Sony FE Images Thread
p.2543 #2Sony FE Images Thread
More boring architecture with the 16-35 GM. 
2 shot vertical pano. Sunrise reflecting in the windows. The sky was very blue behind the clouds.
No pano on this one. I found a great spot from a nearby parking garage. I blended in several shots to remove cars and people.
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2 shot vertical pano. Sunrise reflecting in the windows. The sky was very blue behind the clouds.
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No pano on this one. I found a great spot from a nearby parking garage. I blended in several shots to remove cars and people.
Nov 19, 2017 at 09:02 PM
p.2543 #3Sony FE Images Thread
Gunzorro wrote:
3-shot pano with Loxia 50.
Dammit Jim, I don’t need a Loxia 50mm, so stop trying to sell me one!
That Loxia color and clarity is splendid.
digital_AM wrote:
More boring architecture with the 16-35 GM.
More beautiful work Alfredo...not remotely boring!
3-shot pano with Loxia 50.
Dammit Jim, I don’t need a Loxia 50mm, so stop trying to sell me one!
That Loxia color and clarity is splendid.
digital_AM wrote:
More boring architecture with the 16-35 GM.
More beautiful work Alfredo...not remotely boring!
Nov 19, 2017 at 09:46 PM
p.2543 #5Sony FE Images Thread
darbo wrote:
Dammit Jim, I don’t need a Loxia 50mm, so stop trying to sell me one!
That Loxia color and clarity is splendid.
More beautiful work Alfredo...not remotely boring!
Ha-ha! Thanks Dave!
I hope you don't mind -- I went back and lightened the shot just a little and boosted Clarity and increased Vignette a touch for this 3-shot pano. The Loxia 50 seems very malleable in PP for a range of "looks", just like the 35mm.
Hey, it's the cheapest of the Loxias!
Gunzorro wrote
3-shot pano with Loxia 50.That Loxia color and clarity is splendid.
digital_AM wrote
More boring architecture with the 16-35 GM.Ha-ha! Thanks Dave!
I hope you don't mind -- I went back and lightened the shot just a little and boosted Clarity and increased Vignette a touch for this 3-shot pano. The Loxia 50 seems very malleable in PP for a range of "looks", just like the 35mm.
Hey, it's the cheapest of the Loxias!
Nov 19, 2017 at 10:45 PM
p.2543 #6Sony FE Images Thread
darbo wrote:
Dammit Jim, I don’t need a Loxia 50mm, so stop trying to sell me one!
That Loxia color and clarity is splendid.
More beautiful work Alfredo...not remotely boring!
Thanks David. Glad to hear it!
Gunzorro wrote
3-shot pano with Loxia 50.That Loxia color and clarity is splendid.
digital_AM wrote
More boring architecture with the 16-35 GM.Thanks David. Glad to hear it!
Nov 19, 2017 at 11:05 PM
p.2543 #7Sony FE Images Thread
Arizona desert near Superstition Mountains - A7RII with FE 100-400
Nov 19, 2017 at 11:16 PM
p.2543 #8Sony FE Images Thread
Still trying with the Russian 50mm Monocle - A7RII
Nov 19, 2017 at 11:48 PM
p.2543 #9Sony FE Images Thread
No Regrets wrote:
EF 85mm 1.2L II at f/1.2, on a7r2 with Metabones IV, using autofocusWhat a sweet looking Golden!
He is a very sweet smush, and ninety pounds of solid muscle.
Here is another shot, through the glass door at night with the EF 85 1.2L II at 1.2 on the a7r2.
Not sure what the red artifact is--it only shows up when I post the image here. Does not show up in Lightroom or DXOOptics 11 on my computers.
another of Gryphon through the glass door.
Edited on Nov 20, 2017 at 08:53 AM · View previous versions
chiron wrote
Gryphon photographed through a glass door at night.EF 85mm 1.2L II at f/1.2, on a7r2 with Metabones IV, using autofocus
He is a very sweet smush, and ninety pounds of solid muscle.
Here is another shot, through the glass door at night with the EF 85 1.2L II at 1.2 on the a7r2.
Not sure what the red artifact is--it only shows up when I post the image here. Does not show up in Lightroom or DXOOptics 11 on my computers.
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another of Gryphon through the glass door.
Edited on Nov 20, 2017 at 08:53 AM · View previous versions
Nov 19, 2017 at 11:53 PM
p.2543 #10Sony FE Images Thread
FE 55/1.8, f6.3 These Spitian women were ideal subjects because they were dog-tired and very relaxed for close up work. Here, several are carrying very heavy bags of dirt in the hot sun to about 30 guys who were furiously building a house just out of sight. All are strong as oxes, no overweight people anywhere. Right now they can all relax for months, this scene is likely under snow. It's the kind of highly detailed travel image that the very sharp 55mm is well-suited for.
Nov 19, 2017 at 11:54 PM
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p.2543 #11Sony FE Images Thread
These two pictures are cross-posted from the 26-page C-Sonnar! thread. Yesterday's photo prompted me to look again at other pictures I made that day with the C-Sonnar 50/1.5 ZM. I've been looking everywhere for a lens to complement the Planar G 45/2 and Zony FE 55/1.8 and perhaps it's been sitting quietly in the dry cabinet, ignored, all this time.
Nov 20, 2017 at 12:49 AM
p.2543 #12Sony FE Images Thread
Ice skating in the last rays of sun before mørketida, the dark season, sets in. The sun now only touches the horizon at noon and the blue hour lasts all day:
Nov 20, 2017 at 08:10 AM
p.2543 #13Sony FE Images Thread
A few more with the A7ii and Mitakon 50mm f0.95. Really loving this lens - sharp even at 0.95 and great bokeh for a super-fast 50. I've seen comparisons between the Mitakon vs Leica Noctilux 0.95 and f/1, and the Mitakon compared very favorably, in some situations even better, than the Noct's.
Manhattan Bridge reflection in Jane's Carousel, Brooklyn Bridge Park. f/0.95
Electrical conduit. The text on the junction box (point of focus) is tack sharp at f/0.95.
Appalachian Chair. Beach volleyball courts, Brooklyn Bridge Park. Focus on the front of the arm rests. f/0.95
Green Vespa. Brooklyn Heights. f/0.95
Manhattan Bridge reflection in Jane's Carousel, Brooklyn Bridge Park. f/0.95
Electrical conduit. The text on the junction box (point of focus) is tack sharp at f/0.95.
Appalachian Chair. Beach volleyball courts, Brooklyn Bridge Park. Focus on the front of the arm rests. f/0.95
Green Vespa. Brooklyn Heights. f/0.95
Nov 20, 2017 at 09:03 AM
p.2543 #15Sony FE Images Thread
A couple from a recent quick stop trough Death Valley NP.
The first one is a 7 vertical image stitched Panorama processed in LRCC. A7RII with Loxia 21mm at f/11
https://flic.kr/p/ZCMEQ7
The second one was taken at the Badlands salt flat at sunset. Focus staked and focal length blend with 12mm foreground and 24mm mountain range. A7RII with FE 12-24 G at f/8
https://flic.kr/p/DAcg9y
The first one is a 7 vertical image stitched Panorama processed in LRCC. A7RII with Loxia 21mm at f/11
https://flic.kr/p/ZCMEQ7
The second one was taken at the Badlands salt flat at sunset. Focus staked and focal length blend with 12mm foreground and 24mm mountain range. A7RII with FE 12-24 G at f/8
https://flic.kr/p/DAcg9y
Nov 20, 2017 at 10:40 AM
p.2543 #16Sony FE Images Thread
This thread moves fast... been playing with my Kolari UT A7 since getting back from my trip. Don't feel like I"m getting along well with it, but enjoy using it, so I'll continue on...
Mostly with the Super Tak 55/1.8. The rainbow was the ST 135/2.5.
Mostly with the Super Tak 55/1.8. The rainbow was the ST 135/2.5.
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Nov 20, 2017 at 11:30 AM
p.2543 #17Sony FE Images Thread
And a few more from this morning, with the Super Tak 35/3.5. The more I look, I think it's more sloppy technique frankly. IBIS has likely made me lazy.
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Nov 20, 2017 at 11:41 AM
p.2543 #18Sony FE Images Thread
The tale of the traveling couch: I found the couch had moved 100' west of its previous photo -- and flipped on its back!.
Loxia 50
Loxia 50
Nov 20, 2017 at 11:46 AM
p.2543 #19Sony FE Images Thread
The lens used is the Sigma 135mm f/1.8 Art lens; the f/1.7 aperture is the result of a glitch in the FW of Metabones
Anastasia
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 © AGeoJO 2017 |
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Anastasia
Nov 20, 2017 at 11:59 AM
