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Archive 2008 · Some better A900 samples

  
 
mawz
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p.8 #1 · Some better A900 samples


Mel Gross wrote:
What I said in other posts, and didn't say here, was that it's unusual for in camera RAW noise reduction to be implemented that couldn't be turned off. Sony uses a high level of noise reduction that cant be turned off, very unusual.


Actually, Sony no longer does that. Only the A700 ever had that, and that particular misfeature was removed with the v4 firmware. On-chip NR is something else entirely and everybody's CMOS sensors have it (you cannot get a NR-free raw from any CMOS sensor camera). The Sony on-chip NR is essentially the same as the Nikon's (both are Sony-spec as the sensors are Sony's). Sony's problematic NR is in their processing engine and that can now be disabled on all Sony cameras.


True, not all Nikons do the lossy compression that can't be turned off. But some do.


Only the low-end consumer bodies do lossy compression only (D50 and D40/X/60), all others offer at least lossy and uncompressed NEF's.


A mount KIT is weather sealed, but none of the Zeiss lenses are weather sealed. Weather sealing a lens involves much more than having a mount kit, which doesn't seal the lenses at all.


No A mount kit is Weather Sealed. The A700 and A900 have rather limited dust sealing on the body, but that's it, it's not even mount sealing.


Those other manufacturers offer varying degees of weather sealing. The 5D does have some, and the new 5D mkII has much more. No manufacturer seals all their lenses. Canon does a prety good job there.


The 5D has no sealing, the 40D, 50D and 5DmII have limited sealing, although the 40D is dust sealing like the A700/A900.

Note that pretty much every DSLR on the market is somewhat weather resistant, just due to the design of the external shell (the three main openings being covered by your hand, the lens and the last being on the bottom of the camera). I've had a number of unsealed cameras out in light to moderate rain with no effect.




Edited on Oct 06, 2008 at 08:14 AM · View previous versions



Oct 06, 2008 at 08:08 AM
moire
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p.8 #2 · Some better A900 samples


Beni wrote:
I downloaded the two RAW files from that link. Downsizing does nothing to help the awful noise on that Sony file. There is more detail but the noise is horrendous, a lot of the additional detail looks more like the difference in use between a prime and a zoom and the anywhere even slightly OOF the noise obliterates any extra detail.

What would be interesting though is a comparison with the (original) 5D's iso 3200 which I've never found useable.

Is there some way to downsize to reduce noise as the common wisdom seems to hold?



downsizing does wonders to the noise!
http://www.photoclubalpha.com/forum/viewtopic.php?f=32&t=936&st=0&sk=t&sd=a&start=45#p6446
Add NR to the A900 image and you have more detail/texture than the soft D3 image. I really looks like a fog over the D3 image. Hurts my eye!

Regarding the body. The buttons, switches and plugs are officially weather-sealed.
Here is a good thread about the sealing:

http://forums.dpreview.com/forums/readflat.asp?forum=1037&thread=27792600&page=1



Oct 06, 2008 at 08:10 AM
Lotusm50
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p.8 #3 · Some better A900 samples


moire wrote:
Add NR to the A900 image and you have more detail/texture than the soft D3 image. I really looks like a fog over the D3 image. Hurts my eye!



I think that is a bit of an overstatement. However, adding NR does indeed help. I spent a lot of time working the image in Neat Image to find an optimal level of NR. Here is the result. I think it is much closer to the D3 file -- both have relatively equal amounts of "fog" over them due to the NR (that's what NR does). Subjective biases might lead you to consider one better than the other, but I think certain parts of the D3 file do look a bit better/sharper/detailed. I think I have reduced the noise of the a900 to lower than that of the D3 file (but I think that the D3 residula noise could be further reduced in Neat Image.
http://boncratious.com/images/a900-withNeatImage.jpg



Oct 06, 2008 at 09:01 AM
Tariq Gibran
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p.8 #4 · Some better A900 samples


mawz wrote:
The Sony on-chip NR is essentially the same as the Nikon's (both are Sony-spec as the sensors are Sony's). Sony's problematic NR is in their processing engine and that can now be disabled on all Sony cameras.



Actually, they are not essentially the same. Nikon uses a seperate 14 bit A/D 12 channel data readout off the chip which is different than what Sony does which uses on chip column A/D conversion and readout at 12 bits. This is an actual hardware difference and could influence the NR techniques each company uses.



Oct 06, 2008 at 10:37 AM
moire
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p.8 #5 · Some better A900 samples


Tariq Gibran wrote:
Actually, they are not essentially the same. Nikon uses a seperate 14 bit A/D 12 channel data readout off the chip which is different than what Sony does which uses on chip column A/D conversion and readout at 12 bits. This is an actual hardware difference and could influence the NR techniques each company uses.


nikon uses both actually its only when your at (what is it now ) 2.5fps they are doing the14bit readout. at higher fps they are using 12bit.



Oct 06, 2008 at 01:37 PM
mawz
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p.8 #6 · Some better A900 samples


moire wrote:
nikon uses both actually its only when your at (what is it now ) 2.5fps they are doing the14bit readout. at higher fps they are using 12bit.


True, but Tariq is also correct that Nikon uses a channelized output and Sony an per-column. Nikon also configures it to work in 12 or 14 bit modes (actually, I suspect the sensor is pure 14 bit output and Nikon switches between the two at the Expeed processor).

As far as I'm aware, the on-chip NR is the same technology configured differently to handle the different output configurations (which was the point I intended, I'll note that I did describe the differing output setups upthread).



Oct 06, 2008 at 01:43 PM
Tariq Gibran
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p.8 #7 · Some better A900 samples


mawz wrote:
True, but Tariq is also correct that Nikon uses a channelized output and Sony an per-column. Nikon also configures it to work in 12 or 14 bit modes (actually, I suspect the sensor is pure 14 bit output and Nikon switches between the two at the Expeed processor).

As far as I'm aware, the on-chip NR is the same technology configured differently to handle the different output configurations (which was the point I intended, I'll note that I did describe the differing output setups upthread).


Good Point. The on-chip NR is probably the same. Once the info leaves the chip, all bets are off. I also think that the sensor is pure 14 bit output, at least Sony claim internal 14 bit processing on the newer A900 sensor.



Oct 06, 2008 at 02:30 PM
stits
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p.8 #8 · Some better A900 samples


The domain (a700club) made me laugh a bit. Interesting stuff, I wonder if sony is going to eventually outsource all lens R&D and just build bodies.


Oct 06, 2008 at 02:51 PM
moire
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p.8 #9 · Some better A900 samples


Hm, no A900 is basically A700. readouts form the photosites are converted to 12bit, there is no 14bit anywhere.


Oct 06, 2008 at 02:52 PM
Mel Gross
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p.8 #10 · Some better A900 samples


Lotusm50 wrote:
I'm not so sure the original 5D comes up "wanting' relative to the Nikon D3/D700. While the Nikon goes higher, at ISO the 5D is capable of it seems to be able to produce nearly equivalent results as the Nikons -- at least from what I have seen. I agree, however, that the 5D MkII should be even better -- at least from what I have seen to date.


I was not suggesting that downsizing the image file "reduces" the noise, but rather as you suggest it become less apparent, due to be smaller. There have been several comments about the
...Show more

What I've read so far about the noise from the A900, is that it's about the same as that from the 1Ds (the only other comparable camera actually out right now). The hands on reviews have said that it's a bit noisier at 400 and above. Given the high level of noise reduction that Sony feels necessary, the smearing of fine detail that both reviews I've read have noticed, show that there is a problem with the ability of the chip itself when it comes to noise.

It seems that Sony biased the chip more towards resolution than total IQ, and is hoping that noise reduction will take care of the rest.

Sony is not a long time camera manufacturer in this still photo business. I think they are treating it much more like a consumer business unit than a professional business unit. From my own experience with Sony's professional ENG business, I can see the difference in the marketing. The A900 leads me to believe that Sony really thinks the the semi pros who buy $3,000 D-SLR's will simply look at the pixel count. We know that for most, this is not true.

The 5D, however is being bought in large numbers by the same pros who have bought 1Ds's, and even 1D's, as back-ups, if for nothing else. And it enjoys a large market in the wedding and event photohraphy market, as well as elsewhere.

Sony can't claim to have an existing market in any of those areas, nor can it claim a high end pro market which will want a smaller, lighter, less expensive body as a back-up, as Canon (and Nikon) have for their medium price FF cameras.

Sony really needed to hit a home run with this, and it surely didn't. Maybe a double.

I'm sure it will lure a few away from Canon and Nikon, because there are always those for whom the grass is greener, etc. But, it will do more to keep most people buying into the systems they already have.

Overall, I'm just not impressed with the thing.

Getting back to the D3/D700, I have my own findings. Using a friends D700, I did some comparisons with my old 5D, which has better noise control, and a larger dynamic range than either the 1D, or 1Ds.

What I find is that up to 200, the cameras are about equal, except when I tried to bring detail out of shadow areas. The Nikon did better there, which shouldn't be surprising.

At 400, it was a bit of Canon, and a bit of Nikon, except, again, when going into shadows.

At 800, the Nikon did pull ahead, and you could see it, no question. While I like the Canon "grain", as I have CR set to the standard 25% chroma, 0% luminance noise reduction, the Nikon simply has less. Shadow correction now becomes impossible for the Canon, but surprisingly good, still, for the Nikon.

1250 (a speed I like a lot with the 5D for indoor and portrait) is noisier, but still pleasing on my 5D. I've read a description of it as velvetly, which, if the noise reduction is as above, is true, but again, Nikon is simply quieter. By a lot.

1600 is more of the same, but the 5D is now, running out of steam. The Nikon still looks quite good, and even at 3200 is pretty nice. Shadows do begin to start acting up at 1600, but are not terrible until 3200 when opening them up.

I haven't been posting images, because I don't find posted images to be helpful. What I find, and this is my own belief, of course, that what really matters is what shows on the print. so, the printers used will have their affect as well.

I have tried to print from some samples seen on the web, but the results are often ambiguous.

Since I really don't care about the file itself nearly as much as the printed results, I don't post examples.

Often, I find that differences are more muted when printed out.

This post wandered much further than I first intended.

Sorry about that. I just hope it gave something useful to the thread.




Oct 06, 2008 at 03:05 PM
Tariq Gibran
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p.8 #11 · Some better A900 samples


moire wrote:
Hm, no A900 is basically A700. readouts form the photosites are converted to 12bit, there is no 14bit anywhere.


It has probably been misquoted in a few places then. For instance, under the specification page at B&H it states the A/D conversion is 14 bit. I recall reading elsewhere something similar. This implies that the output is 12 bit as you state but that the input is 14 bit.



Oct 06, 2008 at 03:13 PM
Mel Gross
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p.8 #12 · Some better A900 samples


Beni wrote:
I downloaded the two RAW files from that link. Downsizing does nothing to help the awful noise on that Sony file. There is more detail but the noise is horrendous, a lot of the additional detail looks more like the difference in use between a prime and a zoom and the anywhere even slightly OOF the noise obliterates any extra detail.

What would be interesting though is a comparison with the (original) 5D's iso 3200 which I've never found useable.

Is there some way to downsize to reduce noise as the common wisdom seems to hold?


Exactly!

This is what I've been saying.

This is an old wives' (photographer's?) tale.

People say it because it SEEMS as though it should be true, but, it's not.

Only if the camera itself uses ALL, or most of its sensing sites, when shooting smaller sRAW files, will we see less noise.

Once the picture is taken, it's too late.



Oct 06, 2008 at 03:15 PM
Tariq Gibran
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p.8 #13 · Some better A900 samples


Mel Gross wrote:
Sony really needed to hit a home run with this, and it surely didn't. Maybe a double.



Since its not even available for sell in the U.S. yet, how can you tell what they hit?



Oct 06, 2008 at 03:20 PM
Mel Gross
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p.8 #14 · Some better A900 samples


mawz wrote:
Actually, Sony no longer does that. Only the A700 ever had that, and that particular misfeature was removed with the v4 firmware. On-chip NR is something else entirely and everybody's CMOS sensors have it (you cannot get a NR-free raw from any CMOS sensor camera). The Sony on-chip NR is essentially the same as the Nikon's (both are Sony-spec as the sensors are Sony's). Sony's problematic NR is in their processing engine and that can now be disabled on all Sony cameras.


Well, if Sony did lately remove that "feature" it's good.

But you are wrong about Nikons sensor. This is a completely Nikon design, and spec unit. Sony may build it for them, but had little, or nothing to do with the design or specs.


A mount KIT is weather sealed, but none of the Zeiss lenses are weather sealed. Weather sealing a lens involves much more than having a mount kit, which doesn't seal the lenses at all.



No A mount kit is Weather Sealed. The A700 and A900 have rather limited dust sealing on the body, but that's it, it's not even mount sealing.


You misunderstand what I said. The mount kit weather seals the lens to the camera, but the lenses are still not dust, or water sealed themselves. Thats a big difference.


Those other manufacturers offer varying degees of weather sealing. The 5D does have some, and the new 5D mkII has much more. No manufacturer seals all their lenses. Canon does a prety good job there.



The 5D has no sealing, the 40D, 50D and 5DmII have limited sealing, although the 40D is dust sealing like the A700/A900.


That's not really true. All D-SLRs have some weather seals, and if you go to Canon, you will know that. Weather sealing doesn't have to always consist of gaskets, it also results from part design. From what I know of the camera's internals, there has been weather sealing from the beginning, just not what you might be happy with.



Note that pretty much every DSLR on the market is somewhat weather resistant, just due to the design of the external shell (the three main openings being covered by your hand, the lens and the last being on the bottom of the camera). I've had a number of unsealed cameras out in light to moderate rain with no effect.


Yes, this is also close to what I've been saying.

It's not as much of an issue as is being brought up.



Oct 06, 2008 at 03:34 PM
Mel Gross
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p.8 #15 · Some better A900 samples


Tariq Gibran wrote:
Since its not even available for sell in the U.S. yet, how can you tell what they hit?


We can tell a good deal from what the specs are, and the two field reviews that are out already.

We know pretty much that the body is good, but not a pro body, based on the older a700. We know that the image quality is about the same as the soon to be discontinued 1Ds mkII, and seems likely to be noticably poorer than the 5D mkII.

We also know it doesn't do video, which now seems to be a "hot" feature, esp. on the 5D mkII.

This doesn't seem remotely like a home run to me.

EDIT: I just realized that the camera supports UDMA 5, not 6.


Edited on Oct 06, 2008 at 04:35 PM · View previous versions



Oct 06, 2008 at 04:14 PM
moire
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p.8 #16 · Some better A900 samples


Well the image quality is really good, some people are only concerned about noise tho. There is almot more to IQ then noise. CAnon is known for their plastic NR look tho, altough they are better nowdays ...

The raw with NR off and NR via 3rd party like noiseware or noise ninja yields very good results iso 100 to 1600. at iso 3200 scalled down its still up there in the top.

so you can still have low iso high performance and areally decent high iso camera, altough it takes more time for the workflow. But this isnt a PJ camera after all.





Oct 06, 2008 at 04:24 PM
Mel Gross
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p.8 #17 · Some better A900 samples


moire wrote:
Well the image quality is really good, some people are only concerned about noise tho. There is almot more to IQ then noise. CAnon is known for their plastic NR look tho, altough they are better nowdays ...

The raw with NR off and NR via 3rd party like noiseware or noise ninja yields very good results iso 100 to 1600. at iso 3200 scalled down its still up there in the top.

so you can still have low iso high performance and areally decent high iso camera, altough it takes more time for the workflow. But this isnt a PJ
...Show more

ompared to a soon to be discontinued camera whose IQ is less than the new 5D, the image quality is good, as is the 1Ds mkII image quality.

But we must compare it to new production models coming out into the line, not models that are being moved out of the line.

Once thats done, it looks wanting.

Don't get me wrong, I don't hate the camera. I'm just surprised in the direction Sony decided to move in, and wonder who this camera is really for, when compared to Canon and Nikon's revised 2009 lines.

It seems as though Sony looked to at most, match the current best of a year ago, and didn't take further progress into mind.

While I've owned Noise Ninja from the beginning, I've found that you must be very careful with it, and others.

The fine smearing of detail noticed in the A900 is also present in images worked on in these programs. Cobblestones that are small in an image, for example, can get warped out of recognition, if one is not very careful. It isn't as noticeable for leaves and such.



Oct 06, 2008 at 04:40 PM
Tariq Gibran
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p.8 #18 · Some better A900 samples


I guess I interpreted your remark as referring to marketing and sales since you were writing about markets when you stated that. The fact that Sony recently moved into the number three DSLR slot behind Canon and Nikon is telling. I'm sure Sony view the A900 as much as an "Image" product as anything else. By that standard, it will probably serve them well. The reviews thus far have also been very positive overall. When it comes to the specs relating to actually using the camera to take still photographs (and there is always more to it then specs we all know), the A900 kills the 5DII in areas such as the 100% huge prism, 5FPS, in body Image stabilization and so forth. Both Canon and Sony may be surprised at just how many advanced amateurs and of course pros actually value some of these specs which are missing from the 5DII. Then, of course, when you add in those AF Zeiss lenses, the A900 becomes a compelling choice for those pros who do not need the best high ISO capability. Beyond that main advantage, and the gimmicky movie mode, the Sony looks pretty good. Well, I guess the other advantage the 5DII has is its ability to use a larger variety of Alt lenses. That's the one I'm weighing right now.

Mel Gross wrote:
We can tell a good deal from what the specs are, and the two field reviews that are out already.

We know pretty much that the body is good, but not a pro body, based on the older a700. We know that the image quality is about the same as the soon to be discontinued 1Ds mkII, and seems likely to be noticably poorer than the 5D mkII.

We also know it doesn't do video, which now seems to be a "hot" feature, esp. on the 5D mkII.

This doesn't seem remotely like a home run to me.

EDIT: I just realized that
...Show more



Oct 06, 2008 at 05:15 PM
Mel Gross
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p.8 #19 · Some better A900 samples


Tariq Gibran wrote:
I guess I interpreted your remark as referring to marketing and sales since you were writing about markets when you stated that. The fact that Sony recently moved into the number three DSLR slot behind Canon and Nikon is telling. I'm sure Sony view the A900 as much as an "Image" product as anything else. By that standard, it will probably serve them well. The reviews thus far have also been very positive overall. When it comes to the specs relating to actually using the camera to take still photographs (and there is always more to it then specs...Show more



Oct 06, 2008 at 05:40 PM
Tariq Gibran
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p.8 #20 · Some better A900 samples


Mel Gross wrote:
Also understand that Sony is doing this at great cost. They are losing money here, where both Canon and Nikon are profitable. How long can they keep that up?


True. It's often said that Sony has bought their market share at the expense of profit.

Mel Gross wrote:
I don't see the 100% prism as having much value at all, esp. when compared to 98%. 5FPS is nice, but it's not that much more than 3.9. If it were 6, or 7, it would be different. In body image stabilization is also nice, but it hasn't helped anyone gain marketshare. With both Canon and Nikon having inexpensive lenses with it built-in now, it means even less. I don't know what your "and so on" consists of.


Ergonomics is a big deal to me. One thing I know after holding the A700 is that it does not require the add on grip like the 5D/5DII does just to comfortably hold. I can not even use a 5D for any length of time without that grip. Add the required cost of that grip to the 5DII and the price of the Sony A900 is not so bad. There would also be a weight savings there. For my uses, the 100% prism and the fact that it is supposedly brighter and sharper than the Canon's(the 5D's prism is not very sharp in general) is a big deal. A big, beautiful view is a great thing!

Mel Gross wrote:
High ISO quality has been the holy grail of D-SLR users, and it seems that both Canon and Nikon are addressing it well. If you ask most photographers which is more important to them, I would bet it's that, rather than the minor goodies the A900 has that you mentioned. Most of the comparisons being thrown around have been of ISO quality comparisons. Wonder why?


High ISO is much better on the Canon than the Sony. I have no doubts about that. Not everyone needs it though. Those that really do need or want it will most likely not buy the Sony. Perhaps I'm the odd man out, but whenever I do need to use high ISO settings, those images don't usually require super high MP's or huge enlargements.
I believe the A900 is aimed at the user who would normally use a Medium format system and that's a market where high ISO performance is often not needed (Studio/controlled lighting situations and daylight). That's also a market that values the best glass available and ergonomic/usability qualities such as that Sony viewfinder, better grip and more predictable shutter release(not like the pathetic one on the 5D which has the worst feeling shutter release action of any camera I have ever used!).


Mel Gross wrote:
The few Zeiss lenses are very good. But most amateurs won't be able to afford more than one, if that. They are very expensive. The rest of Sony's lenses are meh, and are not designed for digital at all, and don't preform wonderfully. Most of their lenses are very old, and were good, but not great, even when they were introduced. Both Canon and Nikon, again, have been addressing that over the past few years, while Sony has been criticized for not doing more about it.


You can bet there will be many more Zeiss AF lenses to come and I'm sure Sony view these lenses as their Golden Goose. If the majority of the Canon lenses were not so poor, I would not be in this forum to begin with. Canon has not addressed quality in their updated lenses to the extent most would have expected. I really have very little faith in them with regards to lenses. Nikon does seem to be coming out with some incredible lenses these days. A few of the older Minolta G lenses were the best available from anyone.




Oct 06, 2008 at 06:28 PM
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