Sony FE Images Thread
p.2136 #1Sony FE Images Thread
Jack: I'm always impressed with how you manage to get such amazing colors out of those files.
Manuel: Wonderful compositions on those landscapes.
Werner: Stunning lightning. I've taken the freedom to follow you on flickr.
Bob: Amazing colors. I was wondering, did you end up keeping the 24-70 GM or have you gone back to being Optimus Prime?
Ronny: I don't know any more adjectives to describe those impressive shots from Lofoten. They might be even better than your amazing work in Iceland 1-2 years ago.
Rene: Beautiful (early?) spring shots. We're still a few weeks behind here. I will admit, though, I like your monochrome shot from the previous page even better.
Joshua: Wonderful portraits, but then again you, Werner, Ronny, Bob and a few other highly talented members here are just incapable of taking bad pictures, right
?
And now, it's time to lower the quality of this thread again.
FE 70-300 at f8; Edit: I'm not sure whether this composition/framing works in this shot. I'd thought about zooming in closer to get make the ships larger, but that would have reduced the soft lighting effect and cut out the drift ice in the foreground.
Manuel: Wonderful compositions on those landscapes.
Werner: Stunning lightning. I've taken the freedom to follow you on flickr.
Bob: Amazing colors. I was wondering, did you end up keeping the 24-70 GM or have you gone back to being Optimus Prime?
Ronny: I don't know any more adjectives to describe those impressive shots from Lofoten. They might be even better than your amazing work in Iceland 1-2 years ago.
Rene: Beautiful (early?) spring shots. We're still a few weeks behind here. I will admit, though, I like your monochrome shot from the previous page even better.
Joshua: Wonderful portraits, but then again you, Werner, Ronny, Bob and a few other highly talented members here are just incapable of taking bad pictures, right
? And now, it's time to lower the quality of this thread again
.FE 70-300 at f8; Edit: I'm not sure whether this composition/framing works in this shot. I'd thought about zooming in closer to get make the ships larger, but that would have reduced the soft lighting effect and cut out the drift ice in the foreground.
Apr 01, 2017 at 11:33 PM
p.2136 #2Sony FE Images Thread
Thanks Chris, but VSCO or Replichrome when mentioned 
This one is by the rules...
Law & Order
This one is by the rules...
Law & Order
Apr 02, 2017 at 12:11 AM
p.2136 #3Sony FE Images Thread
JaKo wrote:
Thanks Chris, but VSCO or Replichrome when mentioned
This one is by the rules...
Law & Order
http://www.kozera.ca/photos/images/20170315_0023_1600.jpg
Jack, if I may ask, which VSCO collection are you using?
Thanks Chris, but VSCO or Replichrome when mentioned
This one is by the rules...
Law & Order
http://www.kozera.ca/photos/images/20170315_0023_1600.jpg
Jack, if I may ask, which VSCO collection are you using?
Apr 02, 2017 at 12:30 AM
p.2136 #4Sony FE Images Thread
Kierzkow wrote:
A7R + CV12FE + Smooth Reflection
Sorry for my question... in which way SR app could be useful in captures like these? Thanks.
Manuel
A7R + CV12FE + Smooth Reflection
Sorry for my question... in which way SR app could be useful in captures like these? Thanks. Manuel
Apr 02, 2017 at 12:36 AM
p.2136 #5Sony FE Images Thread
Chris, I mostly use Replichrome due to its accuracy, and the only VSCO i use is vscofilm-04acr7-win.
Add-on crib
Add-on crib
Apr 02, 2017 at 12:36 AM
p.2136 #6Sony FE Images Thread
Has anyone else noticed that the flare you see in the viewfinder on the A7 series dissapears when you take the shot? I think it has to do with the shutter, because when I switch to electronic shutter, all the flare shows on the images.. I haven't got any before/after shots, but this one is with electronic shutter enabled.
A7rII, Canon 50mm f/0.95 wide open.
A7rII, Canon 50mm f/0.95 wide open.
Apr 02, 2017 at 12:53 AM
p.2136 #7Sony FE Images Thread
JaKo wrote:
Chris, I mostly use Replichrome due to its accuracy, and the only VSCO i use is vscofilm-04acr7-win.
Add-on crib
http://www.kozera.ca/photos/images/20170315_0040_1600.jpg
Thanks, Jack. I have DXO Filmpack, but I don't use it that often, as I find it often goes over the top as far as colors are concerned. Sometimes this adds a nice effect, but often I find it a bit too exaggerated. I'm looking for something slightly more realistic/natural.
Edited on Apr 02, 2017 at 12:55 AM · View previous versions
Chris, I mostly use Replichrome due to its accuracy, and the only VSCO i use is vscofilm-04acr7-win.
Add-on crib
http://www.kozera.ca/photos/images/20170315_0040_1600.jpg
Thanks, Jack. I have DXO Filmpack, but I don't use it that often, as I find it often goes over the top as far as colors are concerned. Sometimes this adds a nice effect, but often I find it a bit too exaggerated. I'm looking for something slightly more realistic/natural.
Edited on Apr 02, 2017 at 12:55 AM · View previous versions
Apr 02, 2017 at 12:55 AM
p.2136 #8Sony FE Images Thread
Kierzkow wrote:
A7R + CV12FE + Smooth Reflection
Sorry for my question... in which way SR app could be useful in captures like these? Thanks.
Manuel
When it's very dark and you want to reduce noise as much as possible.
In the Pantheon there is semi-darkness, all lights passing through the oculus.
So my experiment was to underexpose by two stops and later recover detail in the lightroom.
A7R + CV12FE + Smooth Reflection
Sorry for my question... in which way SR app could be useful in captures like these? Thanks.
Manuel
When it's very dark and you want to reduce noise as much as possible.
In the Pantheon there is semi-darkness, all lights passing through the oculus.
So my experiment was to underexpose by two stops and later recover detail in the lightroom.
Apr 02, 2017 at 12:55 AM
p.2136 #9Sony FE Images Thread
Manuel,
Not sure my theory works.
The recovering capabilities can be seen in a number of shots taken by Fred Miranda and other to smooths of water or clouds movements.
Cheers,
Henryk
Not sure my theory works.
The recovering capabilities can be seen in a number of shots taken by Fred Miranda and other to smooths of water or clouds movements.
Cheers,
Henryk
Apr 02, 2017 at 01:10 AM
p.2136 #10Sony FE Images Thread
A7R + C/Y35-70F3.4 + SR app.
Another SR experiment at St. Peter's
1,000,000 + 1 photo of Rome
Another SR experiment at St. Peter's
 |
||
 © Kierzkow 2017 |
||
|
1,000,000 + 1 photo of Rome
Apr 02, 2017 at 01:22 AM
|
p.2136 #11Sony FE Images Thread
Open house at the Trondheim theater yesterday. Hard to take photos though because it was absolutely packed and I have a cold, so I didn't stay long.
First two are from CV 15/4.5 III VM (I rarely use this lens, but its sharpness, all the way to the corners, is impressive), #3 Lensbaby Sweet 50 and #4-6 CV 35/1.7 VM.
First two are from CV 15/4.5 III VM (I rarely use this lens, but its sharpness, all the way to the corners, is impressive), #3 Lensbaby Sweet 50 and #4-6 CV 35/1.7 VM.
Apr 02, 2017 at 02:21 AM
p.2136 #12Sony FE Images Thread
Could you use a tripod in the Pantheon and St.Peter ?
Cheers
Werner
Cheers
Werner
Apr 02, 2017 at 02:27 AM
p.2136 #13Sony FE Images Thread
@ Chris thx für your nice comment. I'm probably the black and white guy. I can never detach about color processing.
Apr 02, 2017 at 02:51 AM
p.2136 #14Sony FE Images Thread
Could you use a tripod in the Pantheon and St.Peter ?
Cheers
Werner
Werner,
One cannot use a tripod in the Pantheon nor in St. Peter's. Not even in Piazza Navona and many other places.
There is extremely tight security control when you enter the St. Peter's Basilic these days; worse, or better, than at
many airports.
However, I was allowed to bring in a mini tripod, just 12 cm long. Took a central seat in the second row of benches for worshipers. Put the mini tripod on the top of the backrest of the first row, got on my knees and prayed.
Used the same strategy in many other places in Rome, but without praying.
One day you will tell me how you get those incredible pictures from Tuscany.
Cheers,
Henryk
Cheers
Werner
Werner,
One cannot use a tripod in the Pantheon nor in St. Peter's. Not even in Piazza Navona and many other places.
There is extremely tight security control when you enter the St. Peter's Basilic these days; worse, or better, than at
many airports.
However, I was allowed to bring in a mini tripod, just 12 cm long. Took a central seat in the second row of benches for worshipers. Put the mini tripod on the top of the backrest of the first row, got on my knees and prayed.
Used the same strategy in many other places in Rome, but without praying.
One day you will tell me how you get those incredible pictures from Tuscany.
Cheers,
Henryk
Apr 02, 2017 at 03:17 AM
p.2136 #15Sony FE Images Thread
Thank you Chris ¨
Really nice shots Jack.. glad you post again
Must get extension tube set again .. unfortunately I sold them along with my other Contax lens
Sony A7R II + Contax 100-300mm F/4.5-5.6 Vario-Sonnar T* by Ronny Olsson, on Flickr
A7R II + Contax 100-300mm F/4.5-5.6 Vario-Sonnar T* by Ronny Olsson, on Flickr
Really nice shots Jack.. glad you post again
Must get extension tube set again .. unfortunately I sold them along with my other Contax lens
Sony A7R II + Contax 100-300mm F/4.5-5.6 Vario-Sonnar T* by Ronny Olsson, on Flickr
A7R II + Contax 100-300mm F/4.5-5.6 Vario-Sonnar T* by Ronny Olsson, on Flickr
Apr 02, 2017 at 04:20 AM
p.2136 #16Sony FE Images Thread
Chris_88 wrote:
Jack: I'm always impressed with how you manage to get such amazing colors out of those files.
Manuel: Wonderful compositions on those landscapes.
Werner: Stunning lightning. I've taken the freedom to follow you on flickr.
Bob: Amazing colors. I was wondering, did you end up keeping the 24-70 GM or have you gone back to being Optimus Prime?
Ronny: I don't know any more adjectives to describe those impressive shots from Lofoten. They might be even better than your amazing work in Iceland 1-2 years ago.
Rene: Beautiful (early?) spring shots. We're still a few weeks behind here. I will admit, though, I...Show more →
Thank you! I did keep the 24-70gm but I still like my primes!
Apr 02, 2017 at 05:57 AM
p.2136 #17Sony FE Images Thread
Photo taken at 7:41 AM
Looking at a 10 point Buck White Tail Deer in velvet
Heavily cropped tripod mounted Canon new FD 500mm f4.5 L lens and A7r
ISO 200, lens set to f4.5 for 1/800 second
Exposure corrected by +0.48 Stops, processed in LR6.9
August 14, 2015
At Big Meadows, Shenandoah National Park, Virginia
Rich
Looking at a 10 point Buck White Tail Deer in velvet
Heavily cropped tripod mounted Canon new FD 500mm f4.5 L lens and A7r
ISO 200, lens set to f4.5 for 1/800 second
Exposure corrected by +0.48 Stops, processed in LR6.9
August 14, 2015
At Big Meadows, Shenandoah National Park, Virginia
Rich
Apr 02, 2017 at 06:06 AM
p.2136 #20Sony FE Images Thread
Some Spring Blossoms in Phoenix, Arizona on 3/31/2017 . Tamron A mount 180 macro lens used.
Harry Palmer
Prickly Pear.
Another Prickly Pear .
Red blossom.
Orange blossoms.
Orange blossom.
Harry Palmer
Prickly Pear.
Another Prickly Pear .
Red blossom.
Orange blossoms.
Orange blossom.
Apr 02, 2017 at 08:59 AM