Still more time on my hands to look at old digital files and process them for the first time. This image is a true "throw back". First, Polly's dock no longer looks like this with Condos in the background. But more obvious is the "soft focus" effect not possible to duplicate (in my opinion) via software. I used a Sony A7R digital camera, which is already out dated, and I no longer have it, and a lens adapter that allowed me to mount an uncoated Leica 50mm Summar lens built in 1935, shot wide open; thus the soft focus!
Dave in NJ
www.modernpictorials.com
Not sure why, but even after BIF photography for some years now, I am always started when I see an owl out in the wild.
I really like the tones in your image here. Very nice!
LBJ2 wrote:
Not sure why, but even after BIF photography for some years now, I am always started when I see an owl out in the wild.
I really like the tones in your image here. Very nice!
Thanks, but she deserves all the credit for those colors.
This is probably the most colorful great horned owl that I've seen.
Here is a multi-shot focus stack of an image taken for the @alwayshungry.boston Instagram account I shoot for (cross-posted with the CV 40 1.2 thread):
Like others delving into last year's catalogue - trying to figure out if/how Photoshop comes more into my workflow. Walking alongside the railway on the South Devon coast where it takes a turn inland at Teignmouth.
Looking down from the top of the Preserve at trees in Autumn color.
Tripod mounted FE 200-600mm G set to 541mm and A7rIII, silent shutter.
ISO 400, f11, 1/25 second.
Exposure corrected +0.78 Stops.
October 19, 2019
At the top of the Trexler Nature Preserve, Schnecksville, PA.
All we saw was open but empty. I mostly shot my Leica Q2 so I'm also posting in the Leica thread. 
