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| p.2 #15 · Senior Portraits with 200/2 wide open. |
"Would it be possible to see some of the side by sides you did with the 135 and the 200 ?"
I may try do some critical side-by-sides over the weekend and post.
"I noticed you also own the 85L. I was wondering how would you compare these two lenses? Also, how do you see yourself using each one in your portrait work?"
I use the 85 mainly for groups. It does not focus closely enough for my style of work, plus I like the longer throw of the 135 and 200 for individual portraits. The 85 at any f/stop is deadly, but at f/8 you can count not only the eyelashes, but the flecks of dust on them ;-) Of course, it's all a matter of choice and preference. But even when I shot with Hasselblads my lens of choice for portraits was the 250/4 F, so I guess I'm a longer lens guy at heart.
"Are you exposing the background 1-2 stops under and then chimping the eTTL or manual flash via remote triggers? I guess eTTL wouldn't work so reliably with the softbox and in outdoor light. And any general preferred ratios between the flashes? Softbox is 28in or so?"
I set the ambient exposure compensation to -1/3 to -2/3 depending on subject and clothing. Flash compensation is set to +1/3 to +2/3, depending on desired effect. Everything is shot with ETTL, auto everything, triggered by an ST-E2. All lights have the same output, so the ratio is 1:1. I don't want to think about my gear when I'm interacting with a client. Softbox is a 16x22 LiteDome, and the ETTL works fine with it. RadioPoppers allow placement of the lights anywhere.
A picture of one of my setups can be found here, Page #4 Post #9.
"One last question, did they get to pick the setting, or did you scout out first and ask them which they preferred?"
I have a variety of locations that I use. The seniors can design their sessions based on the styles of images they like (studio, outdoor, park, urban, etc.). No sense wasting time shooting what they don't want.