Now discontinued (why?), the small 21/3.5 Voigtlander is not just a permanent fixture for tough travel, it's an unsung hero of the Voigtlander range. It handles highlights better than any wide angle I have ever used, gently compressing them into a lovely smoothness, a soft powdery top to the tone range. I love lenses you can count on to deliver.
philip_pj wrote:
Now discontinued (why?), the small 21/3.5 Voigtlander is not just a permanent fixture for tough travel, it's an unsung hero of the Voigtlander range. It handles highlights better than any wide angle I have ever used, gently compressing them into a lovely smoothness, a soft powdery top to the tone range. I love lenses you can count on to deliver.
Those do look like gentle, pleasing highlights. Nice images.
Daran wrote:
If you intended to demonstrate the concept of falling lines, I'll have you know that you succeeded.
Good you picked the most obvious reason!) But as you may know A1 is not Linhof Techno, and 12-24 is not a tilt-shift lens.
I'm transfering you to Sony...)
