ottokbre wrote:
madNbad wrote
A few years ago on a different forum, I decided to tackle developing Tri-X in Rodinal and asked for some advice. I thought I was doing pretty well until another member pointed out my negatives were dense and my scans needed too much adjustment. I asked for some suggestions and that was when I learned about loosing a stop and not to shake it like a James Bond martini. I still have Rodinal on hand and was preparing to make the move to Xtol when Cincestill had one liter packages of XT-3 in stock. Since I don't use enough film on a regular basis to get the most out of five liters of Xtol, I loaded up on the XT-3 and now understand the love for Xtol. I split it into four 250ml bottles then mix those to a 1:1 dilution. Nine minutes for Tri-X and twelve for HP-5 is working well. Occasionally, I miss the acutance and sharpness Rodinal gives an image and will sill use it. Just not as a daily driver. Oooo I like the idea of using a mixer! Xtol takes FOREVER to dissolve.
My TriX/Rodinol debacle was stand development. It really was just the speed loss. I had no business rating it at 400 but I was shooting in conditions that needed 800-1600 and just hadn't thought it all out. I also took Velvia 50 on that trip lol
I recently printed from a Agfa APX 100 + Rodinal negative it had a wonderful bite to it. But the more I shoot point and shoots the more I need that ISO 400.
When we bought a new hand mixer there was a flat disc attachment for using the mixer as an immersion blender. We never used it and stashed it away. When I returned to developing in 2018, it was with liquid developers, HC-110, Ilfotec HC and Rodinal. Then a few years ago, a bought a few bags of Film Photography Project FPP-76 because it came in one liter packaging. At first, I used a spoon and always had crystals at the bottom of the beaker. I dug out the mixer attachment let the mixer do the work.