Desmolicious wrote:
Yup. I posted lots of pics with it on this thread. I use the Luminar brand. Because it was the cheapest!
Excellent colours, reds really pop.
Awesome! I scooped up a Film Washi and the Cinestill 400D version to compare.
Also just took a roll of Wolfen 500 to the lab. I had a few frames left so I took some test shots with my digital to compare. I don't think it's going to be my thing but why not.
ottokbre wrote:
Awesome! I scooped up a Film Washi and the Cinestill 400D version to compare.
I shot a roll of Washi-X and don't think I'd shoot another, unless in a different season; it would be nice in autumn where I live. In southern California and the desert Southwest it might be interesting; you should go to Sedona with it as I think it would really emphasize the red rocks. I've seen a few beautiful shots by other photographers with it, so it definitely has potential.
Here's one from my roll; in real life that gravel is gray:
theHUN wrote:
Does anyone know if the Fujica G690BLP requires a special cable release? I have two functional bodies, but the cable release I have (which works fine on a GW690II) will not work on either G690BLP. Or is the cable release a common failure point on the BLP?
Could be due to a cheap cable release. I have a few that work with some LF lenses but dot'n with others.
Try to find a quality cable release and see if it solves the issue.
SergeyT wrote:
Could be due to a cheap cable release. I have a few that work with some LF lenses but dot'n with others.
Try to find a quality cable release and see if it solves the issue.
