Douglas L wrote:
Thank you very much, Ross! I was there 10 days ago and the colors were pretty already, I thought it would be a bit past peak yesterday but it was still so vibrant. I left my house at 3:30 AM, drove to Blackwater Falls SP for the sunrise, but the clouds were just too thick, I was rewarded with beautiful fog in the canyon though. I went to the other side of the canyon for sunset, no luck but I like the backlit forest nonetheless.
The last one was shot at wider angle than the one posted earlier, it makes the 57-foot tall fall seem so tiny...Show more →
3:30am?! You are dedicated, and it shows. The fog is exquisite. Nice work!
Ross Martin wrote:
3:30am?! You are dedicated, and it shows. The fog is exquisite. Nice work!
Thank you Ross! I am a sucker for sunrise and sunset. A couple shots from Wednesday's trip to WV. I wish I had the patience to remove the power lines in the first shot.
ILCE-1FE 70-200mm F4 Macro G OSS II lens200mmf/9.01/40s500 ISO0.0 EV
ILCE-1FE 70-200mm F4 Macro G OSS II lens109mmf/9.01/15s100 ISO0.0 EV
ILCE-1FE 70-200mm F4 Macro G OSS II lens70mmf/9.01/20s100 ISO0.0 EV
ILCE-1FE 70-200mm F4 Macro G OSS II lens117mmf/11.01/30s100 ISO0.0 EV
ILCE-1FE 20-70mm F4 G lens45mmf/11.01/3s100 ISO0.0 EV
I's autumn on Dartmoor and - for me - the most striking change is the browning of the bracken before it dies off. These are from a walk around Down Tor and Coombeshead Tor.
My recent pictures of fall lighting and colours should not be published here as they were taken with Fuji GFX medium format equipment.Yet they are visible in Landscape photographer - October morning light thread if anyone wants to see.
Douglas L wrote:
More autumn theme from West Virginia last week. I can't believe I used the 70-200 so much. I used UWA rarely.
Unless I am shooting a vast mountain range or seascape, I agree and tend to use 50 or 100mm for landscape. You get both a more intimate feeling of bein IN the scene and a more impressionistic sense with the “cropping” of more tele focal lengths. Nice work, Douglas!
