Today my 24-70GM showed up and of course the weather was crap! Got a chance to get out for a few shots down at the bridge and a short stint this afternoon. Really like the lens so far, sure is big but oh well.
First shot was 30 sec at F/11 with a screw on ND filter and converted to black and white, I did not run any noisewere on it and maybe should have.
This shot I took during the day and made it artsy, again with the 24-70GM
Nashville at Night
Sony A7rii and Canon TS 24 II 3.5
These were taken with the Smooth Reflection App. The monochrome image was using the in Camera Monochrome setting.
Photo taken at 3:02 PM June 10, 2015 of a field of Cow Parsnips ("Heracleum maximum") along Skyline Drive, South River Overlook, Shenandoah NP, Virginia. Image taken with my tripod mounted A7r and my Minolta CLE MC 40mm f2 M-Rokkor lens, ISO 200, lens set to f11 for 1/60 second.
I had a pretty good success yesterday with the replacement Fotodiox Tough E-Mount LT. Edges looked better than previous OEM and Fotodiox (apparently warped or milled incorrectly).
Samyang 14/2.8
Perspective corrections (when possible!) done in LRCC.
Despite cool weather old,crooked,gnarled brides,though about to pass away, have dressed themselves beautifully to get married once again.....
A7R+Pentax M 135/3.5
Northern cold mixed with warm air from the south brings about spring storms...
A7R+Pentax M 135/3.5
Overcast sky takes away excessive contrast from white petals and gives unusual pop to all shades of green...
A7R+Sigma 60/2.8 (APS-C mode)
A7R+OM Zuiko 135/3.5
.....when cold weather takes too long,finding spots where history had left it's fascinating traces may be a good solution ....
A7R+Sigma 19/2.8 (APS-C mode)
And when the Sun comes eventually up, it makes a new commotion
A7R+Vivitar MC 80-200/4.0
Good morning! The early morning view from Hunt's Mesa when the first sunlight started to shine on the higher section of the rock formation. Regardless how tired I was from a sleepless night, I got excited . The G Master lens delivers, I would say.
Helena's wonderful use of the CV35/1.7 reminds me I have to use this lens more. This lens is 'oh so sharp' and I like it's vignetting wide open. Applying a lens profile easily corrects it when desired.
Shots from the city. The first is wide open and the rest are at f/8
I sold the VC 35 1.7 and after seeing those images, I'm questioning that decision now but I did not have the 24-70 GM to cover me for real work. the VC would be just great to have around as my ART lenses. Im going to post a shot that I just love from it
