Voigtlander 90mm f/2 APO-Ultron on M11-P. Excellent lens for nature and objects; perhaps too sharp for portraits (may need a bit of un-sharpening in post-processing).
I've often wondered what / how he see / thinks to wind up with such good triptychs. Honestly, Huss's triptychs are about the only ones (consistently) that have ever really made feel / think that they were immensely coherent (and yet, the connection isn't always overt). So many from most other people, are either just "splits" of a larger picture, or random some of this / some of that loosely grouped together, or so overt (i.e. three flowers) that they don't tickle the mind. Huss's triptychs have a way of engaging the mind in a way that many never do.
With Huss's ... idk ... there's just something coherent to them that is in a league above those who do triptychs as a party trick. I'm not explaining myself very well, but yeah ... Huss has a superb command of the triptych unlike anyone else I've seen. And, then to recognize that many of them he is doing on FILM ... yeah, even more props to there's something goin' on in that dude's head that "level's up" over anyone else playing in the triptych sandbox.
Obviously, not his first trip, and I'm sure, not his last. Huss has been trippin' for years.
Yup ... Huss rocks the trip. That's one trippin' dude.
It's been just about a year since I got my first rangefinder - a M10. And then a few months later I got a M11Monochrom. And along the way I got some truly exceptional Leica lenses.
I'm guessing my path and evolution is similar to that of other photogs. Before getting my M10, I was obsessed with pixel peeping absolute sharpness. Now a year later - what a difference. I no longer care about sharpness, often missing focus by a country mile. Instead I'm concerned with composition and mood, and loving those images.
