Sony FE Images Thread
p.914 #1Sony FE Images Thread
Agnostic wrote:
Thanks for the info! Will read your link. The far corners are not that important to me, I usually shoot a little wide if possible which leaves me some room to crop extreme corners if sharpness there is critical (which is not that often anyway). I'm more interested in the rendering/color/bokeh.
I already have a QBM Distagon 35/2.8, a Minolta MC 35/1.8 and a Schneider Retina Curtagon 35/2.8 but the concave FD 35/2 especially seems to have a big following from what I read online.
The FD 24/2 is another one that's supposed to be very good an I am...Show more →
This one might give you an idea of the bokeh of the 35 F/2. I was walking back along the beach dicing with the waves that were coming in onto the only hard sand that offered easy walking - I set it on F/2.8 from memory, set the focus at about 3 m, and took a couple to explore the effect. I find it hard to escape the impression that there is something funny going on here with reverse curvature of the field of sharp focus - look at the waves on the far left and the houses top right, both of which seem in sharper focus than the centre distance.
WRT the 24, both it and the 20 are also tested at the site I put the link in for, and the corners don't come in all that well for either - I have the 20, and I use it only because I don't have an alternative. I'm hopeful that Mr Zeiss will expand the Loxia or Batis lines in that direction. John
Onemana waves...
Edited on Jun 03, 2015 at 03:08 PM · View previous versions
Thanks for the info! Will read your link. The far corners are not that important to me, I usually shoot a little wide if possible which leaves me some room to crop extreme corners if sharpness there is critical (which is not that often anyway). I'm more interested in the rendering/color/bokeh.
I already have a QBM Distagon 35/2.8, a Minolta MC 35/1.8 and a Schneider Retina Curtagon 35/2.8 but the concave FD 35/2 especially seems to have a big following from what I read online.
The FD 24/2 is another one that's supposed to be very good an I am...Show more →
This one might give you an idea of the bokeh of the 35 F/2. I was walking back along the beach dicing with the waves that were coming in onto the only hard sand that offered easy walking - I set it on F/2.8 from memory, set the focus at about 3 m, and took a couple to explore the effect. I find it hard to escape the impression that there is something funny going on here with reverse curvature of the field of sharp focus - look at the waves on the far left and the houses top right, both of which seem in sharper focus than the centre distance.
WRT the 24, both it and the 20 are also tested at the site I put the link in for, and the corners don't come in all that well for either - I have the 20, and I use it only because I don't have an alternative. I'm hopeful that Mr Zeiss will expand the Loxia or Batis lines in that direction. John
Onemana waves...
Edited on Jun 03, 2015 at 03:08 PM · View previous versions
Jun 03, 2015 at 02:58 PM
p.914 #2Sony FE Images Thread
A7 II + Sigma 35 ART: Handheld: ISO 250 - 1/25 - F/1.4
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Jun 03, 2015 at 03:03 PM
p.914 #3Sony FE Images Thread
Red. by Abram Goglanian, on FlickrA7II + FE 55mm
Edited on Jun 03, 2015 at 05:27 PM · View previous versions
Jun 03, 2015 at 04:58 PM
p.914 #4Sony FE Images Thread
A few shots with a recently acquired Pentax Takumar 58/2.
The only 50mm lens for the SLR that is of the Sonnar lens design.
20150531-DSC03401-BW-2400 by jenkwang, on Flickr
20150531-DSC03397-2400-1 by jenkwang, on Flickr
20150531-DSC03452 by jenkwang, on Flickr
20150531-DSC03367-2400 by jenkwang, on Flickr
The only 50mm lens for the SLR that is of the Sonnar lens design.
20150531-DSC03401-BW-2400 by jenkwang, on Flickr
20150531-DSC03397-2400-1 by jenkwang, on Flickr
20150531-DSC03452 by jenkwang, on Flickr
20150531-DSC03367-2400 by jenkwang, on Flickr
Jun 03, 2015 at 05:12 PM
p.914 #5Sony FE Images Thread
A couple of landscapes from tonight. FD 24mm f2.8 on a7.
foreground by Daniel Riggs, on Flickr
clouds by Daniel Riggs, on Flickr
foreground by Daniel Riggs, on Flickrclouds by Daniel Riggs, on FlickrJun 03, 2015 at 08:49 PM
p.914 #6Sony FE Images Thread
A few wildlife while I was waiting for the sun to go down.
wings out up in the branches by Daniel Riggs, on Flickr
tricolor posing by Daniel Riggs, on Flickr
taking off osprey by Daniel Riggs, on Flickr
landing osprey by Daniel Riggs, on Flickr
Edited on Jun 05, 2015 at 08:25 PM · View previous versions
wings out up in the branches by Daniel Riggs, on Flickrtricolor posing by Daniel Riggs, on Flickrtaking off osprey by Daniel Riggs, on Flickrlanding osprey by Daniel Riggs, on FlickrEdited on Jun 05, 2015 at 08:25 PM · View previous versions
Jun 03, 2015 at 09:43 PM
p.914 #7Sony FE Images Thread
Due to its iron-rich composition, the Navajo Sandstone color is reddish of color. Light reflected off the sandstone in the upper part of the canyon takes on gold-reddish color. The reflected light intensifies the color of the formation further down. All these characteristics create very photogenic slot canyons like nowhere else in the world.
Here are two more images from the Lower Antelope Canyon. Both images were processed using the HDR feature of LR from 4 bracketed images towards under exposure from normal to -3. The DR of the scene is simply too much for the sensor otherwise, regardless how good the Exmor sensor is.
The are naturally sculpted forms in the canyon. The second image is of a maiden with her hair blowing in the wind behind her. You can even see the breast. Of course, a little imagination won't hurt.
Swirls, waves, arches, cross beddings, etc.
Maiden with hair flowing behind her
Here are two more images from the Lower Antelope Canyon. Both images were processed using the HDR feature of LR from 4 bracketed images towards under exposure from normal to -3. The DR of the scene is simply too much for the sensor otherwise, regardless how good the Exmor sensor is.
The are naturally sculpted forms in the canyon. The second image is of a maiden with her hair blowing in the wind behind her. You can even see the breast. Of course, a little imagination won't hurt
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Swirls, waves, arches, cross beddings, etc.
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 © AGeoJO 2015 |
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Maiden with hair flowing behind her
Jun 03, 2015 at 11:40 PM
p.914 #9Sony FE Images Thread
mttran wrote:
Super shots, Joshua
+1!
Otus 55
Super shots, Joshua
+1!
Otus 55
Jun 04, 2015 at 12:54 AM
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p.914 #11Sony FE Images Thread
Dinner by マーティン アーウィン, on Flickr
Corridor by マーティン アーウィン, on Flickr
Up the road by マーティン アーウィン, on Flickr
Jun 04, 2015 at 01:52 AM
p.914 #12Sony FE Images Thread
Some awesome images this page! Wow...
A few from work yesterday with the FE 28/A7rM and cpl
Gregg
A few of my customers houses
The house right next to this just sold for 1.75M cash...stupid incredible!!
A few from work yesterday with the FE 28/A7rM and cpl
Gregg
A few of my customers houses
The house right next to this just sold for 1.75M cash...stupid incredible!!
Jun 04, 2015 at 08:14 AM
p.914 #13Sony FE Images Thread
Mid-day Geometry
I know you are supposed to put your camera away between 10 AM and 2 PM but I thought I would try to take advantages of the sharp shadows. I think the shadows add a lot to the various shapes and curves of the image. Processed in Silver Efex Pro.
I know you are supposed to put your camera away between 10 AM and 2 PM but I thought I would try to take advantages of the sharp shadows. I think the shadows add a lot to the various shapes and curves of the image. Processed in Silver Efex Pro.
© Michael Everet 2015 A7 + FE 24-70
Jun 04, 2015 at 10:06 AM
p.914 #14Sony FE Images Thread
Looks like your need a good LR profile to correct the distortion in those balcony railings over the garage Gregg!
Jun 04, 2015 at 10:07 AM
p.914 #15Sony FE Images Thread
It's all about light.
Since photography is all about light, the sun on this neighbor's balloon with the foliage in the background made an intriguing scene.
I shot this with a Canon FD 80-200f4L that I just got. Shot at 200mm. So far the lens works well on the A7.
Since photography is all about light, the sun on this neighbor's balloon with the foliage in the background made an intriguing scene.
I shot this with a Canon FD 80-200f4L that I just got. Shot at 200mm. So far the lens works well on the A7.
© Michael Everet 2015 A7 + FE 24-70
Jun 04, 2015 at 10:09 AM
p.914 #16Sony FE Images Thread
fantastic photographer here!
The first, spontaneous snapshots with the converter 21mm. No test only the first Klicks
René
The first, spontaneous snapshots with the converter 21mm. No test only the first Klicks
René
Jun 04, 2015 at 11:22 AM
p.914 #17Sony FE Images Thread
Rene...what's your impression of the 21mm converter? Looks pretty damn good to me, so far. Mine arrives this weekend hopefully!
G
G
Jun 04, 2015 at 12:08 PM
p.914 #18Sony FE Images Thread
IQ of the FE 28/2+21mm converter looks very decent Rene.
A7+MC Rokkor 85/1.7
A7+MC Rokkor 85/1.7
Jun 04, 2015 at 12:13 PM
p.914 #19Sony FE Images Thread
Sony A7 + Nikkor 16mm f3.5 AI fisheye by Ronny Olsson, on Flickr
Sony A7 + Carl Zeiss Distagon T* 2.8/21 ZF 2 by Ronny Olsson, on Flickr
Jun 04, 2015 at 12:17 PM
p.914 #20Sony FE Images Thread
last page is great..Joshua, Derek, Phillipe, Gregg, 40Driggs, Jordan, Oldraven, Michiel and dancook
and this page.. Rene, Peire,
and this page.. Rene, Peire,
Jun 04, 2015 at 12:28 PM