Sony FE Images Thread
p.2991 #1Sony FE Images Thread
A tall thin waterfall right 'around the corner' from Selajalandfoss off the ring road made for some fun shooting.
Sep 04, 2018 at 06:28 AM
p.2991 #2Sony FE Images Thread
Vehicle shed and small dozer.
Zeiss ZE 25/2, MC-11, a7R2, LR
Zeiss ZE 25/2, MC-11, a7R2, LR
Sep 04, 2018 at 06:57 AM
p.2991 #4Sony FE Images Thread
From Costa Rica with hummingbird love...
Scintillan hummingbird
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Scintillan hummingbird
Sep 04, 2018 at 09:05 AM
p.2991 #8Sony FE Images Thread
chiron wrote:
Lovely, lovely images (as always).
It would be very interesting to hear you say more about your own feelings about the lens and how you think it has affected each of the pictures and made each different from how it would be with a normal lens.
Thank you! This is the problem; I can't really figure out my own feelings since they are so mixed.
The main feature of the lens is swirl around the edges, since it's based on the Petzval design, but (fortunately) it only shows up with the right background and light. Otherwise you just get blurry edges, which can be used to draw the eye straight to the intended subject and give a look of older less perfect lenses. It also has great colors, contrast and sense of depth.
DannyBurkPhoto wrote:
Helena - You have a knack for finding wonderfully appropriate compositions for each of your lenses, IMO. In fact, I had that exact thought when I was looking at your Monolens images a few minutes before coming across your question. Speaking only of the lenses and their effects, I like your other lenses more than the Burnside, but your subjects and compositions bring out its best aspects. I say "keep using the Burnside" when you feel it's the suitable choice, and if you can't decide, perhaps try identical compositions with it and your other 50mm and then compare the results.
Thank you very much for the kind and helpful comment! Much appreciated.
The Monolenses are my favorite "special effect" lenses because I love the old style look. I rarely post Monolens stuff here anymore though, since I found other places where they more into that kind of look.
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From our cabin in Sweden. When we were having breakfast suddenly two young foxes turned up. One of them came up close, so I took a photo through the crooked old window.
#2 is from C/Y 28mm/2.8 and the rest C/Y 50mm/1.7.
Lovely, lovely images (as always).
It would be very interesting to hear you say more about your own feelings about the lens and how you think it has affected each of the pictures and made each different from how it would be with a normal lens.
Thank you! This is the problem; I can't really figure out my own feelings since they are so mixed.
The main feature of the lens is swirl around the edges, since it's based on the Petzval design, but (fortunately) it only shows up with the right background and light. Otherwise you just get blurry edges, which can be used to draw the eye straight to the intended subject and give a look of older less perfect lenses. It also has great colors, contrast and sense of depth. DannyBurkPhoto wrote:
Helena - You have a knack for finding wonderfully appropriate compositions for each of your lenses, IMO. In fact, I had that exact thought when I was looking at your Monolens images a few minutes before coming across your question. Speaking only of the lenses and their effects, I like your other lenses more than the Burnside, but your subjects and compositions bring out its best aspects. I say "keep using the Burnside" when you feel it's the suitable choice, and if you can't decide, perhaps try identical compositions with it and your other 50mm and then compare the results.
Thank you very much for the kind and helpful comment! Much appreciated.
The Monolenses are my favorite "special effect" lenses because I love the old style look. I rarely post Monolens stuff here anymore though, since I found other places where they more into that kind of look.
--
From our cabin in Sweden. When we were having breakfast suddenly two young foxes turned up. One of them came up close, so I took a photo through the crooked old window.
#2 is from C/Y 28mm/2.8 and the rest C/Y 50mm/1.7.
Sep 04, 2018 at 11:37 AM
p.2991 #9Sony FE Images Thread
Got photobombed at the park. I liked the pic, so I showed her parents and I ended up doing a mini session. Laowa 15mm and Samyang 35mm - wouldn't have been my first choices for this kind of work, but hey.
Sep 04, 2018 at 12:25 PM
p.2991 #10Sony FE Images Thread
The hospital 'owns' me every other week. If not traveling this is home on my off weeks-
52 week challenge 'Night' by MedicineMan4040, on Flickr
52 week challenge 'Night' by MedicineMan4040, on FlickrSep 04, 2018 at 12:59 PM
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p.2991 #14Sony FE Images Thread
Rainier reflection. Voigltander 10mm and Zeiss 50
Sep 04, 2018 at 07:16 PM
p.2991 #15Sony FE Images Thread
Toccoa Falls again but this time the weather started to turn for the worse. It did provide for some nice atmosphere though. Shortly after I grabbed these shots, it started to rain.
FE 16-35 GM
FE 16-35 GM
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Sep 04, 2018 at 08:59 PM
p.2991 #16Sony FE Images Thread
deleted
Edited on Sep 05, 2018 at 05:18 AM · View previous versions
Edited on Sep 05, 2018 at 05:18 AM · View previous versions
Sep 04, 2018 at 09:30 PM
p.2991 #17Sony FE Images Thread
Back in the Dolomites with a view from our balcony
A7rIII, 100-400GM
Back in the Dolomiti by Viramati, on Flickr
A7rIII, 100-400GM
Back in the Dolomiti by Viramati, on Flickr
Sep 05, 2018 at 12:00 AM
p.2991 #19Sony FE Images Thread
Contax 21mm - road on left, trail on right.
Sep 05, 2018 at 01:08 AM
p.2991 #20Sony FE Images Thread
Couple from a steam event last night.
Both A7rIII and rented 24-70GM
Both A7rIII and rented 24-70GM
Sep 05, 2018 at 07:35 AM