Scott Sewell Offline Dedicated FM Upload & Sell: On
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p.1 #7 · Strobed basketball set-up | |
First things first...you are insured, correct? If not, don't even think about doing any of this until you've got a couple million in liability.
If you're shooting the original 1d, I would suggest using the sync speed of 1/500. I don't have one any longer, but one reason I kept one of the original 1d bodies in my gear lineup was specifically for strobing high school sports.
I use B800s and have never had them at full power in a HS facility. Just too powerful. Mine are usually set about about 1/2 and bounced toward the top of the key. I will put them on a 13' stand then use a magic arm/super clamps to attach the stand to one of the hand rails. I don't clamp lights right to the hand rails as there are too many people who will goof with them. At least on the stand, they're out of reach and the magic arm/clamps keep them secure. I've never had a problem with that set-up. And, if I'm using just one light, I can just unclamp the stand, walk under the bleachers to the other end of the court at halftime, clamp the stand and I'm good to go.
I use to use two--and sometimes still do--but most of the time I use one in a corner behind the spot where I'm shooting along the baseline. I will use two when I think I might have a tough time sitting where I'd like. Often the HS games can get very crowded right around the court, compared to college of NBA where there are specific places for shooters to work.
Here is an example of strobe placement (excuse the shot and graphics):

And here is a sample image:

Here's another:

You will notice the one light will cover pretty much most of the lane, out to the top of the key, and toward the light. What it doens't cover is the far court but, frankly, how many good shots are coming from other there anyway? There are usually too many bodies in the way to get decent shots from the opposite side of the lane.
Here are a couple of samples with two strobes on one end in each corner. Again, these 800s were not set to full power...maybe half at most. There is plenty of light. One problem with using two is if you try to shoot someone driving the baseline toward you there will likely be a lot of spill from the opposite strobe. And, as mentioned earlier, there is just not much to capture from the opposite side of the lane even if the strobe is lighting things up nicely over there. For me, I like that the second strobe is almost like a hair light or highlight to the main strobe behind me.


Finally, if you really want to have fun and expand what you might capture, you can get to the point of adjusting your settings on the fly and capturing action at the far end of the court.
With one strobe, here is a shot of a player right in front of me. Settings are ISO400, 1/250, f5.6.

And here is the same player (same game) driving at the top of the key at the far end of the court. All I did was dial my aperture to f2.8 when they move to that end, then dial it back to f5.6 when they come back.

Good luck.
Oh yea, I should mention that it's tough to tell you how/where to place your strobe(s) without really seeing the layout and traffic flow in the gym. But I can highly recommend that you know where the high-traffic patterns are and plan accordingly. I can't say I've ever strobed a HS facility where I could put the strobes in an ideal spot. There are often doorways, walkways or stairs where I'd like to put them, but will place them elsewhere just to lessen the chance of problems.
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