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Archive 2011 · Digital-Picture review ZE 100 MP lens

  
 
Lasse Eriksson
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p.21 #1 · Digital-Picture review ZE 100 MP lens


thedigitalbean wrote:
Yea thats really something that doesn't come out in most reviews, what each lens is like to use. The combination of superb build quality and smooth focusing of the Zeiss just make it more fun to use. Yea, I admit its kind of a dumb reason, but it is what it is.


Agree the smooth focusing on the Zeiss is fantastic



May 31, 2011 at 01:07 AM
SKumar25
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p.21 #2 · Digital-Picture review ZE 100 MP lens


The Canon performed really well. I would have expected to see a bigger difference @ f/2.8. Wonder if the bigger differences other reviews have shown is due to QC or some other factor. This is pretty consistent with the review attached in the OP.


May 31, 2011 at 01:12 AM
melcat
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p.21 #3 · Digital-Picture review ZE 100 MP lens


mpmendenhall wrote:
There have been many comparisons (of this and other lenses) posted to the Alt forum, including fairly well controlled blind tests / surveys, in which plenty of viewers (often the majority) reliably identify the traits that you consider illusory; this includes the fairly recent comparison cross-posted on the Canon board in which a large majority of responders consistently identified/preferred the Zeiss lens, even based on web-sized images of several stopped-down shots.


I can't find that link back, but if you're referring to the "poll" cross-posted a few weeks back on the Alt forum here at FM and to a large forum oriented toward Canon users who are mainly novices, I have to disagree with your claim about the result.

As I recall many people were able to correctly match lenses with the images produced from them. This said nothing about which they preferred - if, that is, you even accept the claimed identification rate.

I first saw that test in the other place and was able to quite easily get about 80% of the identifications correct. I mostly used my knowledge of Canon lens characteristics to identify those lenses, and then the Zeiss ones by elimination. In the case of the Zeiss 21mm, its horrid moustache distortion was a giveaway (the 16-36mm Mark II has almost none at this focal length, and what it has is simple). In other cases, the colour difference was enough, and in others simple things like fall-off or counting aperture blades. In other words, I was not basing my judgement about the image properties that mattered most.

The results were collected by people simply posting their guesses to the thread, so they could see all previous responses. That's hardly sound science. And the survey had closed before I even saw it in my time zone.

A properly designed psychological experiment would start with a clearly stated hypothesis, e.g. "Zeiss lenses are perceived as sharper" or "... as having better bokeh" or whatever, and then eliminate other variables. In particular, falloff (a dead giveaway for a zoom), distortion (ditto old-school wides) and colour differences need to be corrected in postprocessing. It would actually make quite an interesting student project.

Dressing up a "push poll" as science really only makes those who do have a scientific background instantly suspicious. The tone of some of this thread is unfortunate, but I can see why heels have been dug in. Subjectivism would, eventually, destroy the market for well-behaved lenses just as it did that for well-behaved sound equipment.



May 31, 2011 at 04:33 AM
charlesk
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p.21 #4 · Digital-Picture review ZE 100 MP lens


SKumar25 wrote:
Not everything can be measured. Can you measure if food tastes good? Similarly with Zeiss and Canon there is a difference and it is up to peoples personal preference. If you don't see any difference then that is your prerogative.

I don't think the problem is with people saying they subjectively prefer one lens over another. The problem comes in with attempts to claim that one lens is objectively "better" than another lens based on subjective criteria.

There is a difference.



May 31, 2011 at 07:16 AM
SKumar25
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p.21 #5 · Digital-Picture review ZE 100 MP lens


charlesk wrote:
I don't think the problem is with people saying they subjectively prefer one lens over another. The problem comes in with attempts to claim that one lens is objectively "better" than another lens based on subjective criteria.

There is a difference.


I agree Charles. There are grey areas though. For example, we all have a good idea of what nice bokeh is... nice and smooth and not nervous, nice round highlights, no onion rings in highlights etc etc etc. With this example one lens can be better than another based on what is really subjective criteria right? Or should we disregard such aspects since we can't objectively measure these?



May 31, 2011 at 08:36 AM
gdanmitchell
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p.21 #6 · Digital-Picture review ZE 100 MP lens


I'm sorry I cannot offer an accurate attribution this early in the morning, so I'm just going to mention a story I recall from a couple years back. Someone did a study in which they, IIRC, tested the ability of drinkers to assess the quality of wine. Now wine folks will tell you that there are objective differences between wines - and I would have to agree. However, the experiment went something like this - I'm making up the precise details but the idea was essentially the same. As I recall, test subjects included experienced wine connoisseurs and "normal" people. Drinkers were, I believe, offered a couple of glasses of wine to rate/compare. In some cases they were told that the wine was a modest and inexpensive vintage and in others they were told that it was a very expensive wine. The "trick" was that sometimes the wine described as expensive was actually the modest and inexpensive wine and sometimes the expensive wine was presented as being the modest and inexpensive one. By a vary large margin, no matter which wine the subjects were presented with, their was a very strong correlation between their judgment of the wines' quality and what they were told about its price.

This does not, of course, imply that more expensive things are never better than less expensive things or better than things with a lesser reputation. However, it does "prove" that there is a tendency to assume that the less expensive and exotic thing is not as good as the more expensive and exotic thing that is said to be very good.

I know of similar tests done with audio gear. A well-known test several decades ago asked test subjects including true audiophiles to differentiate among pairs of CD players. In these tests one was an extraordinarily expensive, high end system and the other was a regular consumer grade machine. The wrinkle in this test was that it was a so-called ABX test. Not only did subjects have to claim that they could detect a difference between two samples, but they also had to identify whether X was actually a second iteration of A or B. In the end, the results were essentially explainable by random probability - believed they sensed a "difference" but they could not match the "better" and "worse" samples to the unidentified third sample that matched the two the claimed to able to distinguish!

To think that this doesn't translate to areas such as photography would require quite a logical leap.

Several powerful forces are at work here. In the lineage of the "emperor's new clothes," few want to admit that they don't see the difference that everyone else sees, much less the difference that the really smart people claim to see. Sometimes though, especially in areas like wine and sound equipment and photographic equipment, where a certain percentage of people use the field as a way to demonstrate their superiority by acquiring "the best stuff," certain people are really, really invested in having the best stuff. And another issue is that once one invests (mentally and financially) in "the best," it is very, very difficult to see rationally when owning the best makes no discernible difference in the final product. Making things more complex is the fact that the quality of the stuff does matter - though not quite in the way that these folks imagine.

M Vers wrote:
In the end, both lenses are great in terms of optical performance. If you've got the additional cash, need f/2 and don't mind MF and the inability to shoot beyond 1:2 without tubes/TCs or if an extremely smooth MF operation and BQ is crucial then go with the Zeiss. If you favor versatility (IS, AF) without compromising IQ with the addition of weather sealing and don't feel like spending upwards of $1800 go with the Canon. Don't put any stock in what people see in the results regardless of your choice because the actual truth is 99.99999% of people
...Show more

Oh, no! But that's common sense! :-)

If often seems to me that if the amount of energy focused on irrelevant obsession over impossibly small measured differences between lenses (the photographic effect of which is debatable in terms of whether a "better" or "worse" exists) and subjective impressions played out passionately in online forums were to be refocused on an equivalent obsession about and focus on producing stunning photographs that something both useful and wonderful might happen.

M Vers wrote:
Meanwhile actual legitimate comparison images (Aravind's) don't show much, if any, noticeable differentiation...then again real photography is about pixel peeping, over exaggeration of slight optical variations on MTF charts and other shoddy/skewed testing methods.


+1

PetKal wrote:
I am really getting into 3D photography now......didn't even realise that 400 DO can render depth so well.


Yes, and its "drawing powers" are nothing less than ineffable. Colors and contrast are beyond superlatives. The bokeh is so creamy you can top your pumpkin pie with it.

Meanwhile back in the world of real photography... ;-)

Dan

A really useful exercise for some posters would be to adopt a discipline that they will only post in online forums on days when they also share a new photograph of theirs in a public place.

Edited on May 31, 2011 at 11:03 AM · View previous versions



May 31, 2011 at 09:08 AM
thedigitalbean
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p.21 #7 · Digital-Picture review ZE 100 MP lens


SKumar25 wrote:
I agree Charles. There are grey areas though. For example, we all have a good idea of what nice bokeh is... nice and smooth and not nervous, nice round highlights, no onion rings in highlights etc etc etc. With this example one lens can be better than another based on what is really subjective criteria right? Or should we disregard such aspects since we can't objectively measure these?


I think nice bokeh is something we can observe (looking for the things you suggest). I haven't done a bokeh torture test with either of these lenses, maybe I should. The trick is in finding a suitable test scene.



May 31, 2011 at 09:16 AM
thedigitalbean
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p.21 #8 · Digital-Picture review ZE 100 MP lens


M Vers wrote:
Exif reads f/2.8 for both images. The first seems focused slightly to the rear while the second a bit more on the larger flower to the right (look at the center of each 'main' flower).


Yea both were at f/2.8. I tried on both to place the place of focus in the middle of the right flower. The planes of focus definitely are slightly different but was thinking that it shouldn't be a big deal since I was looking mainly for color differences.



May 31, 2011 at 09:18 AM
M Vers
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p.21 #9 · Digital-Picture review ZE 100 MP lens


thedigitalbean wrote:
Yea both were at f/2.8. I tried on both to place the place of focus in the middle of the right flower. The planes of focus definitely are slightly different but was thinking that it shouldn't be a big deal since I was looking mainly for color differences.


No doubt--just noticed a slight difference is all...certainly not big enough to disqualify the comparison.



May 31, 2011 at 09:21 AM
wickerprints
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p.21 #10 · Digital-Picture review ZE 100 MP lens


If you can see it, you can measure and quantify it. It may take careful thought and planning to construct a methodology to do so in a meaningful fashion, but that does not make it "impossible."

For instance, blur circle characteristics such as size, shape, distribution of light intensity, and color are things that can be measured.

What one really needs to understand about bokeh is that it also depends on non-optical parameters--i.e., the nature of the scene. It is entirely possible that the same lens can simultaneously produce smooth and unsmooth bokeh--sometimes even in the same shot, depending on the subject and shooting parameters.

As for whether something is "pleasing" or "unpleasant," that is an entirely different question. I disagree with the assumption that "we all have a good idea of what nice bokeh is," because there is no universally accepted standard for what constitutes "nice bokeh." Were it so, it would be quantifiable, but by your own admission it is subjective. Your earlier analogy referring to the flavor of food also assumes that there is such a thing as a universally agreed set of criteria that makes some things taste good. As you know, people have different tastes. I love cilantro, but quite a few people hate it, for example (they claim it tastes "soapy").

Objective measurement can give us answers to questions such as, "how big?" "What color?" "What shape?" "How much?" To the extent that these things inform our perception of what is desirable, we can use these measures to describe what is good; for example, we generally consider high resolving power and high transmission to be positive attributes of a lens. But not everyone might agree that a certain characteristic is desirable or a criterion is significant, and that is where the discussion becomes subjective. The reason why many of us have been so critical of Zeiss in this thread is because some of you are trying to pass off your subjective impressions of the lens as objective fact, and when confronted with side-by-side comparisons under controlled conditions, those claims fall apart.

No one is saying you can't prefer the Zeiss just because you like it. What I and many others have been saying--largely to no avail--is that it is unfair and inappropriate to say that the Canon is not as good a lens because of some vague belief in some rendering difference that is not borne out in the side-by-side testing that has been done. It certainly demonstrates that the platitudes over the 100 MP and the simultaneous critical remarks about the 100L are not justified. I truly, honestly believe that if more side-by-side images were taken, you would find it extremely difficult if not impossible to distinguish the two, especially if the colors were rebalanced to match (as this is the most obvious difference).

Edited on May 31, 2011 at 09:32 AM · View previous versions



May 31, 2011 at 09:28 AM
charlesk
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p.21 #11 · Digital-Picture review ZE 100 MP lens


SKumar25 wrote:
I agree Charles. There are grey areas though. For example, we all have a good idea of what nice bokeh is... nice and smooth and not nervous, nice round highlights, no onion rings in highlights etc etc etc.

Yes and no. Most photographers generally agree on what makes "nice bokeh" but people still have their own individual tastes. The same applies to other purely subjective phenomena such as catchlights, warmth/coolness, etc.

SKumar25 wrote:
Or should we disregard such aspects since we can't objectively measure these?

We absolutely should not disregard something because we can't measure it objectively. But we should recognize what we can and cannot measure, distinguish between these things, and use words that make sense in context.

As I've said consistently, it's perfectly legitimate to say "I prefer the way the Zeiss lens looks". The problem comes in with statements like this, which was one of the first in this thread:

The Canon is a very nice lens. But it can't touch the image quality of the Zeiss 100

When you make that sort of a claim, you are going well beyond saying "I like the way the Zeiss looks". You are making a positive assertion, and people will expect you to be able to back it up. Especially when the data in this case quite clearly does not support the assertion that the Canon "can't touch" the Zeiss, people will take issue with these sorts of statements.

Then there are the claims like "3D rendering" or "presence". There are two problems here. First, they are used as if they were objective claims, yet they are entirely subjective -- nobody can define what "3D rendering" or "presence" mean. Second, the descriptions are inherently positive in nature, implying that the lens that has these attributes is better than the one that does not.

Again, there's a big difference between saying "I think lens A is more pleasing to my eye than lens B" and saying "Lens A has a more 3D look than lens B". Why? Because most photographers want their images to have a 3D look. This is an indirect way of saying one lens is better than another in a quantifiable manner, and so, naturally, people will ask that the claim be supported. If it cannot be, then we are squarely in the land of "wine experts" judging based on what's written on the bottle.



May 31, 2011 at 09:31 AM
Mirek Elsner
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p.21 #12 · Digital-Picture review ZE 100 MP lens


I don't think the problem is with people saying they subjectively prefer one lens over another.

From what I've seen on FM and elsewhere, those who actually used both mostly preferred the Zeiss.
[edit - speaking of 100L vs 100MP as universal use lens, not dedicated macro lens]

The problem comes in with attempts to claim that one lens is objectively "better" than another lens based on subjective criteria.

There is no chemical analysis to my knowledge proving that Chateau Pomerol is better than $4.50 boxed wine. But if people who actually tasted both say so, it would be unusual to call them names and demand that they provide scientific proof. I don't expect that from amateur photographers on FM either.

That said, you are right, most of the comments are subjective, not objective.



Edited on May 31, 2011 at 10:54 AM · View previous versions



May 31, 2011 at 09:53 AM
Mirek Elsner
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p.21 #13 · Digital-Picture review ZE 100 MP lens


Then there are the claims like "3D rendering" or "presence". There are two problems here. First, they are used as if they were objective claims, yet they are entirely subjective -- nobody can define what "3D rendering" or "presence" mean.

I don't think the problem is that nobody can define them, the problem is that "3D" is hard to reproduce and that nobody knows what exactly is causing it. You can point it out in photographs, but you can't explain why it is there. It seems that it appears most often in Zeiss pictures (some lenses more than others).



May 31, 2011 at 10:51 AM
gdanmitchell
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p.21 #14 · Digital-Picture review ZE 100 MP lens


Mirek Elsner wrote:
I don't think the problem is that nobody can define them, the problem is that "3D" is hard to reproduce and that nobody knows what exactly is causing it. You can point it out in photographs, but you can't explain why it is there. It seems that it appears most often in Zeiss pictures (some lenses more than others).


I think that the problem is not so much that "nobody knows what exactly is causing it." It is actually that the term is almost completely meaningless. Whatever it is that people think they are seeing when they use this term, it is likely the result of a whole range of things, most of which have little or nothing to do with the choice of lens. These things probably include at least the following:

- subjects not all in a plane parallel to the sensor, and/or...
- something in the image appears to be relatively sharp compared to other things in the image, and/or...
- some effect of exaggerated depth caused by OOF background, and/or...
- some effect of exaggerated depth caused by focal length compression, and/or...
- some effect of exaggerated depth caused by short focal length (!), and/or...
- separation between background/foreground/subject due to lighting, and/or...
- separation between background/foreground/subject due to color relationships, and/or...
- separation between background/foreground/subject due to compositional choices, and/or...
- too many other things to list here.

To be blunt, ascribing this thing (or these things?) referred to as "3D effect" to the quality of the lens seems photographically naive to me.

wickerprints wrote:
If you can see it, you can measure and quantify it.


But being able to measure and quantify it does not necessarily mean that it is significant or even perceptible in situations other than the measurement process. You can measure and quantify the difference between a vehicle going 150 mph and one going 150.00001 mph, but that has no meaning in the real world.

And it certainly would not be worth 18 pages of online forum discussion arguing about whether or not the 150.00001 mph vehicle was better than the 150 mph vehicle. ;-)

Dan

Edited on May 31, 2011 at 11:16 AM · View previous versions



May 31, 2011 at 11:06 AM
chez
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p.21 #15 · Digital-Picture review ZE 100 MP lens


gdanmitchell wrote:
But being able to measure and quantify it does not necessarily mean that it is significant or even perceptible in situations other than the measurement process. You can measure and quantify the difference between a vehicle going 150 mph and one going 150.00001 mph, but that has no meaning in the real world.

And it certainly would not be worth 18 pages of online forum discussion arguing about whether or not the 150.00001 mph vehicle was better than the 150 mph vehicle. ;-)

Dan


But Dan, what fun would it be if we could not argue about such Infinitesimal issues. We might actually be forced to take some photos.



May 31, 2011 at 11:13 AM
gdanmitchell
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p.21 #16 · Digital-Picture review ZE 100 MP lens


chez wrote:
But Dan, what fun would it be if we could not argue about such Infinitesimal issues. We might actually be forced to take some photos.


No one is forcing you! ;-)

But it is sometimes a rewarding thing to do when the Internet isn't available. :-)

Dan



May 31, 2011 at 11:15 AM
M Vers
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p.21 #17 · Digital-Picture review ZE 100 MP lens


gdanmitchell wrote:
And it certainly would not be worth 18 pages of online forum discussion arguing about whether or not the 150.00001 mph vehicle was better than the 150 mph vehicle. ;-)

Dan


It's when people think the vehicle that is actually doing 150.00001 is doing 250.00001 mph that tends to cause a problem



May 31, 2011 at 11:34 AM
wickerprints
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p.21 #18 · Digital-Picture review ZE 100 MP lens


gdanmitchell wrote:
And it certainly would not be worth 18 pages of online forum discussion arguing about whether or not the 150.00001 mph vehicle was better than the 150 mph vehicle. ;-)

Dan

M Vers wrote:
It's when people think the vehicle that is actually doing 150.00001 is doing 250.00001 mph that tends to cause a problem


Case in point:

Sven Jeppesen wrote:
The Canon is a very nice lens. But it can't touch the image quality of the Zeiss 100



May 31, 2011 at 11:52 AM
charlesk
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p.21 #19 · Digital-Picture review ZE 100 MP lens


Mirek Elsner wrote:
I don't think the problem is that nobody can define them, the problem is that "3D" is hard to reproduce and that nobody knows what exactly is causing it. You can point it out in photographs, but you can't explain why it is there.

You may not be able to explain this "3D effect"; I can explain it just fine. You won't like my explanation, of course.

Mirek Elsner wrote:
It seems that it appears most often in Zeiss pictures (some lenses more than others).

More correctly, it appears most often in Zeiss pictures as interpreted by Zeiss afficionados. There's a reason for that.



May 31, 2011 at 11:55 AM
Tom Dix
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p.21 #20 · Digital-Picture review ZE 100 MP lens


Testosterone is keeping this thread alive.
Whatever lens you purchase; get it at Best Buy...



you bought the wrong lens silly head; be prepared for 4d



May 31, 2011 at 11:59 AM
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