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"Official" Nikon 500 f/5.6E PF Discussion and Image Thread

  
 
arbitrage
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p.104 #1 · "Official" Nikon 500 f/5.6E PF Discussion and Image Thread


Early morning...



























Mar 17, 2019 at 05:25 PM
arbitrage
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p.104 #2 · "Official" Nikon 500 f/5.6E PF Discussion and Image Thread


bs kite wrote:
I have been re-reading much of this thread, going back to the very beginning and doing spot readings at various random locations. One thing struck me as being funny:

When this lens was introduced, for various reasons, more than several of you said you would *not* buy the lens. Now, as I go through your names in my mind, all but one of you have bought it and you really like it a lot. Btw, no insult intended at all.

From all information available on this lens (including all here) I now know/see the pros and cons of this lens.
...Show more

I've been shooting ducks taking off and flying towards me (usually at a bit of an angle) most weekends for the last couple months. Most times I set up 10-15feet past where people are feeding them so most times they are landing 15 feet away but sometimes they decide to keep on going past me. They usually take off around 40-70 feet away and occasionally come in from far away (so those aren't take-offs, more landings).

The 500PF has been one of the best lenses I've tried for this type of shooting. Over the past two months I've shot the ducks with D850 and 500/4FL, D850 and 500PF, D850 and 300PF, A9 and 100-400GM (usually with a 1.4TC on), A9 and Canon 400DOII (sometimes with TCs). The 500FL is too big and heavy to react fast most of the time but it still gets the shots once in awhile. The 300PF is the easiest to shoot but often not enough focal length. The 500PF is a great focal length for the location we have been shooting at. I won't go into the Sony stuff at this time other than the zoom of the 100-400 occasionally got me some shots when they landed really close and I managed to zoom out.

I find that even with the ducks as close as I've described it isn't often they are close enough to fill the 500mm on FX frame. Yes they sometimes do and I've got a few head/neck only shots. I found the 200-500 to be very difficult to zoom fast and the amount of turn you have to do is too much unless you only want to change back to 350mm or so. It is also a fairly stiff zoom and I rarely was successful in zooming it while tracking a bird as fast as a duck. The Sony 100-400 is faster to zoom and easier but even then I rarely bother zooming it back.

I find that I will just shoot the duck's approach until it fills the frame and then I'm done. No real reason I need a 400mm, 300mm or 200mm shot of the same flight sequence that will just be the same thing as the 500mm shot a little further out. I find the smaller and lighter 500PF with faster AF benefits me more than the ability to zoom for my type of subjects. That said, I didn't have AF problems with the 200-500 and shot many fast BIF with it over the years. Yes the 500PF is faster to AF but once tracking the 200-500 does pretty much just as good. The wide-open IQ of the PF is better, I had to stop down my copy of the 200-500 to f/7.1 to maximize sharpness and even then I don't think it matches the 500PF wide open.

Here is one full frame where things did get a little close for comfort







Mar 17, 2019 at 05:45 PM
bs kite
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p.104 #3 · "Official" Nikon 500 f/5.6E PF Discussion and Image Thread


arbitrage wrote:
I've been shooting ducks taking off and flying towards me (usually at a bit of an angle) most weekends for the last couple months. Most times I set up 10-15feet past where people are feeding them so most times they are landing 15 feet away but sometimes they decide to keep on going past me. They usually take off around 40-70 feet away and occasionally come in from far away (so those aren't take-offs, more landings).

The 500PF has been one of the best lenses I've tried for this type of shooting. Over the past two months I've shot the ducks
...Show more

Very interesting.

My problem is that its paint the house again.... and now, but I really want vinyl siding instead. And its a newer truck or do a lot of work to the existing. Oh, and then there is this thing called a Wilderness System Pamlico 145. Tired of bulling that 18 foot Discovery.

Did you keep your D500 or sell it? I suppose I could sell my D500 and the 200-500. Why would I keep the 2-5 if I got the 500 5.6? Mmmm. And I already have the 80-400; it's super sharp for close ups.

Anyway. You shared some very interesting findings here....

Just shoot the approaching bird, until it hits the frame and call it good. What’s the matter with that? Would love to see those several duck heads you have that fill the FX frame. Why did I not see that for so long? And the root reason for my buying my D850 was that I would be able to cover things with 45 megapixels. I now like the idea of an incoming waterbird filling the frame and then cropping itself. The closer it gets, the more chance for the head to be covered by 45 megapixels. What’s the matter with that......I now ask myself.

Yes, my 200-500 is often slow to acquire but once acquired, it rarely loses the acquisition.

Very tired just now. Thanks much for your comments Geoff.








Mar 17, 2019 at 07:52 PM
DO101
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p.104 #4 · "Official" Nikon 500 f/5.6E PF Discussion and Image Thread


Just love this lens.

Waiting for Spring by Dora Orosz, on Flickr
Nikon D500, 500.0 mm f/5.6, ƒ/5.6 500.0 mm 1/4000 1600

The Curious Gull by Dora Orosz, on Flickr
Nikon D500, 500.0 mm f/5.6, ƒ/6.3 500.0 mm 1/2500 320

Smile by Dora Orosz, on Flickr
Nikon D500, 500.0 mm f/5.6, ƒ/6.3 500.0 mm 1/2500 220




Mar 17, 2019 at 11:05 PM
Lance B
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p.104 #5 · "Official" Nikon 500 f/5.6E PF Discussion and Image Thread


bs kite wrote:
I have been re-reading much of this thread, going back to the very beginning and doing spot readings at various random locations. One thing struck me as being funny:

When this lens was introduced, for various reasons, more than several of you said you would *not* buy the lens. Now, as I go through your names in my mind, all but one of you have bought it and you really like it a lot. Btw, no insult intended at all.

From all information available on this lens (including all here) I now know/see the pros and cons of this lens.
...Show more

I don't recall exactly what I said other than I was possibly not going to buy the 500 f5.6 PF due to the fact I wanted instead a 600 f5.6 PF that had been rumored as well at the same time. However, as time went on, my objection waned and I could see the benefit of this lens due to it's light weight and tiny size for travel especially when mated to my Z7.

As for your water birds requirement, I would say stick with the zoom due to the fact that you like to zoom out/in whilst taking the photo of them taking off, unless it is not fulfilling your requirements in some way and the 500 PF can fulfill those requirements. Like Gary Irwin states, zooming whilst AFing on the bird is a difficult skill and I also doff my hat to you.

If you're are thinking of buying the 500 PF, I doubt whether you are going to get that much for the sale of your 200-500 and therefore I would keep it and also buy the 500 PF.

Gary Irwin made some salient points in his post and I will reiterate them as I agree with his thoughts:
"(1) it performs better than I thought it would for the price...VR is fine, AF is fine, it's sharp wide open and I can live with f5.6 for some types of shooting;
(2) it's small size and light weight on paper doesn't do it justice -- you have to pick it up to appreciate what a "pocket rocket" it really is;
(3) it's not an expensive lens IMO;
(4) I'm doubtful that Nikon will release a 600/5.6PF or 400/4PF anytime soon, and maybe never in an f-mount.



Mar 17, 2019 at 11:14 PM
bs kite
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p.104 #6 · "Official" Nikon 500 f/5.6E PF Discussion and Image Thread


Thanks Lance

I too think it will be a long time before we see either of those other two lenses.






Mar 18, 2019 at 03:05 AM
bs kite
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p.104 #7 · "Official" Nikon 500 f/5.6E PF Discussion and Image Thread


Is anyone else having trouble posting here? It is now 5:30 a.m. ET.

I cannot send a post without it bringing up the wrong person’s quote. And when I try sending a PM to the person I want, it deletes that PM before I am finished.

Just thought I would mention this. I am sure it’s temporary.

Robert



Mar 18, 2019 at 04:33 AM
OwlsEyes
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p.104 #8 · "Official" Nikon 500 f/5.6E PF Discussion and Image Thread


Lance B wrote:
....

If you're are thinking of buying the 500 PF, I doubt whether you are going to get that much for the sale of your 200-500 and therefore I would keep it and also buy the 500 PF.

Gary Irwin made some salient points in his post and I will reiterate them as I agree with his thoughts:
"(1) it performs better than I thought it would for the price...VR is fine, AF is fine, it's sharp wide open and I can live with f5.6 for some types of shooting;
(2) it's small size and light weight on paper doesn't do
...Show more

Robert,... I've been thinking about how to reply to your questions, and see if there is anything I can offer you that has not already been said.
I'll begin with the value/price perspective. Unlike Lance and Gary Irwin, I think that the 500mmPF is very expensive. In fact, this is the most money I have ever spent on a single piece of photographic equipment. $3600 represents about a month's net salary for me; fortunately, my wife also works and encouraged me to go for it. Up until this point, my most expensive purchase was a used 200-400VR that I bought for $2800 in 2014. So, while some have the income to plunk down $10,000 to $12,000 on an FLE super-tele with little impact on their annual budget, others will find that spending $1200 on a 200-500VR is an extravagance. Regardless of the budget and capacity to buy expensive glass, it will always be the skill and opportunities made by the photographer that determines if the work is compelling. In many ways, gear obsession is a disease that often interferes with our collective capacity to make the most of what we already own. So know, there is at least one person here that does not think of the 500PF as their "cheap" super tele.

As for use... well, you have already seen that the lens is very capable of producing amazing images in skilled hands. The lens is very light, and has often made me think... "and I spent $3600 for this?" I say that, because the 200-400VR and 500G are far more substantial when considering the barrel materials and size of the elements. Photographically, I have yet to feel limited by the f/5.6 aperture, but I am willing to put the time in to do post work in order to kill the noise from high ISO images. The autofocus is faster than the 200-400VR, and feels faster than the 300PF to me. There are some low-contrast subjects where the AF hesitates, misses, or picks the wrong point... some of this is camera, some of this is shooter, and some of this is lens. The solution is to move the lens a bit and find a better point of contrast. Because the 500PF is so light, it is easily adjusted when the AF misses... your capacity to change where and what you focus on is improved because there is so little muscle needed to move the lens about.

When I pre-ordered the 500PF in August/September and made the purchase in October, the Nikon 500G lenses were still selling in excess of $4000. With the introduction of the 500PF, the f/4 500G can now be had for $3300 to $4000. Were I to make the decision today, I'd have a tough time selecting one lens over the other. The choice of light and modern optical design with electronic aperture vs the opportunity to shoot at f/4 makes the choice of the 500PF over the 500G a hard one to make. Were money no object, I'd probably have purchased the 180-400FLE or 500FLE.

As for the restrictions associated with shooting a prime, you can not make the 500PF your only lens if your shooting needs require flexibility. I have found that I need a zoom for about 70% of my wildlife work, so I will typically shoot with a tele-zoom on one body (either the 80-400G or the 200-500E) and the 500PF on the other. However, I look for the opportunities to use the PF because it is my sharpest telephoto and pleasure to use.

While I don't shoot fowl "blasting off," I do shoot fly-byes and landings... I am posting a few samples here (apologies for double posts if I have made any).

cheers,
bruce





















Edited on Mar 19, 2019 at 05:45 AM · View previous versions



Mar 18, 2019 at 07:13 AM
ilkka_nissila
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p.104 #9 · "Official" Nikon 500 f/5.6E PF Discussion and Image Thread




I'll begin with the value/price perspective. Unlike Lance and Gary Irwin, I think that the 500mmPF is very expensive.


I agree it is expensive but I disagree that such a purchase should be possible to make "with little impact on their annual budget". If you photograph animals this might be the only lens you need for that purpose (or perhaps combined with a 70-200), and you might use it for 20 years. So it should be considered how much money you make in 20 years and how much the photo opportunities and results you get with it, along with the pleasure of using such a light weight high quality supertele (and the fact that it will not damage your back or neck or knees, potentially saving a huge amount of money on medical expenses and increase the quality of your life) are worth relative to other things that you might spend that money on. Most people still cannot justify it, and they may use less expensive options, or go second hand.

In my opinion it is not fair to compare new purchase prices with used prices of potentially 15-year-old lenses. If you want to compare new prices, compare with new versions of the other lens (in this case the 180-400 which is 2-3 times the cost of the 500 PF), or used with used, in this case the 500 PF is not yet widely available used, but 15 years from now you might compare its resale price with something else available at the time in the used market. New is new, used is used. Everyone who has purchased a new car knows that there is a substantial drop in resale value the minute you drive it out of the shop. I would expect that in 10 years, the 500 PF used price will be around $1500-2000.

Regardless of the budget and capacity to buy expensive glass, it will always be the skill and opportunities made by the photographer that determines if the work is compelling.

Yes, this is self-evident but it's impossible to separate the two because the skilled photographers are typically very discerning regarding the gear they use.


In many ways, gear obsession is a disease that often interferes with our collective capacity to make the most of what we already own.


Maybe, but the majority of people are very frugal with their money and use their gear for a long time. What you see here are mostly the people who think about and spend a lot of money on gear. It's not representative of the wider community of photographers, most of whom have a bare minimum of what is needed. When I look at what gear professinal photographers use, they often have high-end equipment but 1-2 generations behind the current one, which is how they can afford it from the money they make from their low-income profession.

So know, there is at least one person here that does not think of the 500PF as their "cheap" super tele.

Expensive and cheap are two extremes, that someone considers a lens "not expensive" does not mean they consider it "cheap".

As for use... well, you have already seen that the lens is very capable of producing amazing images in skilled hands. The lens is very light, and has often made me think... "and I spent $3600 for this?"

Lightweight and high quality is a combination which is very expensive to implement. I was just told by Nikon that the reason the 500 PF is so hard to find is because the PF element is very difficult to make and the success rate is low i.e. a lot of them are rejected by QC (or earlier). This increases the cost of production if the expensive manufacturing equipment produces failed elements a lot of the time and the personnel have to inspect them.

The reason Sigma can make such excellent and affordable f/1.4 prime lenses is that they ignore the desire that lenses should be compact and lightweight.

I say that, because the 200-400VR and 500G are far more substantial when considering the barrel materials and size of the elements.

They're also more expensive lenses when you consider their new purchase prices and correct for inflation.

Product prices depend on just as much how much the user is willing to pay and not only what it costs to produce. A lightweight high quality supertele is considered very valuable by many people, some of whom can afford the 500 PF. In fact many of us assumed the 500 PF would cost $4500-6000, but Nikon priced it lower than many expected, and I would personally comment not only that, but that it performs better than expected as well. That doesn't mean it's "cheap", there is a lot of middle ground and the 500 PF is somewhere there in the middle.


As for the restrictions associated with shooting a prime, you can not make the 500PF your only lens if your shooting needs require flexibility.


It depends on what kind of flexibility you require. If you require flexibility to walk around in a forest and on the hills, and if your subject is always sufficiently far away that you need to crop at least a bit, then it, combined with a high-resolution body, may be the most flexible kit available to suit those needs. A zoom that goes to 500mm will not give the same kind of detail (unless we consider the 180-400 or similar lenses of much higher price class) that you need if you need to crop. I think this is a much more typical situation than the case where the subject is so close you can't fit it in the frame. And since a 70-200/4 can be had for a much more moderate amount of money having it around for those groups of birds shots is unlikely to break the bank of someone who can afford the 500 PF.




Mar 18, 2019 at 10:01 AM
OwlsEyes
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p.104 #10 · "Official" Nikon 500 f/5.6E PF Discussion and Image Thread


ilkka_nissila wrote:
I agree it is expensive but I disagree that such a purchase should be possible to make "with little impact on their annual budget". If you photograph animals this might be the only lens you need for that purpose (or perhaps combined with a 70-200), and you might use it for 20 years. So it should be considered how much money you make in 20 years and how much the photo opportunities and results you get with it, along with the pleasure of using such a light weight high quality supertele (and the fact that it will not damage your
...Show more

I'm not sure that I was intending to inspire a point - counterpoint debate here, but from prior postings, it seems that you enjoy a detailed re-hash of a discussion, so here it goes:

"In my opinion it is not fair to compare new purchase prices with used prices of potentially 15-year-old lenses. "

I completely disagree with this point. A 15 year old lens that is made to the specs of the 200-400 (for the record, mine was made in 2010) can perform as well as a new one if it is within spec. If you are a person who is budget limited, it is worth considering what $3600 can buy. So if you can purchase what was an $8000 (+) lens for the price of a current lens, and said lens offers something that you want or need, one should consider making such a purchase.

"...s this might be the only lens you need for that purpose (or perhaps combined with a 70-200), and you might use it for 20 years"

As for longevity of ownership, I highly doubt than many people who are reading this thread is using a lens that they purchased 20 years ago. Sure, there are many using 20 year old lenses, and few who made the original purchase, but I suspect that many more rely on lenses purchased in the last 5 years.

"Maybe, but the majority of people are very frugal with their money and use their gear for a long time..."

I respectfully disagree with this point. We live in different countries with very different perspectives about economics and wealth. I would say that in the United States, frugality is a desire but not a reality. The same point may not be true for those living in Europe. A quick look at the buy/sell forum here will reveal a high turnover of new gear resold at a faction of the original purchase price. I, personally, live within a tight budget because I have a modest income and am approaching retirement, this is not the case for most of the people I know.

I say that, because the 200-400VR and 500G are far more substantial when considering the barrel materials and size of the elements.

"They're also more expensive lenses when you consider their new purchase prices and correct for inflation."

We agree here, and this is the reason why I suggested to Robert (bs kite) and others that they consider the 500G when contemplating the purchase of the 500PF. The older and now retired pro-glass is still pro glass with a lot of life that remains. There is a reason why these lenses were expensive, and thus should not be overlooked because they are not the "latest and greatest."


As for the restrictions associated with shooting a prime, you can not make the 500PF your only lens if your shooting needs require flexibility.


"It depends on what kind of flexibility you require."

I have absolutely no idea why you felt the need to debate this point... simply put, there are times when a zoom provides a photographer with the compositional flexibility that a prime does not.

regards,
bruce




Mar 18, 2019 at 12:55 PM
 


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jellem
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p.104 #11 · "Official" Nikon 500 f/5.6E PF Discussion and Image Thread


if your composition is right you can make some serious background (and foreground) blur
I've bin using this lens sinds November 21ste, almost daily in al kinds of weather and have yet to find something
that issn't great about it





Mar 18, 2019 at 01:47 PM
palmor
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p.104 #12 · "Official" Nikon 500 f/5.6E PF Discussion and Image Thread


bs kite wrote:
What are you invisible? You come up with the greatest shoots. These two may be the best Harrier shots I’ve seen (at least). It looks close to me. Wow! I am envious. Back to the drawing board.


, thanks! If you saw the full rez versions they'd be a little disappointing... good for web posting etc but fall short of the full potential of the lens (which is on the user, not the lens ).



Mar 18, 2019 at 01:58 PM
OwlsEyes
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p.104 #13 · "Official" Nikon 500 f/5.6E PF Discussion and Image Thread


jellem wrote:
if your composition is right you can make some serious background (and foreground) blur
I've bin using this lens sinds November 21ste, almost daily in al kinds of weather and have yet to find something
that issn't great about it

https://www.mupload.nl/img/wh9xiekvc8gf.6 1-640.jpg


Beautiful isolation!

bruce




Mar 18, 2019 at 02:03 PM
kwilliam8
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p.104 #14 · "Official" Nikon 500 f/5.6E PF Discussion and Image Thread


Taken Friday with the D850 and the 500mm PF...
Keith W.

















Mar 18, 2019 at 02:44 PM
bs kite
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p.104 #15 · "Official" Nikon 500 f/5.6E PF Discussion and Image Thread




deleted

Edited on Mar 18, 2019 at 05:13 PM · View previous versions



Mar 18, 2019 at 02:49 PM
bs kite
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p.104 #16 · "Official" Nikon 500 f/5.6E PF Discussion and Image Thread


kwilliam8 wrote:
Taken Friday with the D850 and the 500mm PF...
Keith W.
https://photos.smugmug.com/Things/Samish-Flats/i-BwBtRsP/0/0cf59337/X2/20190315-_D856856-Edit-X2.jpg
https://photos.smugmug.com/Things/Samish-Flats/i-Hd8Z7S4/0/42282e13/X2/20190315-_D856869-Edit-X2.jpg
https://photos.smugmug.com/Things/Samish-Flats/i-sM7ddkz/0/f156f3fa/X2/20190315-_D857057-Edit-X2.jpg


That #2 is one of the nicest Harrier images I've seen.

Good work

Robert



Mar 18, 2019 at 02:52 PM
bs kite
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p.104 #17 · "Official" Nikon 500 f/5.6E PF Discussion and Image Thread


Lance B wrote:
I don't recall exactly what I said other than I was possibly not going to buy the 500 f5.6 PF due to the fact I wanted instead a 600 f5.6 PF that had been rumored as well at the same time. However, as time went on, my objection waned and I could see the benefit of this lens due to it's light weight and tiny size for travel especially when mated to my Z7.

As for your water birds requirement, I would say stick with the zoom due to the fact that you like to zoom out/in whilst taking
...Show more

Hi Lance

At this point I think I can say that I will eventually buy the lens. Probably much sooner than later. I just have to get my priorities straight. . This 500mm Nikkor lens is too fast, and too light, compact and sharp to pass up.

Yesterday (prior to reading Geoff’s post on this) I began to think “Hey, what is the matter with a 45 megapixel duck’s head?” The conclusion I came to was.....”Nothing"; in fact I would love to begin capturing (as a bonus) tack sharp 45 mpx images of these waterbird’s heads.

And then Geoff’s posted his opinion to me on this question I asked you all. And it clarifies the whole thing for me: When the waterbird flies increasingly closer, until it gets too big for the frame and then crops itself........I was fighting that inevitability with a prime. All along I was thinking I must control that with my zoom. Well why? Why not get the action shots early in the sequence and then enjoy the possibility of capturing the bonus of a tack sharp 45 mpx image of a duck’s (waterbird's)head?

And thanks for your response Lance. I was counting on you too.

Robert







Mar 18, 2019 at 03:05 PM
bs kite
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p.104 #18 · "Official" Nikon 500 f/5.6E PF Discussion and Image Thread


OwlsEyes wrote:
Robert,... I've been thinking about how to reply to questions, and see if there is anything I can offer you that has not already been said.
I'll begin with the value/price perspective. Unlike Lance and Gary Irwin, I think that the 500mmPF is very expensive. In fact, this is the most money I have ever spent on a single piece of photographic equipment. $3600 represents about a month's net salary for me; fortunately, my wife also works and encouraged me to go for it. Up until this point, my most expensive purchase was a used 200-400VR that I bought for $2800
...Show more

Excellent post Bruce. Well-spoken. You are articulate.

When I buy the 500 5.6, I also will be keeping my 200-500.

Here is what I wrote in a recent post:

"That illustrates a very important point in wildlife photography: Having everything preset and being constantly aware of what is happening and what scenarios to expect........are much more important than what equipment we are using."

"When I am out there, I am constantly searching the records that are kept in my mind;, i.e. "what could happen next?”.....”is there something I can do now to improve my chances?” I use past experiences to constantly search for the most likely scenarios. That trumps any equipment."

And we agree that gear can become an addiction. I refuse to become a gear-head.

Spring is upon us here. It is still early. I am hoping to set up on some turkeys soon. Can’t wait. Looking forward to more of your work up there too Bruce. Thanks for your input too.

Robert



Mar 18, 2019 at 03:33 PM
ilkka_nissila
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p.104 #19 · "Official" Nikon 500 f/5.6E PF Discussion and Image Thread


OwlsEyes wrote:
"It depends on what kind of flexibility you require."

I have absolutely no idea why you felt the need to debate this point... simply put, there are times when a zoom provides a photographer with the compositional flexibility that a prime does not.



Yes but at least my experience of bird photography is that 500mm is sort of a wide angle and more often a framing corresponding to 800-1200mm is desired. So an appropriate zoom range might be 500-1250mm, if it were practical or available. For example, the prestigious Fotofinlandia prize was won by Markus Varesvuo’s image of an Ural owl with an 800mm + 1.4x using a 1.3x crop body, if I recall the technical defails correctly.

Now, given that such a zoom that covers this range of 500-1250mm or 500-1500mm doesn’t exist (and if it did exist woth a reasonable maximum aperture, people wouldn’t be able to afford it), the next best thing might be to use a 500mm prime with the highest resolution camera that you can get, which in Nikon’s case is 45MP, and then crop as needed. Use of a 200-500 at 500mm doesn’t produce the same quality and this is pronounced when cropping to 1000mm or 1500mm equivalent. So the prime in this case produces acceptable quality in a greater variety of circumstances and therefore is more flexible. (Yes, I get that different photographers would make different choices depending on budget and weight limitations. My point is that rather than an optical zoom lens, a prime may be more practical in some cases because of weight and better quality of the cropped image. Of course a lens of the correct focal length would be still better in terms of quality of a specific shot.)

I just printed some 2-3x crops from the 500 PF made with a D850 and tripod and I’m delighted with the quality, I can barely tell that they have been cropped at all, whereas I could not get similar detail from the 200-500 at 500mm even without cropping at all, thus such images were outiside of the zone of flexibility of the zoom. At 200-400mm I got some delightful results from the 200-500mm but this is not the range I would use for bird photography, and the stiffness of the zoom meant I would not realisfically be able to take advantage of the zoom feature in most action scenarios. Because of the stiffness of the zoom I sold the lens as not suitable for the purpose I had in mind for it.

Because of the high sharpness of the 500 PF (permitting high quality crops of up to 2-3x to be printed) and its light weight, it has the right kind of flexibility for my purposes.

I understand that when shooting from a hide, or larger animals, shorter focal lengths may often be used. I can’t sit in a hide because I need the exercise from moving about in nature, being tied to a desk during the day. I have the greatest admiration towards those who are dedicated enough to do hide photography and get good results.



Mar 18, 2019 at 04:04 PM
palmor
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p.104 #20 · "Official" Nikon 500 f/5.6E PF Discussion and Image Thread


Black-crowned Night Heron. This was a new species for me while I was in Florida a couple of weeks ago. There was never a perfectly clear shot through all the brush but I managed to get a couple relatively clean looks.



© palmor 2018





© palmor 2018





© palmor 2018




Mar 18, 2019 at 04:45 PM
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