I was conscious of the frame being divided into three sections by the chromed umbrella poles. But I don’t recall whether that awareness was at the time of pressing the shutter or only when I was selecting this image on the screen — both often being essential elements of making a photograph.
In my previous post, I mentioned that I was conscious of the frame being divided into three sections by vertical poles, but that I didn’t recall whether that awareness was at the time of pressing the shutter or only when I was selecting this image on the screen. In the image below, I remember looking at the two people at the extreme left and right, knowing that they would be divided by the out-of-focus glass box. But I never used this image, or paid any attention to it, because of the large out-of-focus area in the center.
Today, however, I liked the image — for its unusual compositions. Again, in making an image, both the visualization when pressing the shutter as well the visualization when selecting an image on the screen are often essential elements
Would you say that sometimes an out-of-focus main subject can work, say, as on “overall color composition”?
Don’t know, I’ll have to make a large print of this image one day to test this.
Mitch Alland wrote:
Would you say that sometimes an out-of-focus main subject can work, say, as on “overall color composition”?
Don’t know, I’ll have to make a large print of this image one day to test this.
Mitch Alland wrote:
Would you say that sometimes an out-of-focus main subject can work, say, as on “overall color composition”?
Don’t know, I’ll have to make a large print of this image one day to test this.
