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Manual Focus Nikon Glass

  
 
kwoodard
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p.2602 #1 · Manual Focus Nikon Glass


I had a few of the 55/2.8’s and did a test between them. They all rendered about the same, but what I did find out was two of them were decentered, sold them as parts lenses. The last one succumbed to the oil on the aperture blades and the helical locked up. Sold that one as well.

jimmuller wrote:
A question I've been meaning to ask -

Have any of you observed a significant rendering difference between two (or more) specimens of the same lens? Ever done any such tests? I would think there are differences, especially in the older lenses., not so much in the later ones.

I'm curious because three of the five lenses I will be getting from my friend will be redundant to what I have now. I may try some comparisons for fun. Maybe in a week or two.




Mar 05, 2026 at 04:49 PM
pbraymond
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p.2602 #2 · Manual Focus Nikon Glass


serge07 wrote:
Nice work, James.

The southern entrance to the North Woods from a small wooden bridge. The bridge was too crowded for photography.
https://live.staticflickr.com/65535/55128681528_6de3da0d11_h.jpg
Walking the ice covered trails was no party.
https://live.staticflickr.com/65535/55128681388_a663f54d23_h.jpg
X-E1 + N.C 28/2.0
Serge


In this instance I actually enjoy the shot with the humans in it. Gives scale, and the humans are actually involved in an activity (hiking) as opposed to just posing. Wonderful processing too, great whites and lovely browns.

---------------------------------------------

Andrea_Telleschi wrote:
Z5 + 28 f/2.8 Ai-s (Orbetello - Italy)

https://live.staticflickr.com/65535/55129449104_1912273326_b.jpgDZ5_8888_W by Andrea Telleschi, su Flickr


Not only great color but enjoy the stark texture difference between the water and the sky.

---------------------------------------------


jimmuller wrote:
A question I've been meaning to ask -

Have any of you observed a significant rendering difference between two (or more) specimens of the same lens? Ever done any such tests? I would think there are differences, especially in the older lenses., not so much in the later ones.

I'm curious because three of the five lenses I will be getting from my friend will be redundant to what I have now. I may try some comparisons for fun. Maybe in a week or two.


Hmm interesting for sure, glad you're willing to try it. I have a hard time testing just similar focal lengths across varying apertures, much less try what you're doing. Will be great to see your results though.



Mar 05, 2026 at 05:13 PM
pbraymond
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p.2602 #3 · Manual Focus Nikon Glass


50-135








Mar 05, 2026 at 05:13 PM
James Markus
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p.2602 #4 · Manual Focus Nikon Glass


jimmuller wrote:
A question I've been meaning to ask -

Have any of you observed a significant rendering difference between two (or more) specimens of the same lens? Ever done any such tests? I would think there are differences, especially in the older lenses., not so much in the later ones.

I'm curious because three of the five lenses I will be getting from my friend will be redundant to what I have now. I may try some comparisons for fun. Maybe in a week or two.



Jim, the only two lenses I spent much time testing were multiple copies of the 24mm f2.8 ais and the 28mm f2.8 ais - in both cases newer SIC coatings seemed to make a noticeable difference. Sharpness and contrast were both improved.



Mar 05, 2026 at 05:27 PM
James Markus
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p.2602 #5 · Manual Focus Nikon Glass


The 105mm Nikkor-P f2.5 non-ai showed up, and the sheen is amazing. I found it on ebay from a guy selling toys. Now I am done with non-ai purchases. So, here is a non-scientific anecdotal comparison between it and my ais version. Since I sold the 105mm f4 micro I added a K3 ring to each lens to bring MFD from about 40" to about 20". 5DS-R with eos-ai afapter. I'm going to refrain from my opinion, because a semi-blind old man just should do that. However, I like both and am going to keep them





Nikkor-P 105mm f2.5 non-ai shot by the 105mm f2.5 ais







105mm f2.5 ais shot by the Nikkor-P 105mm f2.5 non-ai







Nikkor-P 105mm f2.5 non-ai







105mm f2.5 ais







Nikkor-P 105mm f2.5 non-ai







Nikkor-P 105mm f2.5 non-ai




Mar 05, 2026 at 05:49 PM
serge07
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p.2602 #6 · Manual Focus Nikon Glass


pbraymond wrote:
In this instance I actually enjoy the shot with the humans in it. Gives scale, and the humans are actually involved in an activity (hiking) as opposed to just posing. Wonderful processing too, great whites and lovely browns.


Ray, thank you for the nice comments..

On the photo, I was trying to avoid too many black coats dotting the scene. I took several and this was my fave.

Great photography with the 5.8cm f/1.4. That is one cracker of a lens.

Serge



Mar 05, 2026 at 08:08 PM
NightOwl Cat
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p.2602 #7 · Manual Focus Nikon Glass


As Curtis might say... Famous last words...



James Markus wrote:
Now I am done with non-ai purchases.





Mar 06, 2026 at 02:30 AM
jimmuller
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p.2602 #8 · Manual Focus Nikon Glass


James Markus, those lenses both look nice but the calculator shot with the non-AI shot isn't so clear. Maybe it's just a bit too close?

On a different, or maybe the same subject...
Some things in this world confuse me. For example, why are some athletes called "free agents" when they are so expensive? Why are certain times of the day called "rush hour" when traffic moves so slowly?

I've been pondering the significance of "pre-AI". I'm using the FTZ so it's not so important. But I've found some inconsistencies between the written word and the reality, sort of like 'rush hour".

One video I found described how AI lenses have an indentation on the mount and orange lettering for the smallest aperture indicator. My 300mm was described as AI-S and it has both of those features. It fits the exact description and picture from these websites:
http://www.photosynthesis.co.nz/nikon/serialno.html#top
https://www.destoutz.ch/lens_300mm_f4.5_550083.html
AFAIK it doesn't actually allow full-aperture focus with automatic stop-down on shutter release (which is what I assume AI was all about), and the FTZ doesn't seem to support it. It does have the rabbit ears for earlier full-aperture detection as per my older lenses. Obviously Nikon kept the rabbit ears to make it compatible with older bodies.

My 55mm doesn't fit the description. Its f/32 mark is blue, not orange, and there is no indentation on the mount. But the SN 1033256 puts it in the last AI 105mm line of the database:
http://www.photosynthesis.co.nz/nikon/serialno.html#55Micro
and it matches the website's picture perfectly even down to the PK markings. To obfuscate even further, the Thousand and One Nights entry #85 says "With the shift to Ai, the Ai Micro-Nikkor 55mm f/3.5 was released in 1977." That spans all four 105mm AI lines in that database. So my lens would seem to be AI by both descriptions despite the lack of expected details. The rule that proves the existence of an exception, I guess. The indentation on the mount may have been an indicator to an F-mount camera but not strictly necessary for aperture actuation. The aperture ring does have a tab that actuates a small switch on the FTZ but AFAIK the camera appears not to notice.

My F-mount Tamron 90mm Macro takes it a step further. It has an orange f/32 mark but also a lock button to keep it there, and a secondary aperture display window. If I unlock it and widen the aperture the viewfinder pops up a black screen with a note that it must be set to f/32. As with the other lenses, the FTZ works only with Aperture-priority. When I scan my slides they all report f/6.3. I can't see anything about what it is doing, not even to check DOF for a shoot. (If I want to do that with a macro I'll just use the 55mm.) But it seems to work. Another difference is the focus indicator works by turning the center metering box green, which doesn't happen with the other lenses. Clearly the FTZ isn't disallowing all lens information. But that's not MFNG and so doesn't count.

None of this matters with the FTZ but might if I start shooting film on a F body. And why does football have an unnecessary roughness penalty when all of football is unnecessary roughness? Or a pass interference penalty when the defender's job is to interfere with passes? Just more confusing inconsistencies.



Mar 06, 2026 at 07:59 AM
grantgoodes
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p.2602 #9 · Manual Focus Nikon Glass


jimmuller wrote:
I've been pondering the significance of "pre-AI". I'm using the FTZ so it's not so important. But I've found some inconsistencies between the written word and the reality, sort of like 'rush hour".

One video I found described how AI lenses have an indentation on the mount and orange lettering for the smallest aperture indicator.


Well then the video is wrong, and is talking about AiS, not AI The definitive sign of an both AI and AiS lenses is the presence of the smaller ADR (Aperture Direct Readout) numbers closer to the camera-mount, and the little holes in the rabbit-ears so that the f/8 and f/4 numbers will not be in the shadow of the rabbit-ears. Pre-AI lenses lack the second set of ADR numbers, and the rabbit-ears are a solid, sharp triangle. AiS rabbit-ears are rounded, not triangular, and have the two little light-holes. Also, the aperture ring will have a ridge on the side facing the camera, which engages the body's aperture following-tab: Pre-AI lenses do NOT have this ridge (unless someone used a file to add one!)

The orange smallest-aperture is indicative of an AiS lens (the follow-on to AI) but not definitive since the colour of this aperture on an AI lens _may_ be orange, or some other random colour, depending on the specific lens. What _is_ definitive of an AiS lens is that the smallest aperture number on the ADR scale will ALSO be orange. There are other external indications of AiS, but the main one is not so easy to spot: The aperture step-down lever operates in a completely linear manner (1mm of movement causes the same stop-down effect at either end of the scale), which allows accurate Shutter-priority & Program auto-exposure on appropriate bodies (e.g. FA)

jimmuller wrote:
My 300mm was described as AI-S and it has both of those features. It fits the exact description and picture from these websites:
http://www.photosynthesis.co.nz/nikon/serialno.html#top
https://www.destoutz.ch/lens_300mm_f4.5_550083.html
AFAIK it doesn't actually allow full-aperture focus with automatic stop-down on shutter release (which is what I assume AI was all about), and the FTZ doesn't seem to support it. It does have the rabbit ears for earlier full-aperture detection as per my older lenses. Obviously Nikon kept the rabbit ears to make it compatible with older bodies.


Even pre-AI lenses provide automatic-stop-down on shutter release (though the FTZ doesn't have the mechanism, so maybe that is what you are confused about?). The term "AI" refers to Auto Indexing, which means the camera automatically knows what the lens's fastest aperture is. On a pre-AI body, you had to mount the lens set to f/5.6, and then rotate the aperture fully back-and-forth to tell the body what the aperture range of the lens was.

jimmuller wrote:
My 55mm doesn't fit the description. Its f/32 mark is blue, not orange, and there is no indentation on the mount. But the SN 1033256 puts it in the last AI 105mm line of the database:
http://www.photosynthesis.co.nz/nikon/serialno.html#55Micro
and it matches the website's picture perfectly even down to the PK markings. To obfuscate even further, the Thousand and One Nights entry #85 says "With the shift to Ai, the Ai Micro-Nikkor 55mm f/3.5 was released in 1977." That spans all four 105mm AI lines in that database. So my lens would seem to be AI by both descriptions despite the lack of expected
...Show more

Hmmm.. That is very strange, your Micro 55/3.5 should indeed be AI by the serial number. Possibly someone retrofitted an old pre-AI aperture ring on the lens (for what reason, I can't imagine!)

jimmuller wrote:
My F-mount Tamron 90mm Macro takes it a step further. It has an orange f/32 mark but also a lock button to keep it there, and a secondary aperture display window. If I unlock it and widen the aperture the viewfinder pops up a black screen with a note that it must be set to f/32. As with the other lenses, the FTZ works only with Aperture-priority. When I scan my slides they all report f/6.3. I can't see anything about what it is doing, not even to check DOF for a shoot. (If I want to do that with
...Show more

Pre-AI lenses are incompatible with new Nikon bodies that have an aperture follower-tab, unless they have the mechanism to flip it out of the way: The wider pre-AI aperture ring will interfere with the follower-tab, possibly even damaging it and jamming the lens on the mount. Some bodies (e.g. FM, FE, F3, Df) allow the tab to be flipped down, and can safely mount (most) pre-AI lenses. Be aware that some really old pre-AI lenses had aperture rings that were so wide they will jam on the mount.

In practice pre-AI lenses _are_ compatible with the bodies that allow them to be mounted (have the flip-down follower-tab), but you have to use stop-down metering since the body won't know what the maximum aperture is.



Mar 06, 2026 at 08:39 AM
James Markus
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p.2602 #10 · Manual Focus Nikon Glass


jimmuller wrote:
James Markus, those lenses both look nice but the calculator shot with the non-AI shot isn't so clear. Maybe it's just a bit too close?

On a different, or maybe the same subject...
Some things in this world confuse me. For example, why are some athletes called "free agents" when they are so expensive? Why are certain times of the day called "rush hour" when traffic moves so slowly?

I've been pondering the significance of "pre-AI". I'm using the FTZ so it's not so important. But I've found some inconsistencies between the written word and the reality, sort of like 'rush hour".

One video
...Show more

Either that or camera shake. Not a true test




Mar 06, 2026 at 09:45 AM
 


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jimmuller
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p.2602 #11 · Manual Focus Nikon Glass


Thanks for the great informative reply. Your AI vs. AIS description makes sense. A few clarifications -

My 55mm f/3.5 does have the small aperture marking (in white) and the rounded rabbit ears with holes. What it doesn't have is the indentation on the mounting plate on the back side of the lens, which my 300mm does have. Maybe that indentation isn't indicative at all. Maybe that's a non-S vs. S difference, I dunno'. The rabbit ears on my older lenses aren't rounded but they aren't what I'd call "sharply" triangular, just less round-ish and with no holes. As I say, it doesn't matter much to me, I'm just curious.

I know how aperture detection works, of course. I did the "Nikon shuffle" on my Nikkormat and still do out of habit, if only to make sure the ring operates smoothly when I switch lenses. In fact, the same Nikon website with the Thousand and One Nights has a similar page for many of the camera bodies. It suggests strongly that the rabbit ears mechanism was developed in parallel with the Nikkormat as required for through-the-lens metering and then pushed to the other bodies. But that might explain why the Tamron lens reports every shot as f/5.6, and maybe that's actually what it does.

I don't know what this aperture-follower tab looks like, never seen one, only seen pictures of it and the flip-out-of-the-way thingy. When I get and if I ever use these other two film bodes (F Photomic FTn and F2 w/o metering) I'll have to check carefully. I expect all my old lenses to work just like they always did. As for stop-down metering, that's what I have to do now with the FTZ.

Unless I buy a "new" DSLR or other F-mount camera, little of this matters.

Thanks again!



Edited on Mar 06, 2026 at 09:58 AM · View previous versions



Mar 06, 2026 at 09:54 AM
jimmuller
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p.2602 #12 · Manual Focus Nikon Glass


James Markus wrote:
Either that or camera shake. Not a true test


Huh? Test of what?



Mar 06, 2026 at 09:55 AM
James Markus
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p.2602 #13 · Manual Focus Nikon Glass


NightOwl Cat wrote:
As Curtis might say... Famous last words...





I was clear-eyed going into the Nikkor non-ai world. I was tired of seeing beautiful lenses selling for so cheap - so I found a way to use them, and purchased a small range. 20mm, 35mm, 50mm, 5.8cm, 105mm, 135mm = six lenses (one may be sold already) for $343 or $57 per lens, average. And you know what? -The old ones are just as good as the new ones. *AND I found a gem of a portrait lens - the 5.8cm f1.4 Nikkor-S, and possibly the 35 and 105 will fall into that category as well.




Mar 06, 2026 at 09:59 AM
mp356
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p.2602 #14 · Manual Focus Nikon Glass


Freezing rain overnight. Taken with the 85f2 Ai and 4t closeup. Thanks for looking.
Scott







Mar 06, 2026 at 10:57 AM
grantgoodes
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p.2602 #15 · Manual Focus Nikon Glass


jimmuller wrote:
Thanks for the great informative reply. Your AI vs. AIS description makes sense. A few clarifications -

My 55mm f/3.5 does have the small aperture marking (in white) and the rounded rabbit ears with holes. What it doesn't have is the indentation on the mounting plate on the back side of the lens, which my 300mm does have. Maybe that indentation isn't indicative at all. Maybe that's a non-S vs. S difference, I dunno'. The rabbit ears on my older lenses aren't rounded but they aren't what I'd call "sharply" triangular, just less round-ish and with no holes. As I say,
...Show more

Oh, now I understand. Yes, the little scoop you refer to is actually the "this is an AiS lens" indicator, and on certain bodies (e.g. the aforementioned FA), the camera would only enable advanced exposure modes (like Shutter-priority or Program mode) if the scoop was there.

For the definitive description, see this helpful website. The only other important feature is the "telephoto ridge" which allowed the camera to know that the lens was 135mm or greater (mostly used to bias the shutter-speed to higher values in Program mode).

jimmuller wrote:
I don't know what this aperture-follower tab looks like, never seen one, only seen pictures of it and the flip-out-of-the-way thingy. When I get and if I ever use these other two film bodes (F Photomic FTn and F2 w/o metering) I'll have to check carefully. I expect all my old lenses to work just like they always did. As for stop-down metering, that's what I have to do now with the FTZ.


The aperture-follower tab is found on the 1 O'clock position just outside of the body's lens-mount, engaging with the ridge on AI/AiS lenses, and can rotate around the mount as you change the aperture ring.

jimmuller wrote:
Unless I buy a "new" DSLR or other F-mount camera, little of this matters.


At this point, I'm sticking with F-mount, and am not satisfied with the restrictions that the Z-mount and FTZ adapters imply. In particular, I have several (very good!) AF-D "screw focus" lenses, and really don't trust/like the AF-S lenses that would be needed to get AF on mirrorless (how many have dead motors now!). I love my Df (despite its obvious flaws), and would only consider getting something like a Zf if someone can build an adapter with both an aperture follower and a built-in AF motor.



Mar 06, 2026 at 11:09 AM
jimmuller
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p.2602 #16 · Manual Focus Nikon Glass


Just to make sure I'm not being totally stupid and misinterpreting something, I'm posting this last note on the subject.

grantgoodes wrote:
Even pre-AI lenses provide automatic-stop-down on shutter release (though the FTZ doesn't have the mechanism, so maybe that is what you are confused about?). The term "AI" refers to Auto Indexing, which means the camera automatically knows what the lens's fastest aperture is.


Automatic-stop-down on shutter release obviously requires the camera know about the maximum aperture, and there are at least three ways to get there with through-the-lens metering. The rabbit ears was one way, as my Nikkormat did. Another is that the operator sets a value for it, like the Manual-Focus lens settings in my Z. Another way would be Aperture Indexing, allowing for faster lens swapping.

But my point is that if the camera/lens combination can't do automatic-stop-down on shutter release then AI is pointless (as are the rabbit ears and any camera setting). So my use of the words was the AI was a nod toward automatic aperture activation, if the camera can do it. Otherwise you're doing stop-down metering anyway and AI on the lens is meaningless.

Thanks again, and feel free to correct me!



Mar 06, 2026 at 11:26 AM
jimmuller
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p.2602 #17 · Manual Focus Nikon Glass


grantgoodes wrote:
...
At this point, I'm sticking with F-mount, and am not satisfied with the restrictions that the Z-mount and FTZ adapters imply. In particular, I have several (very good!) AF-D "screw focus" lenses, and really don't trust/like the AF-S lenses that would be needed to get AF on mirrorless (how many have dead motors now!). I love my Df (despite its obvious flaws), and would only consider getting something like a Zf if someone can build an adapter with both an aperture follower and a built-in AF motor.


Thank you! Well-explained.

FWIW, my phone popped up a website a few days ago where somebody is developing an FTZ alternative that will do more than the passive FTZ. Obviously you can't make a MF lens do AF but it could do stop-down-on-shutter, allowing full-aperture focusing. I wasn't tempted (yet), didn't pay much attention. As for AF-on-Z reliability, ah, I wouldn't know. I'd expect it to work at least until the warranty runs out!



Mar 06, 2026 at 11:39 AM
grantgoodes
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p.2602 #18 · Manual Focus Nikon Glass


jimmuller wrote:
Just to make sure I'm not being totally stupid and misinterpreting something, I'm posting this last note on the subject.

Automatic-stop-down on shutter release obviously requires the camera know about the maximum aperture, and there are at least three ways to get there with through-the-lens metering. The rabbit ears was one way, as my Nikkormat did. Another is that the operator sets a value for it, like the Manual-Focus lens settings in my Z. Another way would be Aperture Indexing, allowing for faster lens swapping.

But my point is that if the camera/lens combination can't do automatic-stop-down on shutter release then AI
...Show more

Hi Jim,

Yes, your summary is almost correct. The stop-down lever (present on almost ALL Nikkors from the origin of the F-mount), along with some way to "know" the maximum aperture, allows you to compose and meter the photo "wide-open" and have the camera correctly use the selected aperture. Alas, the FTZ lacks the stop-down lever mechanism, so even though you can select the lens-details in the MF Lens menu, you must use stop-down metering to get a correct exposure (the maximum aperture value is only useful for EXIF data). With the FTZ and mechanical aperture lenses, the camera has no knowledge of what aperture has been selected by the mechanical aperture ring. but also no way to stop it down from the wide-open position. You need to use something like a G-series lenses (no mechanical aperture ring) to avoid stop-down metering with the FTZ. An updated FTZ with an aperture follower-tab would still need a little motor to control the body-side stop-down lever (which the rumoured Monster LA-FZ11 adapter has), and Nikon does not seem interested in building such an adapter.



Mar 06, 2026 at 11:52 AM
saph
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p.2602 #19 · Manual Focus Nikon Glass


Since someone was wondering if its okay to carry a camera around at Baltimore's Inner Harbor area, I had to dig out this photo from pre-covid times, taken with the Bronica EC-TL and Nikkor 200 f4 P lens (Bronica-mount of course). That may be the heaviest camera I have walked around with over there. I have taken LF cameras too, but that's usually park and then walk a short distance to a pre-planned spot to shoot.

000211380004 by Maryland Photos, on Flickr

Granted, this was pre-Covid times when this area was so alive and happy. Things have indeed slowed down since then.



Mar 06, 2026 at 03:47 PM
jimmuller
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p.2602 #20 · Manual Focus Nikon Glass


grantgoodes wrote:
Hi Jim,...


Thank you!



Mar 06, 2026 at 04:34 PM
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