K_Strecker Offline Upload & Sell: Off
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p.1 #1 · PocketWizard Mini/Flex save the day | |
The groundwork. I've shot in this venue before. converted old church, eccentric owners with unique decorating and lighting taste.
This is literally the lighting and exposure level in the room. The white balance in this shot was set to Tungsten, because that's truely what the bulbs in those fixtures are . . . before they were gelled to oblivion. With a few CFLs thrown in for good measure.

Nevermind the fact that it took 1/15 @ f/2.8 ISO 6400 to get that exposure. Not gona work for a night of latin jazz and salsa dancing.
If this were a wedding reception, and the flash was on-camera, bouncing would be the best plan. The ceiling isn't white, but it's a close-to-neutral baby blue, and the walls *are* white, so there's a good chance of getting good color balance. They're not too high either, so power is no problem.
But, if you take those bounced flashes off camera, one on each side of the room, shooting up into the ceiling, and control their ratios, you can get some additional depth. Not to mention, eliminating the phenomenon of the far background going dark because you're bouncing the flash directly overhead. . .
You can see the ratios doing some light sculpting on most of the shots. There's a clear highlight side and filled side. Much more dimension than a bounced on-camera flash can give.
1 mini on my 1D mkIII, ST-E2 on top. 1 580EX and 1 430EXII both on Flexes. 580EX is seperated from it's flex via OC cord, and the flex is simply clamped down on the ligthstand about 15 inches.
With that out of the way, the results.





Now, for the torture test. I found myself outside with the camera . . . and thought hmmmm . . . will it work?
I disabled flash on the left image for the baseline, turned flash back on for the second. Again, just a Pocket Wizard MiniTT1 on camera, firing the canon flashes attached to flashes . . . 3 stories up at the back end of that room.

alternate angle . . .

and again, from further away, on the other side of the street.

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