaged it back then. I guess that you already know that Tri-X is still being sold. I used both OEM, and bulk loaded - same great stuff.
I prefer the image on the left, there may be less superficial detail, but the white shirt is much cleaner, whereas on the image on the right it as become murky etc.
p.3 #4How long do you think a latent image lasts on undeveloped film?
Ok, so this roll was shot at ISO 100 (instead of indicated 400) and dev at 85 w Cinestill DF96. 10 degrees extra equals one stop push.
Question.. one would think that would mean I should just rate it at ISO 50 and dev normally. But I think that only applies if this film was fresh, not 35 yrs old. It seems that the push in dev is what is removing most of the base fog. Eh, dunno...
p.3 #8How long do you think a latent image lasts on undeveloped film?
Nice examples shown here with expired films which worked out well. Here a few examples from my experience with expired films - the photos were taken after the given time in storage (meaning expired films were used to take photos but exposed frames weren't kept in storage long).
Expired Fujicolor Super HQ200 film, likely > 10 years old and kept at room temperature. Taken at ISO 200. The film was more grainy than usual
Expired Kodak Ektachrome 100 film, likely > 10 years old and supposedly kept in fridge by former owner. Taken at ISO 100. Still very good results from it
Another expired Kodak Ektachrome 100 film, likely > 10 years old with unknown storage. Taken at ISO 100. It revealed a strong purple tint with snow landscape photos.
Expired Fujicolor Super HQ 400 film, likely > 10 years old with unknown storage. Taken at ISO 400. Still good color gamut with a bit faded greens and quite grainy.
Expired Kodak Porta 400 VC film, likely > 20 years old with unknown storage. Taken at ISO 400. Some faded colors like blue but significant yellow/orange tint, grainy.
Expired Kodak UltraMax 400 film, likely > 10 years old with unknown storage. Taken at ISO 400. This one performed still very well.
p.3 #9How long do you think a latent image lasts on undeveloped film?
Final attempt w the 35 yr old TriX.
This time I rated it at ISO 50, dev at 80 @ 4 mins (half stop push - normal DF96 Mono is 75).
This is where this batch should be shot at, as the negs were perfect, and zero manipulation was required in post.
If only I could get my hands on more of this, I would be very happy to shoot it at 50! Hint hint...
What it looked like on the light pad:
And I happened to test it (again) in Venice Beach. Where I met Zack who was a willing model!
How the conversation went - "dood, you look great, let me take your pic"
"I love film cameras, sure!"
p.3 #11How long do you think a latent image lasts on undeveloped film?
Ok my first complete failure - the Agfa APX25. I shot is at ISO 12 and basically no images. It could also be that Cinestill DF96 does not work with it, as even the film leader that is directly exposed to light when you load the camera was clear.
It should have been black/opaque if everything was ok.
Ah well, all I had on that roll was Elvis waterskiing with Sasquatch while being pulled by the Loch Ness Monster.
p.3 #13How long do you think a latent image lasts on undeveloped film?
So, the Fuji Press 400 shot in a Lomo LC-W with square frame inserted.
I rated it at iso 100 but looking at the negs, I could have shot it at 200 perfectly, and maybe even 400. The negs were super dense!
Researching Press 400, apparently it is just Superia 400 with a more pro name...
p.3 #17How long do you think a latent image lasts on undeveloped film?
Desmolicious wrote:
Ok my first complete failure - the Agfa APX25. I shot is at ISO 12 and basically no images. It could also be that Cinestill DF96 does not work with it, as even the film leader that is directly exposed to light when you load the camera was clear.
It should have been black/opaque if everything was ok.
Ah well, all I had on that roll was Elvis waterskiing with Sasquatch while being pulled by the Loch Ness Monster.
p.3 #18How long do you think a latent image lasts on undeveloped film?
rscheffler wrote: Desmolicious wroteOk my first complete failure - the Agfa APX25. I shot is at ISO 12 and basically no images. It could also be that Cinestill DF96 does not work with it, as even the film leader that is directly exposed to light when you load the camera was clear.
It should have been black/opaque if everything was ok.
Ah well, all I had on that roll was Elvis waterskiing with Sasquatch while being pulled by the Loch Ness Monster.Also no frame numbers/text in the rebate area?
whole lotta nuttin. The closest to sumfin was super feint images, so feint you knew something was there but you also knew it was a complete waste of time to try and figure out what.
p.3 #19How long do you think a latent image lasts on undeveloped film?
Expired who knows the date Fuji SuperHG400, exposed at ISO 100.
Sears Auto Mini 35 (Ricoh FF1).
Grainy, funky colours, but I still really like some of the images. Interesting though that the Kodak Supra 100 looked basically like new, but the SuperHG had a rough time of it.
p.3 #20How long do you think a latent image lasts on undeveloped film?
Second roll of SuperHG 400, this time exposed at 200.
Ok, these look different as I used them (intentionally) in the continuous overlap mode in my LC-W.
The film looks totally fine. Of course I've now used all of this one.
FYI the brownish central tint with concentric lines is why I just ordered a new light pad! This one is worn out after years of faithful service.