Sony FE Images Thread
p.2096 #1Sony FE Images Thread
A few recent ones from Yosemite.
A7RII + Voigtlander 15mm III
DSC05151
A7RII + Olympus 24mm f2.8
DSC05088-Edit-2
Mirror Lake with the Voigtlander 15mm III
DSC05123
A7RII + Voigtlander 15mm III
DSC05151A7RII + Olympus 24mm f2.8
DSC05088-Edit-2Mirror Lake with the Voigtlander 15mm III
DSC05123Mar 10, 2017 at 10:57 PM
p.2096 #2Sony FE Images Thread
Street scenes in Madrid, New Mexico. A7RII with 24-70 GM
Mar 10, 2017 at 11:17 PM
p.2096 #4Sony FE Images Thread
Pano with Loxia 50
Sony A7R II + Zeiss Loxia 50mm f/2 Planar T* by Ronny Olsson, on Flickr
Sony A7R II + Zeiss Loxia 50mm f/2 Planar T* by Ronny Olsson, on Flickr
Mar 11, 2017 at 01:06 AM
p.2096 #5Sony FE Images Thread
Agnostic wrote:
Love the shots you are getting from the Contax G 28
Thanks! 28mm is my favorite focal length. And G28 might become my favorite 28mm assuming new techniques like Kolari v4 or front filter will overcome the issues caused by very high ray angle plus Sony thick sensor cover. If you look the MTF, at f/5.6 the sagittal and tangential MTF lines are almost identical. This usually means that boke is good. Also the 10lp/mm and 20lp/mm are very high contrast all the way to corners. Even 40lp/mm is very high in central area of image.
I checked the MTFs of other Zeiss 28mm (except Otus), and I have also shoot with all of them except ZM28 - this is from my usage perspective which is <5% infinity focus large DOF stuff and >95% photos which have focus plane and boke stuff in them:
Carl Zeiss Biogon T* 2.8/28 Contax G @ f/5.6, A7 (Kolari v2) @ ISO 800 @ 1/25s
Carl Zeiss Biogon T* 2.8/28 Contax G @ f/5.6, A7 (Kolari v2) @ ISO 400 @ 1/25s
Samuli
Love the shots you are getting from the Contax G 28
Thanks! 28mm is my favorite focal length. And G28 might become my favorite 28mm assuming new techniques like Kolari v4 or front filter will overcome the issues caused by very high ray angle plus Sony thick sensor cover. If you look the MTF, at f/5.6 the sagittal and tangential MTF lines are almost identical. This usually means that boke is good. Also the 10lp/mm and 20lp/mm are very high contrast all the way to corners. Even 40lp/mm is very high in central area of image.
I checked the MTFs of other Zeiss 28mm (except Otus), and I have also shoot with all of them except ZM28 - this is from my usage perspective which is <5% infinity focus large DOF stuff and >95% photos which have focus plane and boke stuff in them:
- C/Y Distagon 2.8/28 not usable on standard thick filter, but excellent with Kolari v2 except outer corners which seem to find random distant stuff in focus
- C/Y Distagon 2/28 haven't used with Sony, but on Canon boke is all over the place like indicated by the MTF - I did not like this lens at all.
- Contax G Biogon 2.8/28 boke wide open pretty awful (as MTF indicates) but gets pretty good @ f/4 and really good @ f/5.6. Super contrast on focus plane, low contrast on boke.
- ZM Biogon 2.8/28, would be interesting to test this lens in real life but I would assume I would hate corner boke based on MTF, tangential and sagittal go opposite directions, more or less making 100% sure that boke will be awful in corners.
- ZE/ZF Distagon 2/28, nice lens for f/8-11 landscapes - awful lens for boke shooting; lens has natural outward field curvature and astigmatism, when combined with A7 thick sensor stack these issues are even worse. Kolari v2 enables to get similar performance we got with Canon 5DmkII, but the "native" outward field curvature makes this lens not usable for me.
Carl Zeiss Biogon T* 2.8/28 Contax G @ f/5.6, A7 (Kolari v2) @ ISO 800 @ 1/25s
Carl Zeiss Biogon T* 2.8/28 Contax G @ f/5.6, A7 (Kolari v2) @ ISO 400 @ 1/25s
Samuli
Mar 11, 2017 at 02:42 AM
p.2096 #6Sony FE Images Thread
Sony A7R II + Zeiss Loxia 50mm f/2 Planar T* by Ronny Olsson, on Flickr
Mar 11, 2017 at 03:17 AM
p.2096 #7Sony FE Images Thread
mike reid wrote:
Monks blowing conch to welcome morning in Tengeboche Nepal. Zeiss 100-300
https://c1.staticflickr.com/3/2888/32525308214_fcbeb2ac97_b.jpg
Nice shot Mike. Reminds me of my trek through there in '86 with an OM1 and OM2. One loaded with colour, one b&w.
Monks blowing conch to welcome morning in Tengeboche Nepal. Zeiss 100-300
https://c1.staticflickr.com/3/2888/32525308214_fcbeb2ac97_b.jpg
Nice shot Mike. Reminds me of my trek through there in '86 with an OM1 and OM2. One loaded with colour, one b&w.
Mar 11, 2017 at 04:19 AM
p.2096 #8Sony FE Images Thread
Ronny Olsson wrote:
Pano with Loxia 50
https://c1.staticflickr.com/3/2852/33210928242_3127498a7b_h.jpg
Sony A7R II + Zeiss Loxia 50mm f/2 Planar T* by Ronny Olsson, on Flickr
Nice! Like how the small houses add scale to the rest of the landscape.
A7, Nikkor AI-S 20/3.5
Untitled by Pepijn Sauer, on Flickr
Pano with Loxia 50
https://c1.staticflickr.com/3/2852/33210928242_3127498a7b_h.jpg
Sony A7R II + Zeiss Loxia 50mm f/2 Planar T* by Ronny Olsson, on Flickr
Nice! Like how the small houses add scale to the rest of the landscape.
A7, Nikkor AI-S 20/3.5
Untitled by Pepijn Sauer, on Flickr
Mar 11, 2017 at 04:33 AM
p.2096 #10Sony FE Images Thread
Thanks 
Sony A7R II + Zeiss Loxia 21mm f/2.8 by Ronny Olsson, on Flickr
Sony A7R II + Zeiss Loxia 21mm f/2.8 by Ronny Olsson, on Flickr
Mar 11, 2017 at 05:19 AM
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p.2096 #11Sony FE Images Thread
Photo taken at 12:17 PM
Looking at tree in autumn color
Tripod mounted Sony A7r camera and Leica M 90mm f2.5 Summarit lens
ISO 100, probably f8, 1/160 second
Exposure correction +0.71 Stops; processed in LR6.9
October 18, 2015
At a picnic area, Shenandoah NP, Virginia
Rich
Looking at tree in autumn color
Tripod mounted Sony A7r camera and Leica M 90mm f2.5 Summarit lens
ISO 100, probably f8, 1/160 second
Exposure correction +0.71 Stops; processed in LR6.9
October 18, 2015
At a picnic area, Shenandoah NP, Virginia
Rich
Mar 11, 2017 at 06:17 AM
p.2096 #12Sony FE Images Thread
Tired of images from Venice? Here are two from Vegas during a recent and informal session then
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Mar 11, 2017 at 08:49 AM
p.2096 #13Sony FE Images Thread
AGeoJO wrote:
Tired of images from Venice? Here are two from Vegas during a recent and informal session then
Absolutely not.. I'm really curious to see what I missed I was thinking to post some images from last year as a very good memory.
Here another image from Yosemite so you can see what you have missed
Manuel
Tired of images from Venice? Here are two from Vegas during a recent and informal session then
Absolutely not.. I'm really curious to see what I missed
I was thinking to post some images from last year as a very good memory.Here another image from Yosemite so you can see what you have missed
Manuel
Mar 11, 2017 at 08:59 AM
p.2096 #15Sony FE Images Thread
Siena
Discussioni by Werner Utsch, on Flickr
Eat And Call by Werner Utsch, on Flickr
A7RII, FE 24-70/2.8 GM
Mar 11, 2017 at 09:24 AM
p.2096 #16Sony FE Images Thread
Olympus OM 90/2 @F8 with macro conversion lens
Bumblebee
BumblebeeMar 11, 2017 at 09:27 AM
p.2096 #17Sony FE Images Thread
New puppy means new pictures
A6500 and FE70-200 f5
A6500 and FE70-200 f4
A6500 and FE70-200 f5
A6500 and FE70-200 f4
Mar 11, 2017 at 09:58 AM
p.2096 #18Sony FE Images Thread
This morning there was a very brief explosion of color during sunrise. It literally lasted only a couple of minutes. I ran down to the lake and without gloves (It was 5 degrees F) and captured a few quick images. Then I realized I shot these in jpeg instead of raw. However, the colors and intensity of the colors are real. Moments later, it was overcast and gray.
A7r2 + TAP + Zeiss Distagon 35/1.4 ZM + Opto Sigma 5000
A7r2 + TAP + Zeiss Distagon 35/1.4 ZM + Opto Sigma 5000
Mar 11, 2017 at 10:05 AM
p.2096 #19Sony FE Images Thread
Super grab fantastic grabs this whole page!! And I mean everyone! And every image!
Bob...can't compete with the colors, but here's one from last night while still working.
Gregg
A7rll and FE 50 1.4 ZA
@f8 three shot horz stitch
Bob...can't compete with the colors, but here's one from last night while still working.
Gregg
A7rll and FE 50 1.4 ZA
@f8 three shot horz stitch
Mar 11, 2017 at 10:46 AM
