4 more. First two are Leica 90/2. Third is me hanging my camera as far as I could go (one-handed) with the Canon 20mm. Fourth is either the Canon or maybe the Pentax 50mm, unsure.
here's a few with the rokkor 24/2.8, all wide open:
Thanks and love the woods - I thoroughly enjoy early-morning forest walks, which are very rare for me
Nice shots from the Rok 24mm. Like a complete moron, I actually threw that lens away because I never used it...then I got an A7, looked for it forever just hoping I had misplaced it.
Yes, I'm an idiot! I have no idea what I was thinking.
Okay, so last week I thought I was done flocking the Mamiya Auto-Bellows N/M645 to EF shift/EF to FE combo. Ha ha. I was so wrong. But I think I’ve got it this time.
Two ten shot panos to use the full-frame. Framing this in the field is a sincere PITA. If I thought I’d use this more often in the field for panos, then I would look into setting up something like the sports frame Hassy sold for some cameras (can’t remember if it was the V series or 1600/2000 that came before V). In the studio, it’ll be much easier since I’ve got everything pre-measured and set.
A three-shot with the camera in portrait orientation. This I can see being useful in the field and it makes me want to try and tinker around with getting a wider lens (like the C 80/2.8) to infinity on the rig.
Gregg - that Weller never disappoints
Right! My buddy travels the world for the company he works for, and he has an affinity for nice Scotches and Whiskies. We are never without when he's about!! He also brought along a bottle of Fitzgerald, too. They were both incredible!!
Gregg
