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Archive 2009 · Lauren

  
 
jtsmith
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p.1 #1 · Lauren


I had the pleasure of working with Model and Make up Artist Lauren, from Miami. Supershoots welcomes her to the family and doubles as a wonderful artist and model.

A shot using a soft box as a background.

http://www.supershoots.com/smith/5624.jpg

A beauty shot portrait using a tenting, tilting or tee pee'ing, if you will, two soft boxes close to Lauren for soft light. Hard to go wrong with a pretty face.

http://www.supershoots.com/smith/5543.jpg

J T
http://www.supershoots.com
http://www.hitthelodge.com



Nov 01, 2009 at 09:35 AM
Garvo
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p.1 #2 · Lauren


Beautiful work


Nov 01, 2009 at 09:46 AM
poison
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p.1 #3 · Lauren


great shots, liked #2 bether, maybe because of the top ..in #1 it doesnt look that good on the left of the picture.


Nov 01, 2009 at 10:38 AM
jtsmith
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p.1 #4 · Lauren


poison wrote:
great shots, liked #2 bether, maybe because of the top ..in #1 it doesnt look that good on the left of the picture.


Thanks for bringing that up. The blue jean vest is kind of made that way but does appear to deform. I left it that way. Perhaps lazy. I also hate the floating hand.

J T

Edit:

http://www.supershoots.com/smith/5624b.jpg





Nov 01, 2009 at 10:48 AM
squareeyez
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p.1 #5 · Lauren


I dig it! Her facial skin looks a bit mannequin-esque but I know she is real because mannequins don't have that kind of booty.


Nov 01, 2009 at 11:49 AM
tonylovesmary
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p.1 #6 · Lauren


JT -- Nice work. Two very different moods, and I really like the B&W conversion on #1.

One question: you wrote "soft box as a background" -- how big is that softbox, and how far away was it from Lauren?

OK, that was two questions.



Nov 01, 2009 at 02:07 PM
jtsmith
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p.1 #7 · Lauren


tonylovesmary wrote:
JT -- Nice work. Two very different moods, and I really like the B&W conversion on #1.

One question: you wrote "soft box as a background" -- how big is that softbox, and how far away was it from Lauren?

OK, that was two questions.


The black and white was converted already in the BnW mode on the S3 Fuji.

4 Feet on the softbox. Lauren is petite.

I would guess I had her 2 ft from it.

J T



Nov 01, 2009 at 02:11 PM
tonylovesmary
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p.1 #8 · Lauren


Wow -- so the B&W was straight out of the camera, with no extensive tweaking on your part?

I just realized I have another question: there's a catchlight in her eyes; so did you have a big reflector to camera right, or ... ?

That's a neat setup, and it appears simple and it looks GREAT for that style.



Nov 01, 2009 at 02:19 PM
jtsmith
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p.1 #9 · Lauren


tonylovesmary wrote:
Wow -- so the B&W was straight out of the camera, with no extensive tweaking on your part?

I just realized I have another question: there's a catchlight in her eyes; so did you have a big reflector to camera right, or ... ?

That's a neat setup, and it appears simple and it looks GREAT for that style.


Level Adjustment for contrast but no extensive tweaking.

No, another soft box was used for main light.

I love to play and I just created a L shaped bank..

J T



Nov 01, 2009 at 02:25 PM
kenyee
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p.1 #10 · Lauren


love the teepee shot...any behind the scenes pic of how the softboxes were aligned?


Nov 01, 2009 at 03:25 PM
thorne88
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p.1 #11 · Lauren


These are great! I like the 2nd one the best and then the 2nd edit of the first

I would also like to hear a bit more about the teepee lighting setup. This is new to me



Nov 01, 2009 at 05:25 PM
jtsmith
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p.1 #12 · Lauren


The best way to describe a Tee Pee effect is to build a V shape pattern with two soft boxes. Place the subject just on the back plain and allow the bank of the soft boxes instead of the center to be your main light source. Just think of an A frame house and place your model on the back patio sliding glass doors but shoot from the front porch with the door open of course. ;-)

This works different with deep or shallow soft boxes. I prefer to use this technique with shallow banks. Then you can adjust power on one light to change effects. Obviously this technique is for portraits or beauty head shots.

J T




Nov 01, 2009 at 06:31 PM
markperez
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p.1 #13 · Lauren


jtsmith wrote:
http://www.supershoots.com/smith/5543.jpg

J T
http://www.supershoots.com
http://www.hitthelodge.com



um um um um um um WOW she pretty. great shot on number 2



Nov 02, 2009 at 07:59 AM
tonylovesmary
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p.1 #14 · Lauren


J T,

Thanks for the extensive description. I'm definitely going to save this thread.



Nov 02, 2009 at 12:06 PM
jtsmith
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p.1 #15 · Lauren


tonylovesmary wrote:
J T,

Thanks for the extensive description. I'm definitely going to save this thread.


You can also play around. Another example would be to place your fingers together with your palms apart from each other which is the way I have already described. Then open your pinkie finger and so forth; pressing and keeping your index fingers and thumbs connected to spread and tilt your hands. Design your placement that way with a silver reflector underneath both soft boxes. Your thumbs connected represents your reflector. Your index fingers represent how the soft boxes would touch each other and be tilted.

Shoot through the open triangle. This will add a little more directional lighting from your soft boxes if desired.

J T



Nov 03, 2009 at 02:34 PM
Paul Kierstead
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p.1 #16 · Lauren


#1 is very competent and well done, but #2 is fantastic; a really really great shot.


Nov 03, 2009 at 09:07 PM
Paul Kierstead
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p.1 #17 · Lauren


Also, would like to add #2 is really great all around; makeup and and model did bang-up job as well. Might tone the smoothing down a tiny bit.


Nov 03, 2009 at 09:08 PM
fstop212
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p.1 #18 · Lauren


First off, these shots are fantastic. Great lighting and angle. Secondly, she is absolutely drop dead gorgeous.


Nov 05, 2009 at 10:55 AM





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