Some more from a quick visit to Zion with Joshua last November... at least I've changed FL of 16-35 this time
At 35mm it is a bit soft but in PP you can recovery details with sharpening. For sure it is far from Loxia or other fixed lens but not too bad
Yesterday morning I was in Newport, Rhode Island and had an hour or so to take some quick pics. I also wanted to see how the 35mm f/1.4 Distagon ZM (modified with front end PCX filter) and my new CV 12mm lenses did with the SR App.
Chuck
35mm f/1.4 Distagon ZM @ f/5.6, ISO 100 with SR App 128 images
35mm f/1.4 Distagon ZM @ f/8, ISO 100
CV 12mm @ f9, ISO 100 with SR App 256 images
35mm f/1.4 Distagon ZM @ f/8, ISO 100 with SR App 128 images
Greggf wrote:
Phillippe...thanks for the kind words!
Manuel...^^^ super awesome!
Here are a few more from Hetch Hetchy last week.
Gregg
A7rll with Loxia's 21 and 35
Thanks Gregg and likewise for yours... really impressed by the last one: could you explain us from which point you took this? I suppose from the top of the dam but in this case 35mm seems to me a bit short
@Chuck: great captures!!! This is the first time I'm impressed by SR app... maybe the key is to exaggerate (128 or 256 images)
Edited three time to adjust my terrible saturday english
Thanks Gregg and likewise for yours... really impressed by the last one: could you explains us from wich point yo shoot? I suppose from the top of the dam but in this case 35mm seems to me a bit short
Thanks Manuel!
Yes, it was from the top of the dam just looking down. It's a relatively small dam, so 35mm was just perfect! I have one with the 21, too, but it wasn't as good I think.
I keep working with my Contax G28 frankenzeiss which I find challenging. This time I put a polarizing filter on and shot at f2.8 handheld on a windy day with the A7.
Our little fixer-upper retirement home in Washington (HQ for my mega-photo blitz of the area). Still a lot of work to do, but it's livable while the work gets done. I can't pretend it's fancy, but it's paid for!
Shot with Nikon 300/4.5 ED AIS, where the a7R2's IBIS really comes in handy for this 6-shot pano/composite. Shot through some bare winter branches from the opposite side of the canyon above.