Sony FE Images Thread
p.2538 #1Sony FE Images Thread
Loxia 85mm at f2.4. Close to MFD, I set the focus ring at the short stop and rock back and forth until in focus, should be a torture test for all rounder 85mm lenses. [1/1000s here, h/h a7r.]
Nov 16, 2017 at 06:42 PM
p.2538 #2Sony FE Images Thread
Sony ILCE-9
FE 85mm F1.8
ƒ/1.8 85.0 mm 1/8000 100
One beech leaf by MedicineMan4040, on Flickr
FE 85mm F1.8
ƒ/1.8 85.0 mm 1/8000 100
One beech leaf by MedicineMan4040, on FlickrNov 16, 2017 at 06:47 PM
p.2538 #3Sony FE Images Thread
For my starwars fans. Coins from the new zealand mint. There is one more coin, and I've already purchased it, but just don't have it in my possession yet. Each coin is limited to 10,000 worldwide. Coins were created to commemorate starwars 40th anniversary.
40th anniversary by Phu Vong, on Flickr
Coin 2 of 3 by Phu Vong, on Flickr
40th anniversary by Phu Vong, on FlickrCoin 2 of 3 by Phu Vong, on FlickrNov 16, 2017 at 08:47 PM
p.2538 #4Sony FE Images Thread
Managed to score a 35 f/1.4 Distagon ZA for a good deal. Really fun to use, but not sure if I'll have it for long. Let me know if you're looking for one!
Wide open
Edited on Nov 28, 2017 at 07:36 AM · View previous versions
Wide open
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Edited on Nov 28, 2017 at 07:36 AM · View previous versions
Nov 16, 2017 at 09:22 PM
p.2538 #6Sony FE Images Thread
Bluebird
Sony ILCE-9 + FE 100-400mm F4.5-5.6 GM OSS + 1.4X Teleconverter @ ISO 1600, FOCAL LENGTH 560.0 mm, APERTURE f/8, EXPOSURE TIME 0.0005s (1/2000)).
K-H.
Sony ILCE-9 + FE 100-400mm F4.5-5.6 GM OSS + 1.4X Teleconverter @ ISO 1600, FOCAL LENGTH 560.0 mm, APERTURE f/8, EXPOSURE TIME 0.0005s (1/2000)).
K-H.
Nov 16, 2017 at 10:06 PM
p.2538 #7Sony FE Images Thread
Three winners, but the second one is absolutely killer, Karl-Heinz!
Magnificent Monet, Joshua! If you want to deepen your knowledge/understanding of Monet, you must come where it all happened. That would let me padawan around you and learn....
Otus 55mm.
Magnificent Monet, Joshua! If you want to deepen your knowledge/understanding of Monet, you must come where it all happened. That would let me padawan around you and learn....
Otus 55mm.
Nov 16, 2017 at 10:34 PM
p.2538 #8Sony FE Images Thread
tried to get some autumn shots near dusk. g45 wide open on the kolari UT:
Nov 16, 2017 at 10:57 PM
p.2538 #9Sony FE Images Thread
CV 65mm:
FernGully by David Arbogast, on Flickr
Loxia 35mm:
Bank On It by David Arbogast, on Flickr
Deep Thoughts by Jack Handy by David Arbogast, on Flickr
FernGully by David Arbogast, on Flickr
Loxia 35mm:
Bank On It by David Arbogast, on Flickr
Deep Thoughts by Jack Handy by David Arbogast, on Flickr
Nov 16, 2017 at 11:10 PM
p.2538 #10Sony FE Images Thread
These falls are 80 feet and deafening when you walk behind them; from this past weekends hike-
Upper Piney by MedicineMan4040, on Flickr
Upper Piney by MedicineMan4040, on FlickrNov 16, 2017 at 11:29 PM
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p.2538 #11Sony FE Images Thread
Sony ILCE-9 + FE 100-400mm F4.5-5.6 GM OSS + 1.4X Teleconverter @ ISO 500, FOCAL LENGTH 560.0 mm, APERTURE f/8, EXPOSURE TIME 0.001s (1/1000).
K-H.
Nov 16, 2017 at 11:59 PM
p.2538 #12Sony FE Images Thread
k-h.a.w wrote:
https://photos.smugmug.com/KHW/Pics-by-Date/2017-11-15-A9100-40045-56-FE-GM-OSS14x-TC-Backyard-Birds/i-mfVTSF3/0/51e04c52/X2/_DSC4751%20American%20Robin_2160x2700-X2.jpg
Sony ILCE-9 + FE 100-400mm F4.5-5.6 GM OSS + 1.4X Teleconverter @ ISO 500, FOCAL LENGTH 560.0 mm, APERTURE f/8, EXPOSURE TIME 0.001s (1/1000).
K-H.
Wonderful pose of this Robin.
https://photos.smugmug.com/KHW/Pics-by-Date/2017-11-15-A9100-40045-56-FE-GM-OSS14x-TC-Backyard-Birds/i-mfVTSF3/0/51e04c52/X2/_DSC4751%20American%20Robin_2160x2700-X2.jpg
Sony ILCE-9 + FE 100-400mm F4.5-5.6 GM OSS + 1.4X Teleconverter @ ISO 500, FOCAL LENGTH 560.0 mm, APERTURE f/8, EXPOSURE TIME 0.001s (1/1000).
K-H.
Wonderful pose of this Robin.
Nov 17, 2017 at 12:01 AM
p.2538 #13Sony FE Images Thread
Philippe, Robert, thank you for the feedback. Much appreciated.
K-H.
K-H.
Nov 17, 2017 at 02:32 AM
p.2538 #14Sony FE Images Thread
ChrisLovesUgly wrote:
I got there before dark so that I could have them position the helicopter where I wanted it to take the photos and to set up the gear and decide on composition. They have 3 helicopters and the one they chose was yellow. The normal CG colour is red and white, the yellow paint job is to commemorate their centennial last year.
http://a4.pbase.com/o10/63/551663/1/166538248.Pcv1xK4z.1450_R2222301.jpg
http://a4.pbase.com/o10/63/551663/1/166538254.UfJ2No7E.1450_R2222322.jpg
Towing it out of the hangar
http://a4.pbase.com/o10/63/551663/1/166538246.5dxIKt3B.1450_R2222343.jpg
Into position and disconnecting the mule and tow bar
http://a4.pbase.com/o10/63/551663/1/166538252.MtQVmvQc.1450_R2222404.jpg
I initially thought that I'd like one of the compositions high and in front so I asked if they could bring over a pickup so I could use it with my tall tripod. I ended up not liking the composition so much but here's a shot. They had turned off some lights outside the nearest hangar that would have been pointing directly at the helicopter, so the only lights on were from the far hangar behind the fuel depot and some street lights a good way off to my left. Now wait for dark ...
http://a4.pbase.com/o10/63/551663/1/166538250.fGVk354d.1450_R2222445.jpg
The moon co-operated beautifully. It was the night after the full moon and by chance it rose, shrouded in clouds, to the left of the tail, then came up moving to the right and crossing the rotors. The clouds stayed there and made it more interesting (by chance because I didn't set up the helicopter knowing where the moon was going to rise).
http://a4.pbase.com/o10/63/551663/1/166538241.BLNiZiYu.OtisAFbase_ly1350.jpg
I took 48 images, lighting different sections in each (many repeats as I wasn't going to get a 2nd chance at this). I took shots with the cabins empty and with crew, and one crew member standing outside watching the engine in their startup position. Of the 48 I pulled 28 into PS as layers, and ended up with 18 of them in the final comp. Here's a gif showing the lighting by section. The layers in PS had been masked before I created the gif so you don't see what I call light splashover. I use a focusable flashlight so my lighting it fairly controlled, but there are good sections that have to be masked out in many or most shot. I set each lighting layer against the final sky background so you don't actually see the moon rising like a timelapse.
http://a4.pbase.com/o10/63/551663/1/166538158.qqRnzwMd.OtisAFbase_23secs.gif
Sony A7R2 / Canon 24mm TSE II / Metabones 4
MikeI've been following this thread for a long time (never posted), and this is one of my favorites to date. Awesome!
Thank you so much Chris ...
mcbroomf wrote
I was able to get access to a Coastguard helicopter a couple of weeks ago to lightpaint it at night.I got there before dark so that I could have them position the helicopter where I wanted it to take the photos and to set up the gear and decide on composition. They have 3 helicopters and the one they chose was yellow. The normal CG colour is red and white, the yellow paint job is to commemorate their centennial last year.
http://a4.pbase.com/o10/63/551663/1/166538248.Pcv1xK4z.1450_R2222301.jpg
http://a4.pbase.com/o10/63/551663/1/166538254.UfJ2No7E.1450_R2222322.jpg
Towing it out of the hangar
http://a4.pbase.com/o10/63/551663/1/166538246.5dxIKt3B.1450_R2222343.jpg
Into position and disconnecting the mule and tow bar
http://a4.pbase.com/o10/63/551663/1/166538252.MtQVmvQc.1450_R2222404.jpg
I initially thought that I'd like one of the compositions high and in front so I asked if they could bring over a pickup so I could use it with my tall tripod. I ended up not liking the composition so much but here's a shot. They had turned off some lights outside the nearest hangar that would have been pointing directly at the helicopter, so the only lights on were from the far hangar behind the fuel depot and some street lights a good way off to my left. Now wait for dark ...
http://a4.pbase.com/o10/63/551663/1/166538250.fGVk354d.1450_R2222445.jpg
The moon co-operated beautifully. It was the night after the full moon and by chance it rose, shrouded in clouds, to the left of the tail, then came up moving to the right and crossing the rotors. The clouds stayed there and made it more interesting (by chance because I didn't set up the helicopter knowing where the moon was going to rise).
http://a4.pbase.com/o10/63/551663/1/166538241.BLNiZiYu.OtisAFbase_ly1350.jpg
I took 48 images, lighting different sections in each (many repeats as I wasn't going to get a 2nd chance at this). I took shots with the cabins empty and with crew, and one crew member standing outside watching the engine in their startup position. Of the 48 I pulled 28 into PS as layers, and ended up with 18 of them in the final comp. Here's a gif showing the lighting by section. The layers in PS had been masked before I created the gif so you don't see what I call light splashover. I use a focusable flashlight so my lighting it fairly controlled, but there are good sections that have to be masked out in many or most shot. I set each lighting layer against the final sky background so you don't actually see the moon rising like a timelapse.
http://a4.pbase.com/o10/63/551663/1/166538158.qqRnzwMd.OtisAFbase_23secs.gif
Sony A7R2 / Canon 24mm TSE II / Metabones 4
Mike
Thank you so much Chris ...
Nov 17, 2017 at 03:23 AM
p.2538 #16Sony FE Images Thread
A72+Canon NFD 50/1.2 wide open
A72+Canon FD SSC 85/1.2 Aspherical wide open,save the no 5
A72+Canon FD SSC 85/1.2 Aspherical wide open,save the no 5
Nov 17, 2017 at 04:01 AM
p.2538 #18Sony FE Images Thread
philber wrote:
The bridge picture is superb, Peire!
My thoughts exactly!
The bridge picture is superb, Peire!
My thoughts exactly!
Nov 17, 2017 at 05:03 AM
p.2538 #19Sony FE Images Thread
Herbstwald II by Werner Utsch, on Flickr
A7RII, Loxia 21
6 Shots Panorama Vertical
Nov 17, 2017 at 07:38 AM
p.2538 #20Sony FE Images Thread
philber wrote:
Three winners, but the second one is absolutely killer, Karl-Heinz!
Magnificent Monet, Joshua! If you want to deepen your knowledge/understanding of Monet, you must come where it all happened. That would let me padawan around you and learn....
Otus 55mm.
Philippe, thank you very much for your compliment. I just checked, the last time I was there is over 7 years ago; it was in the fall of 2010 to be exact. I would love to visit your lovely city again and thank you for your invite. I will definitely let you know when I do.
Again, great image coming from your Voigtlander 65 wannabe - jest kidding
.
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I posted a similar image previously but taken as a single frame. Here is a panoramic capture taken with 3 horizontal images (with plenty of overlap) of the canyon when the sun came through the rain cloud, shinning of certain parts of the canyon. The tiny FE 28mm delivered in spades...
One glorious morning during a light show at the Grand Canyon NP (Hopi Point)
Three winners, but the second one is absolutely killer, Karl-Heinz!
Magnificent Monet, Joshua! If you want to deepen your knowledge/understanding of Monet, you must come where it all happened. That would let me padawan around you and learn....
Otus 55mm.
Philippe, thank you very much for your compliment. I just checked, the last time I was there is over 7 years ago; it was in the fall of 2010 to be exact. I would love to visit your lovely city again and thank you for your invite. I will definitely let you know when I do.
Again, great image coming from your Voigtlander 65 wannabe - jest kidding
._____________________________________
I posted a similar image previously but taken as a single frame. Here is a panoramic capture taken with 3 horizontal images (with plenty of overlap) of the canyon when the sun came through the rain cloud, shinning of certain parts of the canyon. The tiny FE 28mm delivered in spades...
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One glorious morning during a light show at the Grand Canyon NP (Hopi Point)
Nov 17, 2017 at 08:39 AM