Yea I was pretty surprised as well how the images don't really look like a film that's pushed almost two stops.
The negatives look really dense but scan well for the most part..
@Cloud75 - it's lettering that just came down, it's from a cinema in my area, that just went out of business..
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes. Three individual black and white frames shot through Tiffen #25 Red, #58 Green, and #47 Blue filters, respectively, then combined using GIMP to create a trichrome color image.
Great work not even slightly nudging the camera. I’ve been wanting to try this.
dourbalistar wrote:
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes. Three individual black and white frames shot through Tiffen #25 Red, #58 Green, and #47 Blue filters, respectively, then combined using GIMP to create a trichrome color image.
dourbalistar wrote:
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes. Three individual black and white frames shot through Tiffen #25 Red, #58 Green, and #47 Blue filters, respectively, then combined using GIMP to create a trichrome color image.
Some pinhole photos from yesterday morning. It was cold (-22°C with wind chill) but when I saw the clouds at daybreak I couldn't resist going out. Ondu 6x6 pinhole camera with red 25a filter, Ilford SFX 200 (developed in 510 Pyro).
dourbalistar wrote:
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes. Three individual black and white frames shot through Tiffen #25 Red, #58 Green, and #47 Blue filters, respectively, then combined using GIMP to create a trichrome color image.
