Photon wrote:
If I can't join in the snow shots, I'll try cheating. I was having a last snack before preparing for bed tonight, and I thought to myself that because the 600 EX-RT is so easy to set up and use off camera, I might as well do a quick shot of...
this:
Wow 100 L of snow covered with tiny little pebbles. NIce shot, if you didn't say anything about yogurt you might have a fooled a few unsuspecting people.
Photon wrote:
That's right, plus it is impossible to shoot a wedding without an 85/1.2, a 70-200/2.8, 35/1.4, 50/1.2, 135/2, four or five strobes with radio triggers, an 8-15 fisheye, and a laptop, projector and screen to start the sales process at the reception.
An 8-15 fisheye - that is a suggestion I did not anticipate or expect.
Peter the 2nd shot is amazing to look at. The simplicity of a marvel in nature such as a bird gliding with only a single feather on the bird's left wing out of place. The nice background blur that could be interpreted as as shot in cloudy skies or the backdrop of a frozen lake covered with snow and ice, or the reflection of the sky off of the clear open waters. It does not matter what the bacground is in actuality it just allows for many interpretations. I really like that shot.
Photon wrote:
If I can't join in the snow shots, I'll try cheating. I was having a last snack before preparing for bed tonight, and I thought to myself that because the 600 EX-RT is so easy to set up and use off camera, I might as well do a quick shot of...
this:
...and here I thought you had dropped your Popsicle in the gravel.
That is seriously cool! At first glance I thought the canoes were being used as snow sleds for kids, but realizing they were being pulled to (or from) a water access point made it even more interesting. Of course, the light and composition make the photo work really well.
Psychic, that is the perfect angle to make the Flatiron look even narrower than it is, by hiding any hint of the width of the short side of the triangle.