jcolwell Offline Dedicated FM Upload & Sell: On
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p.1 #6 · When you really start to look closely | |
millsart wrote:
Horses for courses but I guess it depends if your after one or two stellar shots are being able to capture a diverse range of photos from a day trip
I agree. I usually take the 24-105L for shooting just about anything on a day trip, or while traveling. I was in Sweden last week with the 24-105L and 5D, plus a Voigtlander 20/3.5 and 180/4, just in case (I didn't even unwrap the Distagon 28/2.8 that was stashed away, in the back of somewhere). By far the majority of my shots were taken with the 24-105L. I used the 20/3.5 quite a lot in the Vasa Museum, and the 180/4 APO for some skyline shots from the hotel (on a tripod). Of course, on my few free hours, I was touring the beautiful and interesting city of Stockholm with my equally beautiful and interesting wife - taking 15 minutes to get 'the shot' was not on the agenda.
Around home and for trips where photography is more of a central theme, I take the 24-105L on 5D and a 70-200/4L IS on 40D - a versatile combination, for sure.
OTOH, when I'm out for a day or more of dedicated shooting, hoping for a few really good images, then the zooms usually stay home and I bring along a case or two of MF alternatives. One of which is the not-so alternative 135/2L. The results are better, but only if you have the time to spare and the patience to get it right. Man, it's a lot easier now than in the 'old days', with a honking big LF camera, or a beautiful Fuji GW670II and handheld light meter (it's easier now with a DSLR, the results aren't necessarily better).
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