Looking across I believe Little Tupper Lake
Tripod mounted A7r and Minolta CLE MC 40mm f2 M-Rokkor lens
ISO 100, f11, 1/320 second
Exposure corrected by +0.12 Stops; processed in LR6
October 3, 2015
At I believe Little Tupper Lake at the William C. Whitney Wilderness Area (in or near Long Lake, NY in the Adirondack Mountains)
I've got a couple sets from my recently acquired A7II. I'm working in a small town about 1' 45" drive from my home, with the option of a mildly hectic interstate route or a shorter more leisurely route through farmland dotted with tiny towns. I've chosen the latter route as of late even though it takes longer.
More images from the French Estate last week. The juxtaposition of highlights and shadows was a tough nut to crack. The GM lens handled it pretty well though but still I had to suppress the highlights on her face a bit in PP.
Olympus Om lenses are really tiny and great for a light pack so I can even take them for some strenuous cycling. Only wished the coatings of the 3.5/28 were a bit better
Joshua, Werner...you guys have to stop with the Nocti AF stuff!! Absolutely incredible!!
Joshua...love the portraits from the "Estate" shoots.
Great grabs everyone!!
More grabs from South Lake Tahoe. Top of Heavenly Ski Resort via the Gondola..
Gregg
A7rll and Contax 35-70/3.4
Huge ass cafeteria on top of the mountain!! 35mm @f11 w/cpl
Same as above
50mm @f11(?)...yes, we're at 9150 ft elevation!
Inside the building. 35mm @f11 ISO 3200
Heading back down the mountain. 35mm @f11 through 1" plexiglass
Greggf wrote:
Joshua, Werner...you guys have to stop with the Nocti AF stuff!! Absolutely incredible!!
Joshua...love the portraits from the "Estate" shoots.
Great grabs everyone!!
More grabs from South Lake Tahoe. Top of Heavenly Ski Resort via the Gondola..
Gregg
A7rll and Contax 35-70/3.4
, you know what, Gregg, you can get AF with the Contax 35-70mm lens AND, you can get the MFD shortened, too. It would make it like a different and improved lens.
Thank you for your kind comments. I took too many images from that session; it was like a photography "smorgasbord" and now I am barely scratching the surface posting them here....
OK, this one is not from the Noctilux but from the Zeiss ZM Sonnar 85mm f/2 at wide open using the same setup with continuous AF.