millsart wrote:
I'm really digging Topaz Impression! Charcoal and pencil styles, the ability to switch around colors, lots of oil and watercolor styles (including lots of emulations of various Masters painting styles) and tons of easy to use adjustments for on the fly adjustments. Playing with the demo but its amazing how far this technology has come and how it looks, dare I say it, "good"
The 50L and 85L II worked great. The AF was very accurate and I did not have to think about whether the shot was in focus.
The Canon 24-70 f/2.8L is proving to be an amazing lens
Thanks, Charles! We just increased our lens lineup with "newly" discovered Canon lenses .
puckman wrote:
Wow. Those turned out grea, Joshua!
Looks like it was a fun shoot too. Can't wait to see the rest.
Seeing these definitely whet my appetite for shooting this kind of setting. Hehe.
Thanks, Nadim! Yes, we did have fun; 3 hours flew by fast. Some guys were still shooting when I left at 4:00. They even had a Bentley in the morning.... I missed that . Oh, well.
Photo taken the evening of October 26, 2015 about 19 minutes before sunset looking down from the top of the Trexler Nature Preserve, Schnecksville, PA. at trees below in autumn color bathed in Magic Hour lighting. Image taken with my tripod mounted Canon new FD 500mm f4.5 L lens and my A7r, ISO 400, lens set to f11 for 1/80 second. Processed in LR6.
kdrk888, no particular question, more of an observation.. I just noticed that you have the Sony 70-200 f4 when you posted on 10/30, looks like geese with sunset reflection. I have a Nikon 70-200 f2.8 that I am using in manual mode with a Novoflex adapter. I still have my Nikon D7200, Sigma 300 f2.8 for birding and nature. It would be nice to have the Sony, but I really don't want to duplicate and it would be hard to sell my Nikon lens.
. Oh, well. 
