rji2goleez wrote:
I think you just returned my IIc to me after CLA work. Paul, this is Bob. And I believe you concluded that the entire front element was replaced.
I concluded that the entire shutter is from a IIIc, and is not original to the IIc body. Someone replaced the shutter and lens assembly at some point in the camera's history, for one reason or other.
bjhurley wrote:
The Portra seems to handle indoor lighting quite well (I expected a green color cast) or did you do color-correction on this one? Great shot.
Thanks, yes I think Portra has been fantastic indoors. I like it better than digital. I did color correct slightly, but I think the heavy lifting was probably done by the lab. Here is another angle.
Been on winter hiatus with some other projects. I have had this lens for many years, but I must say, the nikon series e 75-150 is a real sleeper lens and super sharp wide open. Nikon FM2n, 75-150, kentmere 400, d76, pakon scan.
Been on winter hiatus with some other projects. I have had this lens for many years, but I must say, the nikon series e 75-150 is a real sleeper lens and super sharp wide open. Nikon FM2n, 75-150, kentmere 400, d76, pakon scan.
Jon Buffington wrote:
... I have had this lens for many years, but I must say, the nikon series e 75-150 is a real sleeper lens and super sharp wide open.
Nice pics. I used to carry that zoom, and a 28/2.8 AI-S with an FM2n as part of my ultralight "Galen Rowell" film kit. I had a lot of problems with purple fringing when trying to use that lens outdoors on color digital with the result that I haven't used it for many years. I think I'll have to start using it again as I resume shooting B/W film. Thanks for the reminder!
lifeandmylens wrote:
Thanks, yes I think Portra has been fantastic indoors. I like it better than digital. I did color correct slightly, but I think the heavy lifting was probably done by the lab. Here is another angle.
lifeandmylens wrote:
Bad (or good?) news. Two more rolls were processed from the same camera and film back that previously had light leaks on every frame. Zero light leaks on these. I'm pretty convinced the previous light leaks were from the techs at the lab. Here is one from the new roll.
lifeandmylens wrote:
Bad (or good?) news. Two more rolls were processed from the same camera and film back that previously had light leaks on every frame. Zero light leaks on these. I'm pretty convinced the previous light leaks were from the techs at the lab. Here is one from the new roll.
Mamiya 645AFD + P400.
These Mamiya images are great! Between them and the ones @OregonSun@ posted from his Pentax in the old film thread, you guys are selling me on 645. It might be a great go-between for when I don't need 6x7 but might want more than 35mm.
The lab I've been using just credited me back for the rolls with light leaks. Said they've "discovered the problem" and it won't happen again. Anyway, here's another 645AFD & P400.
lifeandmylens wrote:
The lab I've been using just credited me back for the rolls with light leaks. Said they've "discovered the problem" and it won't happen again. Anyway, here's another 645AFD & P400.
Oh man, that's too funny. Best in the business...at least they've admitted the mistake.
Some fantastic photos lately. Film lives! This is from a recent walk around a local community college. Companion video with the rest of the roll is here:
