Mike- Nice yellow and bee on the flower
Cyra - Those tree shots are my favorite. Beautiful rendition
R. Young - Congrats on the successful panorama operation. That is a great looking tree.
R.Young wrote:
Have you tried printing that 9 Pano tree shot? I absolutely love it! Could I possibly buy the file and print it for my flat?
Which one is that? I dunno, unless you are going to offer me wads of cash, I would be more interested in a swap I am just looking at your website and having trouble choosing, but the first Silverstone Classic (ferrari?) shot is stunning, or the first Near & Far shot, or the second Landscapes shot?
100MP@f/3.3, 59 (!) shots (although I probably cropped out 20 of those ). I have done this tree before in a very similar fashion, but the leaves are now darker, and the red is darker and more intense. I am still looking for the perfect shot here. Oh, hand-held.
carstenw wrote:
100MP@f/3.3, 59 (!) shots (although I probably cropped out 20 of those ). I have done this tree before in a very similar fashion, but the leaves are now darker, and the red is darker and more intense. I am still looking for the perfect shot here. Oh, hand-held.
Love it Carsten, these panos are very addictive. I've just done a few more but should probably slow my uploads a little or I'll have nothing to post over the next few weeks!
A swap sounds good. Let me know what you want and I'll email you the file. The most recent in this thread by you is the one I have my eye on. I am currently about to print a load of pictures for my flat (have about 10 frames of various sizes and the walls are bare at the moment). Looking to print around 50x70cm in portrait or slightly smaller, or have three other frames which are 40x50cm (or 29x39cm with a card border).
DCJS, I'll try that crop, I just thought it might need the foreground blur to help the effect.
@carstenw: 59 shots?? .. woww, that's very cool.
Very inspiring. I'll try it soon.
Just curious, did you use the f3.3 to minimize the vignetting problem?
akul: cool image, I like the way it draws the attention to the structures and colour in the background which has very nice rendering.
Gary, I always keep looking for some while at Carstens images, not sure what it is that makes them more interesting than an ordinary shot of the same subject - different than usual DOF?
Very intriguing technique! (and the objects too, of course ), Carsten, you seem to know what to shoot and how.
Carsten, Cyra - thanks
Carsten - Love the 59 pano tree ( shrub). I know it is not just the shallow DOF that is unique about the pano. There is a sense that even the small size jpg indicates greater detail than actually presented.
Cyra - Yeah, you give 85 justice with your shots. Very pretty tree shote. Love the OOF rendition and perfect exposure. I like the other portrait too.
nixland wrote:
@carstenw: 59 shots?? .. woww, that's very cool.
Very inspiring. I'll try it soon.
Just curious, did you use the f3.3 to minimize the vignetting problem?
No, to get a little more depth of field APP and CS4 can both remove the vignetting.
cyra wrote:
Gary, I always keep looking for some while at Carstens images, not sure what it is that makes them more interesting than an ordinary shot of the same subject - different than usual DOF?
Very intriguing technique! (and the objects too, of course ), Carsten, you seem to know what to shoot and how.
Not so much, but I am gradually figuring out what to post
I also like this tree pano (with the red berries).
I never attempted to do panos with trees. Does it not require almost wind still conditions ? I could imagine that only a very slight breeze could ruin everything ?
Am I the only one here who completely doesn't get why you are doing
those panos of such simple scenes?
I get a pano as a long wide image to show a wide scene, a great sunset, but a tree?
I guess whatever makes you happy
I am just looking at your website and having trouble choosing, but the first Silverstone Classic (ferrari?) shot is stunning, or the first Near & Far shot, or the second Landscapes shot?
), Carsten, you seem to know what to shoot and how.
