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Archive 2010 · Confluence
  
 
santos
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p.2 #1 · Confluence


Mitch W wrote:
Wow! Stunning!


Thanks for the wow, Mitch !

santiago


Feb 14, 2010 at 10:32 AM
sjkk
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p.2 #2 · Confluence


A peaceful and comfortingly timeless capture.

Feb 15, 2010 at 01:33 AM
Kaden K.
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p.2 #3 · Confluence


Excellent.

Feb 15, 2010 at 06:41 AM
santos
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p.2 #4 · Confluence


AllanWJ wrote:
Definitely a wall hanger Santiago. The more I look at it the more I appreciate the composition - there's so much going on in spite of the static nature of the landscape itself. Very nice all the way around.

Allan



Thanks a lot Allan. Feels indeed like discovering that region again...

santiago


Feb 16, 2010 at 08:11 AM
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p.2 #5 · Confluence


Strad wrote:
Just gorgeous, Santiago! I love it. My only teeensy nit would be that dark pole in the middle right and what appears to be a white van on the road. Seeing such overt encroachments of humanity in the midst of such bucolic splendor is a bit jarring.

All the best,

Endre


Thank you kindly, Endre. I too thought a long time about the two items you mention. I eventually decided I should keep them because they are linked to the scene here. The pole because it brings telephone and electricity, across the wood and to the village (you can see the road leading to it). The parked van, because it brought the people who were harvesting the last grapes

santiago


Feb 16, 2010 at 08:15 AM
 



santos
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p.2 #6 · Confluence


sjkk wrote:
A peaceful and comfortingly timeless capture.


Many thanks, Sonja. This has been there for quite many generations, indeed.
The Chardonnay there is most excellent, crisp with delicate acidity. It helps one cope with the weight of Tradition

santiago


Feb 18, 2010 at 07:36 AM
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p.2 #7 · Confluence


Kaden K. wrote:
Excellent.


Thank you, Kaden.

santiago


Feb 18, 2010 at 07:37 AM
SJMD
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p.2 #8 · Confluence


love and angles and the light

Feb 20, 2010 at 02:33 AM
santos
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p.2 #9 · Confluence


SJMD wrote:
love and angles and the light



Thanks, Steve

santiago


Feb 20, 2010 at 05:56 PM
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