Gunzorro wrote:
A few more with the Canon FD 24/2.8 and Nikon 45 PCE.
Your last shot makes me thinking Jim!
It's a simple panel only - but the lower one has a very important message. I will take this text for me personal and will keep learning. Thanks for this...
Carl Zeiss APO-Sonnar T* 2/135 ZE @ f/2.0, 1/125s, A7 mkII @ ISO 100
Got idea from CV 40mm f/1.2 thread to use Marumi DHG Achromat +3 Close-up Lens with Carl Zeiss Planar T* 1.4/50 ZE, which is also weak in close-ups, like the CV 40mm f/1.2, but otherwise has pleasing rendering style (subjective opinion). Quite nice to "study" the background forest via boke in various soft forms and shapes when using Close-up lens. Lens seems to keep it character e.g. very "edgy" boke highlights when f/1.4-1.7 and super smooth boke (at large focus ring positions) starting from f/2.2.
Carl Zeiss Planar T* 1.4/50 ZE @ f/5.6, 1/40s, A7(Kolari v2) @ ISO 200, Marumi DHG Achromat +3 Close-up Lens
Carl Zeiss Planar T* 1.4/50 ZE @ f/6.3, 1/60s, A7(Kolari v2) @ ISO 400, Marumi DHG Achromat +3 Close-up Lens
Carl Zeiss Planar T* 1.4/50 ZE @ f/2.8, 1/50s, A7(Kolari v2) @ ISO 100, Marumi DHG Achromat +3 Close-up Lens
Carl Zeiss Planar T* 1.4/50 ZE @ f/2.2, 1/500s, A7(Kolari v2) @ ISO 200, Marumi DHG Achromat +3 Close-up Lens
