For Z6/Z7 video shooters, would this elevated hot shoe extender move the mic far enough from an FTZ + F-mount lens to minimize focus noise? Thanks for any input!
Thanks!... I've been struggling a bit with the color balance w the Z6 and Lightroom. It is clear that Adobe has chosen to "juice" the files a bit. I am currently looking for the best way to get my Z6 files to look more like the D500 files when they are imported for raw processing.
OwlsEyes wrote:
Thanks!... I've been struggling a bit with the color balance w the Z6 and Lightroom. It is clear that Adobe has chosen to "juice" the files a bit. I am currently looking for the best way to get my Z6 files to look more like the D500 files when they are imported for raw processing.
cheers,
bruce
The files seem tweaked, but I think it's being done in camera. I use Photo Mechanic and DxO Photolab. The Z6 files are easy to pick out even looking at thumbnails before RAW conversion.
henry albert wrote:
The files seem tweaked, but I think it's being done in camera. I use Photo Mechanic and DxO Photolab. The Z6 files are easy to pick out even looking at thumbnails before RAW conversion.
I agree... I would like the files to be a bit more neutral w/ out losing the contrast. When I import them as neutral files, the contrast falls off dramatically.... Still working on getting the most out the Z6 files without losing the reality of the moment.
I love the IQ/rendering with the 24-70/2.8S.
