snapsy wrote:
Very nice! I think if you crop out the partial face of the woman on the right the image becomes even more compelling. Since she's wearing a black jacket you can crop just enough to remove her face because the jacket looks like a black chair the man behind her could be sitting in
Ah yes. That would make it better. thanks
philip_pj wrote:
Blimey, you have good choices for this scenario: ISO 3200 at 1/60 and f2.8; or ISO 5000 at 1/60 and f3.4 would be good to try. Many users use auto ISO up to ISO 6400.
thanks. this is good to know that 6400 is within acceptable level. I'm not used to this camera yet but I am learning. Let's just say, the menus and features is quite more than of an M9.
LightShow wrote:
Looks good, did you use corner fix or anything? Because I don't see even a hint of color shift even though I know it should still be there like it is with mine in shots with white clouds.
wfrank wrote:
Great shot of the Barracuda. Is this wideopen or slightly stopped down? Just love the rear window of that car, very rare classic over here.
Nice shot and nice car but I am not very fond of the long distance bokeh. Very restless.
Closer by backgrounds probably draw better with this lens.
sculptormic wrote:
Nice shot and nice car but I am not very fond of the long distance bokeh. Very restless.
Closer by backgrounds probably draw better with this lens.
In that image it doesnt bother me, perhaps because it's dark. But overall I agree that e.g. most Zeiss does far distant bokehs better. And as you say, closer by backgrounds improves a bit. But better still is closer by subjects - that's where I believe this lens excel and can even surpass just about anything bokeh- and color wise.
Samuli Vahonen wrote:
100% crops:
Disclaimer: check your health insurance, you may need eye doctor after seeing the crops if your eyes are bleeding badly... FE55 crop FE35 crop
(Apologies for cr#ppy quality, images are direct exports from cr#ppy Sony RAW converter without any adjustments and crops with MS Paint as I did these for one email discussion about this topic, not for forum posting)
Thank you for posting these. Those crops indeed look horrendous!
Does the bokeh smoothen when you stop down a bit (like it does with for example the 50/1.4 planar)?
More with the Zeiss 100/2 MP ZE on the a7R. This lens is about as big/bulky a lens as I would like on this camera. It handles very nicely, IMO, and produces wonderfully sharp Zeissy images.
[Edit] - Opps, that first image is with the Oly OM 21/3.5 . . . how did that slip in there?
Jochenb wrote:
Thank you for posting these. Those crops indeed look horrendous!
Does the bokeh smoothen when you stop down a bit (like it does with for example the 50/1.4 planar)?
No, it's same as with FE35 "cross-eyed" boke = doesn't improve as usual aberration caused issues. Basically it gets better because DOF increases (and size of blur circles in boke decreases) and at some point it's inside the DOF. In this scene it start to clear f/8, unfortunately didn't shoot f/11 but I would assume it would have been pretty ok by then.
To me this is not the same "bad boke wide open"/"busy bokeh" which many lenses have, specially the ones well corrected. I haven't ever seen anything similar in other lenses. I have shoot with almost all Canon EF L-primes from 35mm to 300mm, all Zeiss ZE series lenses excluding 15mm&18mm, most Contax SLR lenses, lots of Leica R etc. and this is definitely one of the weirdest lens issues I have faced this far. Luckily it's not triggered as easily as with FE35.
wfrank wrote:
Great shot of the Barracuda. Is this wideopen or slightly stopped down? Just love the rear window of that car, very rare classic over here.
Thanks! I think it was WO. I don't mind the funky bokeh for the most part, I might like it better from a different lens but I'd have to see it to know.
Here's one showing the rear window. I haven't seen many of these myself (I'm not sure I've ever seen one in person). Another guy on the sidewalk said he knew the owner of this car, and that it was all original, and local to the area even.