madNbad wrote:
Is the grain from the age of the film or agitation? You could have called it, "Here comes another atmospheric river" I could almost feel the wind blowing. Very nice.
I had read somewhere that Rodinal is best at 20C, in terms of finest grain and tonality, and if you warm it up a bit, say 23-24C, you get grainier images. So I thought I’d try it out. I think Ralph Gibson developed his tri-x in warmer Rodinal, too. Very minimal agitation on this roll.
Oldwino wrote:
I had read somewhere that Rodinal is best at 20C, in terms of finest grain and tonality, and if you warm it up a bit, say 23-24C, you get grainier images. So I thought I’d try it out. I think Ralph Gibson developed his tri-x in warmer Rodinal, too. Very minimal agitation on this roll.
Looks good and the grain really adds to the image. I hadn’t heard about warming up Rodinal but there are a lot of things I’m still learning about it.
madNbad wrote:
This was taken with the 50 2.5 Color Skopar LTM. For some reason it has the most views of any of the other photos from the set. Maybe people think it's Huss and Riley: