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Archive 2020 · EOS-R5....will it live up to the hype?

  
 
markd61
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p.12 #1 · EOS-R5....will it live up to the hype?




artsupreme wrote:
We've seen almost all the R5 specifications and people seem excited. The big question seems to be whether it truly does 12fps in AI servo and what the exact MP count will be.

Given Canon's history, do people really think they are going to release a screamer that knocks everyone socks off with 12fps in AI servo at 40MP+?

Or, do you think it will end up being a slightly better 5DIV with slightly better if not the same IQ, and just more cropping power?

Based on history, I think we'll see the latter. Basically a 5DIV with 10 more MP. If that's
...Show more
There are a lot of peculiar assumptions based on the rumors of the model.
As for the price your assumptions are based on the past and not the circumstances of today. Sony shocked the market by offering a feature packed line at very low prices in comparison to the competition. Precisely the tactic used by Canon with the intro of the 10D undercutting Nikon’s camera by $500 or 25%.
Frankly, Canon is just beginning to flex it’s considerable tech prowess in the mirrorless field. The RF line of lenses has already made a statement of intent and seems to be just gathering steam.
So for the moment, I believe Canon is about to loose its first rounds of shock and awe in the mirrorless body campaign.



Feb 22, 2020 at 02:22 PM
azenis
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p.12 #2 · EOS-R5....will it live up to the hype?


JohnSil wrote:
Do you think that the likes of Red and Arri and Canon C500 and 700’s are gonna go away because things like the R5 are getting too good?
We’re talking vloggers here not movie makers. There will always be more room higher fps for better slo-mo etc.
John


I was only referring to Canon's lineup.

Basically the only way Canon would come up with an uncrippled 8K on the R5 is that they aren't putting priority on their pro video cams anymore. Canon has ALWAYS crippled their lower end (comparing to their flagship) cameras so that it doesn't mess up with the market of their pro cams. Hence, even though the R5 looks great on paper, I'd say the devil is in the details.

So, I agree on the frame rate. They might give us something like a 8k@24fps with some less than ideal codec and no uncompressed HDMI output or something along that line and move all the better functions to pro cams.



Feb 22, 2020 at 02:31 PM
JohnSil
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p.12 #3 · EOS-R5....will it live up to the hype?


azenis wrote:
I was only referring to Canon's lineup.

Basically the only way Canon would come up with an uncrippled 8K on the R5 is that they aren't putting priority on their pro video cams anymore. Canon has ALWAYS crippled their lower end (comparing to their flagship) cameras so that it doesn't mess up with the market of their pro cams. Hence, even though the R5 looks great on paper, I'd say the devil is in the details.

So, I agree on the frame rate. They might give us something like a 8k@24fps with some less than ideal codec and no uncompressed HDMI output
...Show more

I wouldn’t call it “crippling”, I would call it price point! At what point do you stop adding more advanced features? Every feature is gonna add to the cost.
For example the SL2 and 7Ti. They are wonderful cameras for very little money. They are not even close to pro or even semi-pro cameras. Not near as good as the new 90D but for the target user, they are the mainstay of bloggers/vloggers. You don’t need an R5 or a 1Dxlll for that. If you’re doing professional wedding video you do!
Yes Canon might omit the next expensive feature, especially if that price point user just isn’t gonna use that type of sophistication and if it had it, would not pay for it.
If you need it all, just in case, just get the 1Dxlll or wait for it’s ML sidekick!
If you need 120fps 8K you’ll just need to pay for it.
The truth is very few need more than 120fps HD!
John



Feb 22, 2020 at 03:12 PM
borno
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p.12 #4 · EOS-R5....will it live up to the hype?


I guess chevy crippled my $30K 300hp p/u cause it didn't get the same 450hp in the $47k model


Feb 22, 2020 at 04:14 PM
gdanmitchell
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p.12 #5 · EOS-R5....will it live up to the hype?


markd61 wrote:
...Frankly, Canon is just beginning to flex it’s considerable tech prowess in the mirrorless field. The RF line of lenses has already made a statement of intent and seems to be just gathering steam.
So for the moment, I believe Canon is about to loose its first rounds of shock and awe in the mirrorless body campaign.


FWIW, while I don't actually "know" what is coming from Canon, I think we all have some suspicions... and the process is one that I've written about for some time. My thinking has, for several years, been something like the following.

First, Sony made an absolutely brilliant set of moves when they introduced the mirrorless A7rII full frame camera. Sony recognized that they were very unlikely to be as successful in the DSLR space, even though they had proven that they could make competitive DSLR systems. The issue was that the base of Canon and Nikon DSLR users was so large and so invested in those systems that it wouldn't be enough to equal those brands — Sony would have to exceed them significantly in terms of features and performance and probably at the same or lower price points. That was, as Sony recognized after trying, going to be a nearly impossible task.

So Sony zigged where the others were still zagging. To this day, I think that nearly everything about the introduction of the A7rII was brilliant — even though I personally did not find the camera compelling for my own photography. What made it so smart?

1. The camera appealed to the portion of the market that is always looking for the cool, new thing since the cool, new thing was the full frame mirrorless camera.

2. They went right at "early adopter" types (who often don't fully trust their existing brand, and often think the grass is greener on the other side of the fence). These folks also tend to be a lot more forgiving of new systems that have some rough edges and limitations, since the potential of the new system appeals to them.

3. The first model offered the highest resolution sensor then available, so it naturally appealed to high-MP fans, in particular landscape photographers. This went straight at Canon, whose high-MP cameras at that point were lounging around in the 20MP range, while the new Sony had 36MP. (Nikon also had 36MP in the D800, but more on that it moment.)

4. Sony also went straight at Canon by largely foregoing the marketing of Sony-native lenses, instead offering an adapter that allowed Canon lenses to work on their camera. There were issues — some lenses didn't work well at all, and many worked less well, but the cost of trying the Sony system was greatly reduced for Canon owners who could bring their existing lenses along.

5. While the adapted lenses didn't work well enough for some uses dependent on critically accurate and fast AF, they worked fine in less challenging circumstances, and arguably as well for things like landscape as they worked on native Canon cameras... which, remember, now looked less appealing by way of their lower MP sensors.

6. All of this gave Sony quick market penetration, and as they began to build out lenses and improve the operation of their cameras they already had a strong and growing base in the market.

Someone will — if they haven't already — do a case study on this and use it to illustrate some principles about marketing and development strategies.

At that time, we heard the constant refrain of "But Canon isn't innovating! Canon is falling behind! What's wrong with Canon?!"

Well, yes, but...

Unlike Sony, until then a small player with a tiny installed base of users, Canon could not afford to move as fast or experiment on their customers. Consider for a moment: If the exact same camera that we got with the A7rII had come from Canon, the reaction would have been almost entirely different. People would have complained mightily about the AF problems. They would have rejected the need to use old lenses with adapters. They would never have tolerated the less sophisticated interface. The installed base of Canon users would have — let's be honest here — pilloried Canon if they had released the very same camera under their brand.

That is not an indictment of Canon nor Sony. It simply recognizes the different realities for bigger, established companies versus upstart players in a market.

The big company cannot bring a product with a lot of rough edges to market. They have far less ability to experiment on their users. They need to present an entire integrated system. They can't rely on telling users to buy parts from a competitor.

And Canon didn't do those things. They set about on a longer-term development process that literally took years — as they had to do — with a goal of being able to introduce a fairly mature product line-up that would, from the start, compare favorably with their existing DSLR line-up, and if possible exceed its capabilities.

It looks like we are getting very, very close to seeing the real fruits of that long term process. Arguably we begin so see some wins in the M cameras, and we are seeing some clearer evidence in the R and the RP. But even more so, we are seeing it in the lenses. Canon knows that if they are to move users to the new system that there must be lenses ready to go. Increasingly it is clear that there are and will be. Existing EF lenses appear to work essentially as well on R systems as they work on DSLRs, by means of an inexpensive adapter. But even more important, as Canon introduces new R lenses they almost always exceed the capabilities of the previous EF incarnations in some way or ways. They have a larger maximum aperture, a larger focal length range, better image quality. What I think we are seeing is a plan by Canon to make sure that when current DSLR users look at the new R system they will understand/think that a) they can bring their existing lenses along, b) the new system performs as well as or better than the older systems, and c) that a extensive line-up of native lenses is available, and d) that the new lenses also offer advances over the old lenses.

Make sense now?

"Will it live up to the hype?" I have no idea, but it looks like Canon is rolling out at pretty serious and respectable system.

BTW, this is not intended to be pro- or anti- any brand... They all are producing really fine gear these days.



Feb 22, 2020 at 04:48 PM
RustyBug
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p.12 #6 · EOS-R5....will it live up to the hype?


To follow Dan ...

Can you imagine the backlash from Canon users if Canon had abandoned their form factor for the form factor of the A7R II Many of the beloved in Canon find the form factor a hallmark of the body.

The other thing playing to Sony's favor was the amount of their A-mount glass that was in use. It was NOWHERE near the amount of EF glass that exists.

To that point I'd be curious how many adapters Sony actually sold to folks with Alpha glass.

Canon otoh, will likely sell tons of adapters to support their EF glass that doesn't have RF replacements (and is economically advantageous to replacing all at once).

Key point, there weren't a lot of folks so vested in A mount glass that they would continue shooting A mount. Most Sony Alpha shooters had a smaller investment in Alpha glass ... THUS, the conversion to Sony's new glass lineup building was a bit different than what it needs to be for Canon & Nikon.

That's not to say you couldn't shoot pro with Sony (back then) ... just that the volume of those doing so was significantly smaller than Canon & Nikon. Small ships can maneuver quicker than big ones. Sony played their hand well, no doubt. They mostly "Hit 'em where they ain't."

And, it sure didn't hurt that Sony was able to use Canon's glass. IF ... IF Sony had needed to develop their own glass at a pace to fill the gaps without the benefit of using Canon's glass ... ummm, I think we would have had a VERY different outcome. As it turns out, they were able to sponge off Canon while still building. Again, they played the hand well, but if it hadn't been for Canon's wealth of glass to tide them through their building period, things could be a rather different for Sony.

As to Canon about to unleash "shock & awe" in the mirrorless realm ... not holding my breath there, but I do look forward to seeing what they do in the 7 Series. Anyway, we are progressing into the Canon mirrorless era ... several years of change lie ahead.



Feb 22, 2020 at 06:42 PM
artsupreme
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p.12 #7 · EOS-R5....will it live up to the hype?


For someone who has no clue about video, can someone explain where Canon stands compared to the Sony offerings in regards to video?

I haven't paid attention to video but it seems like most of what I read about Canon's video offerings were weak compared to Sony. But maybe they closed the gap with the R? I also remember reading something about Canon's file types were not ideal...

I would appreciate it if someone could shed some light on this. I might have a need for a "video camera" and maybe the R5 will deliver in that category.



Feb 22, 2020 at 08:02 PM
mdvaden
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p.12 #8 · EOS-R5....will it live up to the hype?


artsupreme wrote:
For someone who has no clue about video, can someone explain where Canon stands compared to the Sony offerings in regards to video?
.


I am fairly ignorant about video.

But it wasn't coincidence that Tony Northrup and the Slanted Lens both posted on Youtube that they were going with the Canon EOS R for their video needs.

Maybe find their feedback and see what their reasons were.




Feb 22, 2020 at 10:05 PM
JohnSil
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p.12 #9 · EOS-R5....will it live up to the hype?


Canon had to pander to its user base, which was used to very good dslr's!
Lets not forget that Canon is NOT new to ML, it's been in the ML game for many years in the Cine scene.
AND it knows a thing or two about making video lenses. That tech is not new to Canon either. From Red to Arri, they all come in Canon mount.
I read an article in Peta Pixel at least 3 years ago that once Canon jumped into ML with both feet, It would not take long for Canon to dominate the ML market. Its ML lenses should be an indication that the big wave is coming.
The new 1Dxlll has a ton of ML tech already packed into it. The 1Dxlll is definitely a proving ground to test the serious waters of ML, even though it has a mirror!
The bigger question is what will happen to DSLR.
I think the Rebel line is still the best selling line from any brand.
New consumers aren't quite ready to dump the dslr even at the low entry levels. I think DSLR and ML are going to coexist for a few years longer than many think!!!
John



Feb 23, 2020 at 03:31 AM
arbitrage
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p.12 #10 · EOS-R5....will it live up to the hype?


artsupreme wrote:
For someone who has no clue about video, can someone explain where Canon stands compared to the Sony offerings in regards to video?

I haven't paid attention to video but it seems like most of what I read about Canon's video offerings were weak compared to Sony. But maybe they closed the gap with the R? I also remember reading something about Canon's file types were not ideal...

I would appreciate it if someone could shed some light on this. I might have a need for a "video camera" and maybe the R5 will deliver in that category.


I'm not really a video guy either. Canon had some poor video codecs like in the 1DXII with motion jpeg that resulted in huge files because it was literally a movie of stitched together jpegs.
But they are now using modern codecs and compression.

DPAF has always been regarded as neck and neck with Sony's PDAF system. Now that Canon has upped the game on Face/Eye AF I don't think there is much to choose from between the two systems. DPAF always had really nice control and smooth transitions for focus pulling via AF. Sony's overall Tracking system is still more refined but if you are looking to use AF for video then both systems should be great.



Feb 23, 2020 at 08:38 AM
dmcphoto
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p.12 #11 · EOS-R5....will it live up to the hype?


gdanmitchell wrote:
FWIW, while I don't actually "know" what is coming from Canon, I think we all have some suspicions... and the process is one that I've written about for some time. My thinking has, for several years, been something like the following.

First, Sony made an absolutely brilliant set of moves when they introduced the mirrorless A7rII full frame camera. Sony recognized that they were very unlikely to be as successful in the DSLR space, even though they had proven that they could make competitive DSLR systems. The issue was that the base of Canon and Nikon DSLR users was so large
...Show more

"Nikon also had 36MP in the D800, but more on that it moment."

I think that's a reasonable perspective regarding Sony's rise in the camera market, but I'm still waiting for the part about Nikon, which has more similarities to Canon than Sony. I know Nikon used Sony manufactured image sensors, and it was the lack of modern (BSI) sensor technology that held Canon back, but lack of technology is what it is, and not a compelling "excuse". Note that I'm talking about camera performance here, not market share, which is more a product of marketing than technology.

Nikon released the 36MP D800/D800E in 2012 while I was waiting for Canon to release a 1DsMkIV, which never happened. In 2014 when Nikon released the D810 I was still waiting for a Canon product that was comparable, or at least had better IQ at low ISO than my 2007 vintage 1DsMkIII. In 2015 Canon at long last released the 5DSR, their first camera in 7 years to exceed the 1DsMkIII low ISO IQ. Seven years is a long time to wait, and the only improvements were resolution and usability features like better rear LCD, etc. It still wasn't up to the Nikon D810, but at least there was some progress. Two years later Nikon released the D850 with 45.7 MP, lower noise and best in class DR, and 7 FPS (9FPS with a battery grip), 2 FPS and 4 FPS respectively higher than the 5DSR with only 4 MP less resolution.

From my perspective it was as if Canon was asleep and snoring loudly between 2007 and 2016 when the 5DMKIV was released. That camera is only slightly behind Nikon's D850 in terms of DR, further behind in terms of resolution, and comparable in frame rate. Only now, in 2020, are we starting to see class leading specification rumors from Canon.

Edited on Feb 23, 2020 at 09:20 AM · View previous versions



Feb 23, 2020 at 09:01 AM
Jesse Evans
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p.12 #12 · EOS-R5....will it live up to the hype?


I think some of you may not know this but the motion jpeg codec is actually highly desirable for many videographers.

Why? The all-i nature of the codec. Video compression works by creating a series of i-frames from which subsequent frames have their deltas encoded from. These frames are added at either a fixed or variable rate. The more i-frames the higher the resulting bitrate (all else held equal) and typically the higher quality the video (all else held equal).

This intra frame interpolation is the source of most artifacting in videos. It also has the side effect that when working with editing software instead of deciding a single frame to show you the image you’re looking at, your computer must decode the previous i-frame, and then compute all of the deltas from the i-frame and the intermediate frames until it gets to the frame you are on. This is a relatively taxing process and leads to pretty slow editing.

Enter All-I codecs, where every single frame is an i-frame and it isn’t dependent at all on what came before it and what comes after it. These are crisp, clear, lacking any artifacting from motion artifacts that weren’t encoded correctly from the frames that came before or after. And importantly, all-i codecs can be decoded with relative ease compared to interframe codecs.

It’s very common to shoot in all-i when doing professional video work. But it is also pretty useless to people not doing any editing.

All-i codecs like motion jpeg are actually typically withheld by manufacturers and only offered on their highest end camera. Example: Panasonic S1 and S1R offer no all-i codecs. You can only get that on the S1H (or also their GH5) and varicams.

On Sony cameras, to get access to their XAVC-I codec (their all-i codec) you have to step up to the FS7/FX9 series of professional video cameras.

Canon offers this on the EOS R and 5D IV, which is one of the reasons many people appreciate those cameras for video work.

edited to remove some errors in the discussion of b-frames (which are actually the most compressible frames, requiring interpolation from both previous and subsequent frames).

Edited on Feb 23, 2020 at 01:51 PM · View previous versions



Feb 23, 2020 at 09:09 AM
gdanmitchell
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p.12 #13 · EOS-R5....will it live up to the hype?


dmcphoto wrote, first quoting a sentence from my earlier post:
"Nikon also had 36MP in the D800, but more on that it moment."

I think that's a reasonable perspective regarding Sony's rise in the camera market, but I'm still waiting for the part about Nikon, which has more similarities to Canon than Sony. I know Nikon used Sony manufactured image sensors, and it was the lack of modern (BSI) sensor technology that held Canon back, but lack of technology is what it is, and not a compelling "excuse". Note that I'm talking about camera performance here, not market share, which is more a
...Show more

My apologies for including that sentence and then not following up! I could say that I forgot. ;-) Or that the post was already too long by the time I finished it!

However, since I wrote that and you brought it up, I'll try to fill in here.

A few things...

Note that while Sony specifically targeted Canon as the company from which they would take market share, they arguably did not do so with Nikon. For example, while it was pretty easy (and very common!) for Canon users to stick their lenses on the Sony system, it didn't work that way for Nikon users.

So let's say that you were a person shooting an existing DSLR system from Canon or Nikon. How strong would the case be for trying out or moving to Sony?

For the Canon user, pretty strong and in several ways. You may have felt that you were "falling behind" on the sensor resolution front, and the 36MP sensor had close to double the number of photo sites. While switching brands for most folks already invested in a brand is a daunting prospect, usually requiring the replacement of expensive lenses, electronic flash, and other odds and ends... here you could keep virtually all of those things and try it out for the price of a body alone. That also meant that you could probably ease the transition by keeping your Canon body "just in case" as you tried the new thing.

Let's say that you were a Nikon user. In your case you could get everything but a mirrorless body (the ability to use your existing lenses, the higher MP sensor) simply by purchasing a D800 or similar body from Nikon, with no concerns about compatibility or how well your new camera would interface with your lenses. On top of that, as I understand it, there was not really a path to bringing your Nikon lenses over to the Sony body with ostensibly good performance.

From Sony's point of view, I suspect that there were good reasons to not go after Nikon in the same way they went after Canon. First, the largest existing base of users who could become Sony customers by bringing their existing lenses along to a Sony camera was Canon photographers. My thinking is that Sony's main initial goal was to get traction without having to introduce a full lens line-up along with the new camera, and for that Canon was the better target. Second, if Sony had introduced their own Nikon lens adapter (which I understand would have involved some technical challenges) this would have added complexity to the system without adding a whole lot of new users. Third, since Sony was producing Nikon's sensor at this point, it would benefit them far less to potentially diminish the success of a company that was buying sensors from them.

I get it when you write that "it was as if Canon was asleep." I do think that Canon did not clearly see how quickly Sony would change the rules (with higher performance sensors, and with the successful introduction of FF mirrorless), but given their position in the market they no doubt looked at things differently. And, again, keep in mind that Canon could not possibly have successfully used the Sony strategy (a camera with lots of rough edges, issues with AF with existing lenses, requirement to use an adapter, interface problems, etc) and been successful. The market would overlook these things with a newcomer like Sony, but a camera with those issues, no matter how revolutionary the underlying promise, would have failed spectacularly in the market. Again, just imagine the exact same camera and scenario of the A7rII... but put a Canon logo on that camera... and imagine the damning reviews of "Canon's" new technology experiment!

So, it isn't unfair to suggest that Canon appeared to have been a bit too complacent about the possibility that were on the horizon, and may not have realized until it was too late that Sony was going to make lightening strike in the rather brilliant way they did with the A7rII. I'm convinced that once that happened, Canon had only a limited number of options.

1. Cede the market for mirrorless cameras to Sony and prepare to exit the high end camera market. (Not. Going. To. Happen.)

2. Rush out a "me too" product that would fail to meet the expectations of Canon's market, a product that would likely have been panned and thus fail to do anything to counter Sony's brilliant move.

3. Knuckle down and set in motion a longer term development process that would lead to a state-of-the art mirrorless system — too late to stop Sony's initial push, but in time to effectively counter it and retain the largest share of the market.

Note that throughout all of this, Nikon is barely a factor aside from being a good customer for Sony's sensors and a continuing (though troubled) competitor to Canon.

For an interesting analogy, look at Apple and the very early smartphone market. Early on there were a bunch of companies that were very successful in that market. They had been quick to get products to market, and then they worked to improve them over time. There were rumors that Apple was working on a product, but nothing solid. (And Jobs more or less denied that they were doing it.) As time went on and there was nothing from Apple, the pundits began to pronounce that "Apple is too late to this market" and. that the window had closed.

But, while the analogy isn't perfect, what Apple did was more like what Canon has to do here, and what it looks like Canon may be doing. Basically, rather than rushing out a reactive product with rough edges to immediately compete in that new market, Apple set in motion a very big and very serious development project that led to what seemed like quite a revolutionary and solid product from the first introduction. The rest is, as they say, history. (Anyone bought a Motorola smart phone recently? ;-) )

Dan

As always, nothing I write here is intended to denigrate any of the mentioned manufacturers or their products. All three produce excellent photographic equipment, and there are excellent photographers producing great work with each of them.



Feb 23, 2020 at 11:08 AM
Holger
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p.12 #14 · EOS-R5....will it live up to the hype?


markd61 wrote:
There are a lot of peculiar assumptions based on the rumors of the model.
As for the price your assumptions are based on the past and not the circumstances of today. Sony shocked the market by offering a feature packed line at very low prices in comparison to the competition. Precisely the tactic used by Canon with the intro of the 10D undercutting Nikon’s camera by $500 or 25%.
Frankly, Canon is just beginning to flex it’s considerable tech prowess in the mirrorless field. The RF line of lenses has already made a statement of intent and seems to be
...Show more

We will see. The 1dxiii has a sensor readout speed of 1/60s (Sony A9 1/160s), according to measurements at dpreview. AI-Servo is possible in LV for 20fps (E-shutter + mechanical shutter). So is it possible to get a 45MP R5 with a similar readout speed and performance? I don't think so, but 12fps should be possible in AI-servo. But for 4k 60p the relevant part of the movie needs to be read out in 1/60s, right? So I guess full raw 4k60p to be unlikely.

https://www.canonrumors.com/canon-eos-1d-x-mark-iii-technical-white-papers-released/



Feb 23, 2020 at 11:49 AM
dmcphoto
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p.12 #15 · EOS-R5....will it live up to the hype?


Cameras are more than just an image sensor. OTOH, given adequate lenses image quality (resolution, dynamic range, shadow noise, ISO performance, etc.) is entirely dependent on the image sensor. On 2019 industry pie charts Sony occupies a 49.1% wedge, with Samsung at 17.9%, OmniVision at 9.5%, and "Others" (which includes Canon) at 23.5%.

Sony developed BSI image sensors 10 years ago in 2009, and stacked BSI image sensors 7 years ago in 2012, and image sensors with copper to copper connections (allowing smaller on-chip sizes, higher DR, lower noise) in 2015. Canon has not yet demonstrated any of these technologies. Maybe they will release a camera with a BSI sensor this year, but even if that happens they are incredibly far behind. AFAIK Sony hasn't released any commercial image sensor using the latest technologies they have, but the point is that they have the technology.

This isn't a Sony commercial, but I know a little about solid state fabrication and the advances Sony has made in are a huge thing. I believe they are the only company in the world with all of the technical abilities I've listed above. Canon may well be better at making camera systems and marketing them to photographers, but think Sony image sensors will set the IQ standard for many years to come.

It takes many years and many billions of dollars to make these kinds of advances. For a company whose primary business is not image sensor fabrication it hardly seems worthwhile, and it certainly won't happen anytime soon.

IMO



Feb 23, 2020 at 02:17 PM
alundeb
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p.12 #16 · EOS-R5....will it live up to the hype?


^
All the technology advances listed for Sony are not primarily related to image quality alone, but more to that in combination with advanced and high speed readout. For image quality also color science plays a part, something that does not demand those chip fabrication technologies. In addition Sony does things that is negative for image quality, like destroying an increasing part of the pixels for dedicated phase detection.
Canon has demonstrated that they can now get the same base ISO dynamic range, and they have also demonstrated over time that they want to be leading in resolution.
So I think image quality wise the R5 will not disappoint, and I look even more forward to seeing the next high resolution model.



Feb 23, 2020 at 02:37 PM
dmcphoto
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p.12 #17 · EOS-R5....will it live up to the hype?


alundeb wrote:
^
All the technology advances listed for Sony are not primarily related to image quality alone, but more to that in combination with advanced and high speed readout. For image quality also color science plays a part, something that does not demand those chip fabrication technologies. In addition Sony does things that is negative for image quality, like destroying an increasing part of the pixels for dedicated phase detection.
Canon has demonstrated that they can now get the same base ISO dynamic range, and they have also demonstrated over time that they want to be leading in resolution.
So I think
...Show more

You beat me to it! As I was returning to add the part about those technologies increasing readout speed I saw your post. Indeed, we see this in the fact that Sony can read out a 24MP sensor in just over 1/3 the time it takes Canon to read a 20MP 1DX3 sensor.

Sony does destroy more pixels for dedicated phase detection, but their readout speed allows them to incorporate more accurate contrast focus detection into their one shot AF mode, so it's a mixed bag and not all negative. With Sony making 150 MP Phase One MF image sensors in addition to those used by Hassleblad, Fuji, Pentax, Olympus, Nikon, Sony, and others, I don't think Sony will take a back seat in the IQ or speed realm. That's not to say that Canon can't, or won't, make a respectable product, but it's just not possible for them to meet Sony's sensor fab expertise.

IMO



Feb 23, 2020 at 03:05 PM
arbitrage
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p.12 #18 · EOS-R5....will it live up to the hype?


Where does the idea that Sony targeted Canon users directly come from? Sony never made an adapter for Canon lenses. That was all done via 3rd parties, just as the Nikon (and other) adapters were. The only adapter Sony made was for their A-mount lenses.


Feb 23, 2020 at 03:23 PM
RustyBug
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p.12 #19 · EOS-R5....will it live up to the hype?


arbitrage wrote:
Where does the idea that Sony targeted Canon users directly come from? Sony never made an adapter for Canon lenses. That was all done via 3rd parties, just as the Nikon (and other) adapters were. The only adapter Sony made was for their A-mount lenses.


It wasn't that they necessarily "targeted" adaptation of Canon glass by original design / intent. Rather, they became the benefactor of Canon's glass through (3rd party) adaptation ... and that was quite a benefit that lended them a helping hand in popularity.

For instance, the ability for landscapers to use Canon's T&S glass on Sony ... something that Sony likely is not ever going to develop. Same goes with other glass, in that it "bought them time" to either build or continue to borrow. In this regard, Sony had a full lineup of glass without having to produce the entire lineup.

That's not to take away from Sony's development of their own glass ... just saying it had some serious added benefit to them, that without, well things might be a little bit different.



Feb 23, 2020 at 03:46 PM
arbitrage
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p.12 #20 · EOS-R5....will it live up to the hype?


RustyBug wrote:
It wasn't that they necessarily "targeted" adaptation of Canon glass by original design / intent. Rather, they became the benefactor of Canon's glass through (3rd party) adaptation ... and that was quite a benefit that lended them a helping hand in popularity.

For instance, the ability for landscapers to use Canon's T&S glass on Sony ... something that Sony likely is not ever going to develop. Same goes with other glass, in that it "bought them time" to either build or continue to borrow. In this regard, Sony had a full lineup of glass without having to produce the entire
...Show more

Yeah, I understand all that but Dan made at least two mentions of Sony directly going after Canon users and Dan even goes as far as saying they forego their own lens development to go after Canon glass owners....I call hogwash on that because there is no evidence of that and it is blatantly false information that they made an EF adapter.



Feb 23, 2020 at 03:53 PM
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