ottokbre wrote:
Lake Sabrina, Eastern Sierras.
Olympus OM-4Ti and not sure what lens. Either thew 50/1.8 or the 35/2.0, but on Cinestill 50D all the same.
ottokbre wrote:
Lake Sabrina, Eastern Sierras.
Olympus OM-4Ti and not sure what lens. Either thew 50/1.8 or the 35/2.0, but on Cinestill 50D all the same.
Does anyone here have experience with Rollei's Paul & Reinhold 640? Developers, development times etc. The Massive Dev chart only seems to mention Xtol, Rodinal, and HC-110 dilution B, D76, Pyro 510, Bellini Hydrofen, XT3, a couple Rollei developers, developers I have never heard of before, and developers I don't think they make anymore. I get the feeling hard data on this film is thin.
James Markus wrote:
Does anyone here have experience with Rollei's Paul & Reinhold 640? Developers, development times etc. The Massive Dev chart only seems to mention Xtol, Rodinal, and HC-110 dilution B, D76, Pyro 510, Bellini Hydrofen, XT3, a couple Rollei developers, developers I have never heard of before, and developers I don't think they make anymore. I get the feeling hard data on this film is thin.
Olympus OM-4Ti and the Zuiko 28mm f2 on Cinestill 50D shot wide open.
This is one of the lenses I salvaged from fungus hell last year by completely dismantling it and cleaning every element.
Thank You. The grain varies a great deal - which is what I was afraid would be the case. I think Rodinal is going to be the test for the first roll, but 60 minutes - wow - that sounds like a recipe to darken the base. Few frames left to think about it some more
