A few shots of the ceiling (supported by I-beams, with overhead heavy glass panels of blown glass "ornaments" and "shields" arrangements). I spent quite a bit of time photographing the variations within the multiple panels. My wife and pregnant daughter are shown in the last image, marveling over the beauty above.
Chihuly Glass Museum, Seattle, WA
a7R2, a7R4, Batis 40 and 18, LRc
ILCE-7RM2ZEISS Batis 2/40 CF lens40mmf/5.61/60s1600 ISO+1.0 EV
ILCE-7RM2ZEISS Batis 2/40 CF lens40mmf/5.61/25s1600 ISO+1.0 EV
ILCE-7RM2ZEISS Batis 2/40 CF lens40mmf/5.61/60s1600 ISO+1.0 EV
ILCE-7RM2ZEISS Batis 2/40 CF lens40mmf/5.61/60s1600 ISO+1.0 EV
ILCE-7RM4ZEISS Batis 2.8/18 lens18mmf/5.61/60s8000 ISO+1.0 EV
The Chihuly Garden with its distinctive glass sculptures in "natural" settings, reminds me strongly of "The Southern Reach Trilogy," by Jeff Vandermeer. Some of you may have seen the movie, "Annihilation," the first book of the trilogy. Having read the trilogy, I can't help but find colorful analogies to the author's "Area," a sort of expanding alien sphere on Earth.
a7R2, Batis 40, LRc
ILCE-7RM2ZEISS Batis 2/40 CF lens40mmf/8.01/125s100 ISO0.0 EV
ILCE-7RM2ZEISS Batis 2/40 CF lens40mmf/8.01/80s100 ISO0.0 EV
ILCE-7RM2ZEISS Batis 2/40 CF lens40mmf/8.01/60s100 ISO0.0 EV
ILCE-7RM2ZEISS Batis 2/40 CF lens40mmf/8.01/60s320 ISO0.0 EV
ILCE-7RM2ZEISS Batis 2/40 CF lens40mmf/8.01/125s100 ISO0.0 EV
ILCE-7RM2ZEISS Batis 2/40 CF lens40mmf/8.01/60s100 ISO0.0 EV